IMDb RATING
6.6/10
10K
YOUR RATING
The exiled royal doctor to King Charles II devotes himself to helping Londoners suffering from the plague, and in the process falls in love with an equally poor woman.The exiled royal doctor to King Charles II devotes himself to helping Londoners suffering from the plague, and in the process falls in love with an equally poor woman.The exiled royal doctor to King Charles II devotes himself to helping Londoners suffering from the plague, and in the process falls in love with an equally poor woman.
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- Won 2 Oscars
- 2 wins & 2 nominations total
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After watching this film, I felt my faith in humanity had been (somewhat) restored, and not for the squishy, feel-good reasons either. Instead, I felt that filmmakers can often demonstrate truly wondrous, creative talents; Try not to think of all those sumptuous 18th Century European paintings that feature either the rich or the starving, while taking in the cinematic beauty of Hoffman's 'Restoration.'
So what if Meg Ryan has a role in this one, I still enjoyed it. This film is not about her anyway (the film is told from an exclusively patriarchal viewpoint, and doesn't sink into syrupy romance... at least not the way I saw it).
Eugenio Zannetti (I'm not entirely sure about the spelling, but he is a production designer of infinite wisdom and talent) created endless aristocratic hallways, gorgeous rooms, and locations of richness and pestilence that exist side-by-side. Zannetti went on to 'architecturally' design the central, Rococo menace in "The Haunting" (1999).
Downey Jr's performance (as a doctor) is Raphaelesque, a walking representation of the period in which this story takes place (the anguish and hope he must undergo and have is thespian splendor). Ian McKellan also appears (need I say more) here as a disheveled, yet benevolent supporting hero.
I strongly recommend you experience this 'restorative' piece of cinematic art.
So what if Meg Ryan has a role in this one, I still enjoyed it. This film is not about her anyway (the film is told from an exclusively patriarchal viewpoint, and doesn't sink into syrupy romance... at least not the way I saw it).
Eugenio Zannetti (I'm not entirely sure about the spelling, but he is a production designer of infinite wisdom and talent) created endless aristocratic hallways, gorgeous rooms, and locations of richness and pestilence that exist side-by-side. Zannetti went on to 'architecturally' design the central, Rococo menace in "The Haunting" (1999).
Downey Jr's performance (as a doctor) is Raphaelesque, a walking representation of the period in which this story takes place (the anguish and hope he must undergo and have is thespian splendor). Ian McKellan also appears (need I say more) here as a disheveled, yet benevolent supporting hero.
I strongly recommend you experience this 'restorative' piece of cinematic art.
A beautiful & thoughtful movie about chance and caprice in human lives,and about how love and folly shape us. A unity of word, appearance, and action distill the reign of Charles II into the soul of a doctor who lives through a "new age" of human flowering. A movie aspiring to and attaining the qualities of a literary novel, powerfully combining the naturalistic and the symbolic, and equal to best adaptations of Jane Austen. Restoration will be certain disappointment for movie-goers who expect explosions instead of drama and grunts.
"Restoration" is an overlooked jewel of a movie, a fascinating and atmospheric journey to another time and place. Robert Downey, Jr. is outstanding as a young physician who develops depth and compassion. The music, costumes and settings are full of rich detail. While Meg Ryan's character as an insane Irish girl was perhaps a bit overwrought, I found little to fault in the movie. I have seen it three times and enjoy it thoroughly each time. I'm sorry I missed it on the big screen. Interesting scenes portraying 17th century medical practice, the plague, the Great Fire of London. Not for the squeamish, but not overly violent either.
Fortunately, I do not judge a film merely by its technical excellence. Other reviews seemed to overemphasize the limited script, miscasting, lack of focus, etc, that this movie supposedly represents. All of it may be true, and certainly if the movie did not reach me, I too, would come up with a barrelful of sophisticated reasons why it didn't work.
The problem is, it moved me. It touched my heart in just the right way, and left me once again, with a longing have known everyone who ever lived, suffered and died.
Ah, the human condition!
The first half of the film was slow, and seemed to be searching for itself. But from the time Robert entered into the home for the insane, it became engrossing. I thought the story of the "Lost Valley" was poignant and worth the whole movie. All that came before was necessary background for all that came after.
So...not extraordinary, not outstanding, but quietly satisfying and definitely memorable. A little gem -selected with care- to share with those you love.
The problem is, it moved me. It touched my heart in just the right way, and left me once again, with a longing have known everyone who ever lived, suffered and died.
Ah, the human condition!
The first half of the film was slow, and seemed to be searching for itself. But from the time Robert entered into the home for the insane, it became engrossing. I thought the story of the "Lost Valley" was poignant and worth the whole movie. All that came before was necessary background for all that came after.
So...not extraordinary, not outstanding, but quietly satisfying and definitely memorable. A little gem -selected with care- to share with those you love.
This has to have been one of the most beautiful movies I have ever seen. I am not as up on history as some people, but I think the time - the costumes, the dress, the manners, (though not the language), was stunningly represented. The transition of Robert Downey's character was also wonderfully done - we watch him go from boyishness to maturity in a slow change throughout the film, it's not just randomly done because of one event, but of a series of events. The music was out of this world, and the last half of the movie very chilling, very sad, very emotional. Have a tissue box handy!!
Did you know
- TriviaSir Ian McKellen and Robert Downey, Jr. became friends during the shoot, and McKellen was struck by Downey's talent and attitude compared to some of the British cast members. McKellen offered Downey a part in Richard III (1995), stating that casting an American actor would help fund that movie. When the release of this movie was delayed by eighteen months, owing to story concerns and re-shoots, Richard III (1995) was released in theaters before this movie.
- GoofsWhen the King shows Robert Merivel his building plans to improve London soon after the plague has started, one of the models clearly shows Sir Christopher Wren's St. Paul's Cathedral, designed and built after the great fire of 1666.
- Quotes
King Charles II: For her husband I need a man who is far too fond of women in general to love one in particular.
- SoundtracksNewcastle
(uncredited)
Traditional
From John Playford's 'The English Dancing Master', First Edition (1651)
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Restoration
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $4,005,941
- Opening weekend US & Canada
- $75,514
- Jan 1, 1996
- Gross worldwide
- $4,005,941
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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