Dernières heures à Denver

It would be hard to dislike a film that opens with a Tom Waits tune and gives hitherto typecast actors a chance to, oh, I don't know: Act. First, Andy Garcia. What can I say about Andy? He's an attractive guy who all too often gets slated to play "the attractive guy." (His shamefully undeveloped character from Ocean's Eleven comes to mind). In this little indy film he gets a chance to actually embody a character and not simply be Andy Garcia (with capital letters). Then there's his love interest, Gabrielle Anwar (who elevated the already immortal tango in Scent of a Woman). Poor Anwar has been plagued with a lot of stock roles in lame movies since then, but here, like Garcia, she gets to explore her role and show the audience she can do more than make "hey I'm famous. Where's my check?" Al Pacino look good on the dance floor. Also fantastic are Treat Williams, Steve Buscemi, and Christopher Walken (who bests his Annie Hall AND Pulp Fiction cameos). The story is simple: Andy's character is an ex-mob guy who's gone legit then pulled back in for one last job, things go wrong, and he's got 2 days before he's going to be killed. In many hands this would be a B movie, but the writing is so clever and unique that this excessively played mob-movie thing seems like it's done for the first time. There are as many quotable lines in this film as any cult classic; my favorites include: "I knew the kid was lunchy, but not that lunchy." and meeting Anwar's character for the first time: "What's your name?" "Dagney." "Dagney? Wonderful name. Everyone should know a Dagney."

If you like films like Usual Suspects that combine the action genre with actual thought and character development rent this film and see if you can watch it only once. In the same ballpark try Way Of The Gun with Benicio Del Toro and Ryan Phillippe, another film where "pretty boys" are actually allowed to explore their craft of acting.

Following the success of "Reservoir Dogs" (1992) and "Pulp Fiction" (1994), there were a slew of quirky (and violent) crime films. Most of them were pretty awful ("2 Days in the Valley" "Lucky Number Slevin") and some that were pretty excellent ("Get Shorty" "Grosse Pointe Blank" "Go"). "Things to Do in Denver When You're Dead" falls somewhere in between. The film was written by Scott Rosenberg, who's written solid entertainment like "Con Air" and "Jumanji: Welcome to the Jungle" to duds like "Kangaroo Jack" and the "Gone in Sixty Seconds" remake. The script on it's own probably falls into the the lesser half of Tarantino knock-offs, but an excellent cast (Andy García, Christopher Lloyd, Treat Williams, Bill Nunn, Jack Warden, Steve Buscemi, Christopher Walken, Fairuza Balk, Gabrielle Anwar, Bill Cobbs, Glenn Plummer, Don Cheadle, and Tiny Lister) greatly elevate the material. The story follows Jimmy the Saint (Garcia) as he puts together a disparate crew of quirky criminals (i.e.Lloyd has appendages falling off and Williams uses bodies at the funeral parlor he works at as as punching bags) on a job that, as you'd expect, goes all wrong. The film does have it's moments. Williams and Nunn cursing each other out in a Resturant while birthday-hat-wearing children look on in stunned silence is pretty funny. Williams as the unpredictable and off kilter Critical Bill is probably the best part of the film. A close second is a doomed romance between Garcia and Anwar. However, the film's script is really just trying too hark in it's attempt to be cool and quirky. The narration by the great Jack Warden seemed particularly pretentious. Overall, there are better films to choose from if you're wanting 90s style Tarantino rip-offs, but if you like the cast here (which I do greatly), you'll probably enjoy "Things to Do in Denver When You're Dead."

This film is very unique and it features a stellar cast including the great Andy Garcia, the talented Christopher Lloyd and the brilliant Christopher Walken, who;s performance is exceptional even though it is a small part.

This film is very memorable featuring great performances especially from Steve Buscemi playing the hitman. It also has very creative and quotable dialogue inluding the term boatdrinks.

I recommend this to anyone who is a fan of the crime genre or anyone who is a fan of the cast. Watch this film, quote the dialogue and be a gangster yourself.

I just wanted to choose one movie out of all the movies I've seen - per chance, I've got something like a list - and vote for it here. I happened to choose "Things to Do in Denver when You're Dead", I read a few comments, voted my 8 out of 10 and then I thought: Well, I guess I could easily write an own comment about this one quite quickly. So here is what I feel about it.

Generally, I'm a person who objects decisively to too much violence and obscenity, but still I like so much about this movie. I would have avoided many scenes and sure it is also a bit too pathetic, but it's also melancholic and poetic. Never before "good gangsters" have been as likeable as here - despite all that exaggerated kind of stuff they talk. As I told you, there is this dark poetry in this picture. The jeopardy of life in which the gangsters find themselves, their only hopes and the way they take it. There is also an unhappy love-story in this movie, no special one whereof you'd remember anything great or particularly touching, but it fits into the picture.

Already when you watch the opening scene of the movie - which you might feel quite uncomfortable about - you know that this is a unique and unconventional movie which doesn't like the word *taboo*. Therefore - there IS too much violence and obscenity in it. But also this is - depending on the way you look at it - fascinating: You don't care when someone is shot, but nethertheless you think you DID care for the main characters.

And finally the performances must be mentioned. They are really extremely fine and very charming. First of all Andy Garcia's in the lead. I've seen him in a few other movies before, but I didn't know what a good actor he is. In this movie he is absolutely brilliant, he's so very likeable - and melancholic when still full of joy. Christopher Walken of course is always fine, as is Christopher Lloyd as the leper (if he actually is one, tasteless but very very grotesque and funny!) and it's Treat Williams who stands out. Fairuza Balk also deserves being mentioned. And - it's some time ago that I saw the movie, so I can't actually recall why, but - I remember that I also enjoyed Jack Warden, who had a supporting role, very much.

This is an excellent film that has interesting characters, a tricky plot line and alot of cool phrases/sayings. This is a movie critizied for copying Pulp Fiction, but it's not the same kind of movie. It's script was made before Pulp Fiction and is more complex then Pulp fiction. Steve Buscemi is a standout in the cast as a deadly hitman named Mr. Shh, and also noticeable is Treat Williams who is the psychotic Critical Bill. This is a totally original film that should be recognized and talked about, it only had bad timing on it's release.