Frère sommeil

I do not know the (best selling) novel and this adaptation does not prompt me to read it. There is nothing against a film that concerns itself with religious experiences, but this is all very New Age and Vilsmaier does it in the cheapest and most sensationalist way possible: staying on the outside by using all the technical (camera) tricks he could think of and letting the cast screaming their eyes out or by letting them simply overact. In this way the film is just registering an experience, it does not become a part of the film's atmosphere (you have to be an Ingmar Bergman for that).

The very old fashioned melodrama (freshened up by a "modern" element : "oh, that's it!, he's gay!", unbelievable) is not fluently told and the cast is just okay. Mountain scenery and good organ music at least make it bearable.

While certainly to many American viewers this film lacks the flare of Hollywood, but that's what it so exquisite about it. I am not exactly a film connoisseur, I am American foreign film fan and I know that this film probably does not appeal to the general public. However for those who like psychological thrillers and

stories about misunderstood and socially inept geniuses, this is amazing.

The music and cinematography is fantastic. Plus this film incorporated 3 of my favorite German actors. The way that the sound was utilized is just unbelievable as well.

For the intellectuals out there who appreciate art in all things, rent or buy this one.

...if I see another movie about a gay man obsessively in love with a straight man, I think I'll scream. Enough, already!!! I mean the object of desire in this case is not even that good-looking! The gay man was better looking, in fact. That said, I did find this an interesting movie and certainly one worth watching at least once, despite the over-the-top acting of most of the main players. It does have beautiful cinematography, an interesting score, and some effective moments (especially the scenes on the rock). What could easily be termed 'an interesting failure'.

All in all a stunningly filmed piece of work - if somewhat cheesy at the end - liked the first organ recital the lead gave - primo - the last one was gas too. The gay theme was cool - if a little strange - I mean you'd have thought the main man wud have cottoned-on to Peter's intense feelings for him...o...well...ya get that in the 'real' world of film! All in all a great watch with some stunning cinemagraphic tableauxs..somewhat spoilt by a script with a weak ending.

To the person who said this film is not worth your time ... well, your "review" of the film is not worth the time of half the members of IMDb, but why should I be surprised when all I ever find on this website are people trying to outwit each other with their supposed intellectual superiority? The film is based on a book by Robert Schneider, who also wrote the screenplay. Having read both the book and seen the film, I think the film was a decent adaptation. As one review I read said, the director did seem to take a more stylistic and overall artistic angle on the story, and as such much of the finest material from the book was lost.

However, the film itself is still an excellent piece of work and stands on its own, aside from the book, as a remarkable movie. I'm not sure I noticed anything about "horrible sound effects", but I remember first seeing this film several years ago on Bravo late one night, and I could not get it out of my head for the next several YEARS ... until I discovered Amazon and was able to find an imported copy to purchase for my own. Only a year ago did I actually read the book, which was incredibly engrossing, and I encourage anyone who enjoyed the film to tackle the literary version as well.

The cinematography and the overwhelming metaphysical essence present in this film are what truly sucked me in. The story itself is simply beautiful in the same way that any tragedy, whether Greek or Shakespearean or whathaveyou, is captivatingly melancholy. It resonates within you and makes your heart ache for days afterward. Personally, I found the main character, Elias, to be the most fascinating element of the film. And of course, the scene in which he "opens the gates of heaven" with his sheer musical virtuosity is riveting to behold. This film is truly a delectable treat for the senses.

Anyone who is truly passionate about their talent or art will relate to the "tortured artist" persona that is Elias - the isolation, the dedication to your craft in spite of other desires which we cannot displace, and the embodiment of the emotional realm that so frequently serves as the origin of our inspiration ... this is what the story is truly about. If you can appreciate that, you will love this film.