Le don du roi

After watching this film, I felt my faith in humanity had been (somewhat) restored, and not for the squishy, feel-good reasons either. Instead, I felt that filmmakers can often demonstrate truly wondrous, creative talents; Try not to think of all those sumptuous 18th Century European paintings that feature either the rich or the starving, while taking in the cinematic beauty of Hoffman's 'Restoration.'

So what if Meg Ryan has a role in this one, I still enjoyed it. This film is not about her anyway (the film is told from an exclusively patriarchal viewpoint, and doesn't sink into syrupy romance... at least not the way I saw it).

Eugenio Zannetti (I'm not entirely sure about the spelling, but he is a production designer of infinite wisdom and talent) created endless aristocratic hallways, gorgeous rooms, and locations of richness and pestilence that exist side-by-side. Zannetti went on to 'architecturally' design the central, Rococo menace in "The Haunting" (1999).

Downey Jr's performance (as a doctor) is Raphaelesque, a walking representation of the period in which this story takes place (the anguish and hope he must undergo and have is thespian splendor). Ian McKellan also appears (need I say more) here as a disheveled, yet benevolent supporting hero.

I strongly recommend you experience this 'restorative' piece of cinematic art.

The set design and art direction on this movie was entirely mesmerizing! I will never forget the scene in which Dr Merivile returns to court (after The Plague has ravished London) in which this huge heavy swishing pendulum like incense burner, apparently to help ward off sickness... makes such a haunting and ominous sound as it waves smoke across the vast room...you can almost smell it! This movie is robustly lush and unnervingly eerie. As has been mentioned by a few others on the database...it's full of contrast on all levels.

Personally, I was gladly surprised at how inventive Robert Downey Jr was with the role of Robert Merivel. He began with a laughing stupidity which grew to eventual compassion and downright intellect by the end of his story. Sam Neil is always all around proficient at what ever he takes on, his portrayal here is no exception, although I think he granted Charles II a lot of likableness and charm that was surely improbable in reality. Got to love the fifty or so Spaniels meandering with him down the plush hallways of the nobility through out the kingdom. And the scenes with intricate scientific inventions and mechanisms of the era were sheer beauty to behold. At the same time there was such desperation and bleak contrast when dealing with the devastation and hopelessness of The Plague...only to be followed by the horrific Fire Of London. It's a wonder civilization survived at all in England at the time. The movie's art direction was of such a brilliant intensity. Parts of the script were a bit slow but the visuals tended to make up for it. The only truly unfortunate aspect of the film was the casting of Meg Ryan...just Plumb Awful(as they say)in the role of Dr Merivil's asylum inmate lover....who was by the way, miraculously cured of her insanity by his physical attentions. Whoever twisted Hollywood arms to get her on this project should be quartered and drawn.

Considering all, this movie made me curious enough to download a copy of Samuel Pepys Diary 1665 to read more about the history of the Restoration. Isn't that what a good historical adaptation should do?

Fortunately, I do not judge a film merely by its technical excellence. Other reviews seemed to overemphasize the limited script, miscasting, lack of focus, etc, that this movie supposedly represents. All of it may be true, and certainly if the movie did not reach me, I too, would come up with a barrelful of sophisticated reasons why it didn't work.

The problem is, it moved me. It touched my heart in just the right way, and left me once again, with a longing have known everyone who ever lived, suffered and died.

Ah, the human condition!

The first half of the film was slow, and seemed to be searching for itself. But from the time Robert entered into the home for the insane, it became engrossing. I thought the story of the "Lost Valley" was poignant and worth the whole movie. All that came before was necessary background for all that came after.

So...not extraordinary, not outstanding, but quietly satisfying and definitely memorable. A little gem -selected with care- to share with those you love.

This has to have been one of the most beautiful movies I have ever seen. I am not as up on history as some people, but I think the time - the costumes, the dress, the manners, (though not the language), was stunningly represented. The transition of Robert Downey's character was also wonderfully done - we watch him go from boyishness to maturity in a slow change throughout the film, it's not just randomly done because of one event, but of a series of events. The music was out of this world, and the last half of the movie very chilling, very sad, very emotional. Have a tissue box handy!!

"Restoration" is an overlooked jewel of a movie, a fascinating and atmospheric journey to another time and place. Robert Downey, Jr. is outstanding as a young physician who develops depth and compassion. The music, costumes and settings are full of rich detail. While Meg Ryan's character as an insane Irish girl was perhaps a bit overwrought, I found little to fault in the movie. I have seen it three times and enjoy it thoroughly each time. I'm sorry I missed it on the big screen. Interesting scenes portraying 17th century medical practice, the plague, the Great Fire of London. Not for the squeamish, but not overly violent either.