Grand Nord

Had "North Star" been made in, let's say, the 60s or 70s, then I would be able to watch it and classify it as maybe an eight or nine-star film. It's got the kind of plot that would suit a 90s movie, but the way it's made is far too reminiscent of the past. And when you mix a film that looks modern with a style of the past, it comes out a bit campy. For example, the screenplay seems like it was written a long time ago and went unchanged until just now. Characters laughing at jokes and stuff that are not even remotely funny were common back in the 60s and 70s, but not in films of the 90s. I hate to say it, but sound effects and stuff in this movie like that are also no better than the Westerns of long ago. Thus, the shootouts aren't that exciting. Some parts of "North Star" go on for too long, some parts whip by way too fast.

There are some positive aspects to "North Star" though. Even though it does seem like it's made in the wrong time and kind of cheesy, it is a film that you can sit down and watch without getting bored. Sure, you'll be thinking a lot, "man, that was...weird" or "that wasn't very thrilling" or "that was disappointing", but it is a film where you want to see the rest of it. That's what made me give this film five out of ten stars for a rating. But it's still heavily flawed and had it been made twenty or thirty years before it really was, I think it would have been better.

In the latter part of the 19th century,Alaska is swamped with people claiming land for goldmines and a struggle ensues between a crooked businessman and a half breed over stolen land. This is in all aspects a western but set in land covered with snow and with sledges more than horses.Film is actually mainly norweigian made but also has other countries involved in it's production,so may even come under the euro western genre.Film is slow paced but also strangely seems rushed at times especially at a rather lacklustre climax.James Caan as the villain of the piece plays it all wide eyed and mad looking which is a little over the top.Some sporadic violence and a couple of OK moments but not enough.

Sorry friends this is a frozen turkey; just it's an interesting turkey courtesy of Caan & Young. Years back they made two superior films- The Gambler & The Killer Elite. It's nice to seem them looking so good 25 years later even considering the material.

When the movie starts I started to think of Jimmy Stewart & Walter Brennan in The Far Country. Afterwards, Valdez is Coming. By the end it just freezes to death of its own weight. It's supposed to showcaset this Highlander guy but he doesn't even rise to the level of Steven Seagal.

I laughed and enjoyed Caan as a ruthless businessman turned psycho killer but somewhere Sonny Corleone is shaking his head. John McIntire too.

Had "North Star" been made in the 1940's or 1950's and had starred John Wayne or Charlton Heston, it would have been hailed as an exciting wilderness adventure, featuring excellent chase sequences and solid characters. However, it was made in 1995, and while the story had a good deal of potential as a great, if mindless, adventure story, it unfortunately is too tame for modern viewers. They will probably be either very bored or just not interested. While the characters are effective and the story is loaded with some great stuff, it simply pales to films of its kind, including "Cliffhanger" and "White Fang."

That said, the cast is excellent, if a little miscast. James Caan is the villian, a man maddened by the isolated confounds of Nome Alaska. Having lived there for many years, I knew many people in his situation, and he does as a good a job as possible showing the effects such desolate surroundings can have on the human spirit. He nails the performance and shows why he's the celebrated actor that he is, and he makes dialogue such as "Nobody dies until I tell them to die!" sound miraculously believable.

Christopher Lambert also brings passion to the role of the half-breed Indian who is trying to protect his land from Caan. While it is obviously a miscast (he's part Eskimo like I'm Clark Gable!), he does a commendable job as a man torn between loyalties, protecting a land from a native people who don't necessarily trust him. I don't think he was the ideal choice for the role, simply because he's obviously French, but the subtly and haunted characteristics that he demonstrates here shows a great deal of flair and concern for making this film work.

Between he and Caan, not to mention an altogether underused Catherine McCormick, they almost manage to lift this tame adventure story above standards. Unfortunately, good perfomances can't save it. Only style and more over-the-top actions scenes would have, and that is where the movie is lacking. Still, it's not a bad film to watch during the dog-days of summer for a little pick-me-up.

**1/2 out of ****

In Nome, Alaska, in the 1890s, the mining claim of Hudson Saanteek, deceased, is being auctioned off, only he's not really dead. Hudson is a 'half-breed' who wants to preserve land that belongs to the Indians who raised him. Meanwhile, Swedish immigrant Bjorn Svenson wants to claim the land where he has been mining for months, but immigrants are not allowed to have claims. He has to appeal to Sean McLennon, who seems to make the rules in this town and has plenty of money but could always use more. McLennon won't listen, because he despises immigrants as well as half-breeds, and anyone who stands in his way. Later, one of these two problems is dealt with by a kidnapping, and so begins a wintry wilderness adventure.

If you like scenes of sled dogs racing through the snow, this movie may be for you (though this wouldn't have been my first choice; it just happened to be on TV). There's lots of excitement once the adventure gets going, and some strange plot twists. James Caan made a deliciously evil and almost comical villain, at least at first. Later, he was just plain mean. The Indians talked mostly in a native language, which added to the realism, and I think most of them gave good performances. One Indian woman never said a word, and yet she could show emotion just with her face, even with very little movement. And one dog, who was listed in the credits as a wolf, even seemed to have a personality. Reidar Sorenson was also quite good as Bjorn, with a style that made me wonder if he has done Shakespeare.

Still, this is not that special, and maybe there have been movies like this which were done better.