A girl is among the few survivors of a dystopian Earth. Riding a war tank, she fights against the tyranny of a mega-corporation that dominates the remaining potable water supply of the plane... Read allA girl is among the few survivors of a dystopian Earth. Riding a war tank, she fights against the tyranny of a mega-corporation that dominates the remaining potable water supply of the planet.A girl is among the few survivors of a dystopian Earth. Riding a war tank, she fights against the tyranny of a mega-corporation that dominates the remaining potable water supply of the planet.
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A comic book with a female hero in a post-apocalyptic world with mutant kangaroos. I can see why this didn't go over big in 1995. But these days, with comic books being regularly made into films, it's worth taking another look at this little gem.
I can remember enjoying this film back then, but having viewed it fresh, there's a lot to admire: It's got energy. It's got a killer soundtrack. It's chock full of feminist grrrl power. The casting is interesting, from Malcolm McDowell and Naomi Watts to Ice-T and Iggy Pop. There's a seamless flow between the comic book and the live-action. The old-school, in-camera effects are pretty flawless—they dropped some serious coin. And Lori Petty really nails it, bringing a comic book character to life.
Look, there's no deep moral message or "hero's journey" here—it's based on a comic book, after all. It's just fun, escapist entertainment. I'm generally a fan of world cinema, and "Tank Girl" is by no means a classic. But if you appreciate films that take chances, break the mould and don't take themselves too seriously, it's worth a watch.
I can remember enjoying this film back then, but having viewed it fresh, there's a lot to admire: It's got energy. It's got a killer soundtrack. It's chock full of feminist grrrl power. The casting is interesting, from Malcolm McDowell and Naomi Watts to Ice-T and Iggy Pop. There's a seamless flow between the comic book and the live-action. The old-school, in-camera effects are pretty flawless—they dropped some serious coin. And Lori Petty really nails it, bringing a comic book character to life.
Look, there's no deep moral message or "hero's journey" here—it's based on a comic book, after all. It's just fun, escapist entertainment. I'm generally a fan of world cinema, and "Tank Girl" is by no means a classic. But if you appreciate films that take chances, break the mould and don't take themselves too seriously, it's worth a watch.
This one is destined to be a cult classic, if it already isn't. I have not seen the comic book but if you like your movies a little off kilter then, this one is great! Lori Petty was so perfect for the roll of Tank Girl it hurts. Not only does she look the part but she also manages to spout the one-liners in a way that has to make you laugh. I love the way they combine images from the comic strip with the live action. A kick-butt soundtrack, along with a great cast, and an awesome script makes this movie a must-see for any odd comedy fan.
This movie may not be a masterpiece, but it is a testament to an era of movie making in which people still made movies for fun. Not all movies have to be high budget Hollywood movies trying to sell to China. Not all movies have to have serious plots, serious characters, and expensive action scenes. People's hatred of anything different is the reason why so many movies today are so unoriginal and dull. Anytime anyone tries anything outside of the standard formula, people rate it lowly and say it was the worst movie ever.
Based on the British cult comic-strip, our tank-riding anti-heroine (Lori Petty) fights a mega-corporation, which controls the world's water supply.
This film is a very unusual adaptation, comparable to "Super Mario Bros" in how bizarre it turned out to be. Perhaps luckily, the "Tank Girl" comic never had the level of followers as the Mario Brothers, so there were fewer people to complain.
The film has an interesting parallel with "Waterworld", coming out around the same time and both concerned with water: one film has too much and the other not enough. This one, however, has the great soundtrack. Not to mention Malcolm McDowell, Iggy Pop and a pre-stardom Naomi Watts. With all due respect to Dennis Hopper, this is the better lineup.
This film is a very unusual adaptation, comparable to "Super Mario Bros" in how bizarre it turned out to be. Perhaps luckily, the "Tank Girl" comic never had the level of followers as the Mario Brothers, so there were fewer people to complain.
The film has an interesting parallel with "Waterworld", coming out around the same time and both concerned with water: one film has too much and the other not enough. This one, however, has the great soundtrack. Not to mention Malcolm McDowell, Iggy Pop and a pre-stardom Naomi Watts. With all due respect to Dennis Hopper, this is the better lineup.
Interesting concept, creative art style, cute characters and a goofy tone throughout but that's about it. It's like the generic romantic comedy of light cyberpunk(ish?) movies, lacks real depth, has one gear and sticks to it and last but not least can't build on the universe. This is unforgivable in any movie which asks that little bit more from the audience to suspend disbelief, like one set in a post apocalyptic Australia ruled by the iron fist of a mega corporation in a fascistic regime. The creators probably thought the silly tone would make the audience overlook this lack of story building but as a result the movie ultimately falls short of the premise and fails to capitalize on the aforementioned positive aspects.
As a final note, this movie is not cyberpunk. It has some influences (just like the comic series) of cyberpunk but that is as far as it goes.
As a final note, this movie is not cyberpunk. It has some influences (just like the comic series) of cyberpunk but that is as far as it goes.
Did you know
- TriviaMalcolm McDowell has spoken favorably of his experience working on the film, saying it had the "same flavour" as Orange mécanique (1971), and praised Rachel Talalay and Lori Petty.
- GoofsNear the end, when Rebecca and Kesslee are fighting, she kicks him off the platform. When he lands with his cybernetic arm trapped in the gear, his real hand is visible through a large gap in the fake hand.
- Crazy creditsBoom Operator - Freddy Potatohead
- ConnectionsFeatured in Siskel & Ebert & the Movies: The Worst Films of 1995 (1996)
- SoundtracksArmy of Me
Written by Björk (as Bjork Gudmundsdottir) and Graham Massey
Performed by Björk (as Bjork Gudmundsdottir), Graham Massey, Nellee Hooper and Marius De Vries
Courtesy of Elektra Entertainment/Mother Records/One Little Indian Records
Details
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $4,064,495
- Opening weekend US & Canada
- $2,018,183
- Apr 2, 1995
- Gross worldwide
- $4,064,495
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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