Skinner

SKINNER stars Ted Raimi as Dennis Skinner, a man who just happens to enjoy removing the dermis and epidermis of unsuspecting females. One such female, named Heidi (Traci Lords!), has escaped his clutches, and lives only to see him die. Meanwhile, Dennis moves into a room rented to him by Kerri Tate (Ricki Lake!!). Hitting it off swimmingly, Kerri is unaware of her new boarder's perilous proclivities.

Raimi's character is the seemingly harmless nebbish, springing into lethal action upon getting his victims alone. There is a notorious skinning scene in gruesome detail. This all has to do with Dennis' master plan (hint: think Buffalo Bill from SILENCE OF THE LAMBS).

Disgusting and absurd, this movie will offend just about everyone, especially after Dennis "embodies" one of his male co-workers. Yikes! Shockingly, one of the most sickening scenes involves a raw chicken and a knife from the kitchen floor! Mmm-Mmm!

Ms. Lake is good in her role, dealing with her swine of a husband, as well as her timid, yet terrifying tenant. However, what sets this movie apart from typical gore / horror / schlock is Traci Lords. Her portrayal of "the one that got away", takes us into revenge film territory, and she pulls it off with aplomb! The final conflict could have been better, but this is certainly a bizarre, twisted, early-1990's artifact...

This movie cracked me up! What a fun, trashy little film. Tracy Lords is almost impossible to watch and Ricky Lake is just calling it in. The only reason to watch this flick, in my humble opinion, is for Ted Raimi. Why is this guy not a star? He really gets into his performance in this film. I have always enjoyed him on Xena but Skinner gives him a chance to run with a lead roll. He's a really good actor! And to top it all off he's super cute and his body is sound as a pound! Yowzers!!!!

The movie Skinner is about a serial killer who has a disturbing hobby of skinning his victims and then wearing their skin like clothing. To me, that sounds like a credible horror film story line, but the execution of this film was very poor. The acting was unbelievable, the film quality looked like the movie was filmed in the 1800s, and the effects were not good at all. I would not recommend this film to anyone at all for any reason. There are no memorable scenes or lines in this movie, so I'm going to give it a 1 out of 10 star rating.

I feel like this sits at a slight tipping point. It would have been very easy for it to have been shaped into a morbid horror comedy; alternatively, it would have taken little for it to become an erotic horror-thriller, or a more pointedly grotesque gorefest. I like that as we see it the feature strikes a bit of a balance: touches of cheeky levity without being ham-handed, flashes of imagery and suggested brutality without being utterly viscerally repulsive. That's not to say that 'Skinner' isn't plentifully nasty, and in fact this rather has "video nasty" written all over it. Yet director Ivan Nagy demonstrates just enough restraint to keep from going overboard in any direction, and the different aspects somewhat keep one another in check. For all that, this is a whole lot of grisly fun, with bizarre, grim imagination tempering the utmost violence.

Not to sell anyone or anything else short, but I don't think it's unreasonable to say that Ted Raimi is the chief selling point here. I don't think I've ever seen him in a role that's at once so stunningly dark, but also peculiarly over the top. From Skinner's neighborly candor, to his more out of control moments, to the outrageous "personas" he adopts at select points, Raimi embodies the killer with fantastic, dexterous range, and it's a joy to watch him here. For that matter, though, the rest of the cast is swell, even those in smaller roles (like Time Winters as watchman Bob), and it's an unexpected delight to see Ricki Lake in such a picture that seems so uncharacteristic for her.

It's not all fun and games, though, and 'Skinner' surprises in some other ways. The production design and art direction are genuinely terrific; the setting of every scene feels so real, like one could reach out and touch it (though in most cases we probably wouldn't want to). Nagy demonstrates an unlikely sense of artistry with some shots and scenes, and this includes primo use of lighting. Though plainly overdone the blood and gore are suitably delicious within the limits of suspension of disbelief, and this dovetails with fine costume design, makeup, and hair styling, not least for Traci Lords as she capably portrays hard-bitten Heidi with downcast determination. And while all this is going on, the ambient original score of Contagion adds some definite pensive atmosphere to the proceedings.

This isn't the most immediately grabbing horror flick; for all the instances of heightened vibrancy of one flavor or another, the pace is very deliberate. The most gnarly scenes are measured out so they never overwhelm, or lose their punch. With a little bit of patience, however, the movie is wonderfully enjoyable and satisfying for those who appreciate the genre. It's solidly made in every regard, with tight writing and direction that carefully spotlights every best detail in the narrative and scene writing. If you have the chance to watch 'Skinner,' this is worth checking out.

This is the coolest movie I have ever seen. It takes a porn star and gives her a chance to get vengance on the man whom she took in to her home (she was not a prostitute, but his landlord, like ricki lake) and skinned her while she was still alive. I still want to know exactly how she killed the hotel manager, though. That has always intrigued me.