On Christmas Eve, a regretful husband admits to his high-spirited wife that he has hired a contract killer to take her out. She immediately flees. A nice couple offers her shelter, but every... Read allOn Christmas Eve, a regretful husband admits to his high-spirited wife that he has hired a contract killer to take her out. She immediately flees. A nice couple offers her shelter, but everyone has dark secrets in this wacky movie.On Christmas Eve, a regretful husband admits to his high-spirited wife that he has hired a contract killer to take her out. She immediately flees. A nice couple offers her shelter, but everyone has dark secrets in this wacky movie.
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I happened to tape this film from TV, and it has become one of my favorites. Whatever failings it may have, and I think it has fewer failings than some might think, it is in its way a tour de force of originality. The combination of gritty downfall with under-the-Christmas-tree fantasy works very well -- and that in itself is an achievement.
Its charms, by and large, are the small things, the incidental scenes that are accomplished in a unique manner, such as a conversation in American sign language between two women who are wearing large, yellow rubber gloves (in the scene they are cleaning a carpet). While I concede that the title seems fairly arbitrary, it certainly does the film no harm, no more than "Magnolia" did any harm to that film, even though "Magnolia" is surely just as arbitrary a title for "Magnolia" as "Reckless" is for "Reckless." In my view, a film that is unique (as well as uniquely quirky), visually witty, and that can arouse and explore entirely new and unexpected emotional territory in the viewer is a film of value. Mia Farrow's and Scott Glenn's performances are excellent.
I would encourage anyone who wants to see something that is entirely different from anything else and that will make an indelible impression, would do well to see this film. And don't worry, the script is just fine; although it is a morality tale, it is not a morality tale with a smug or pat conclusion, as it ends, as it begins, with a weirdly satisfying sort of open-ended grace.
Its charms, by and large, are the small things, the incidental scenes that are accomplished in a unique manner, such as a conversation in American sign language between two women who are wearing large, yellow rubber gloves (in the scene they are cleaning a carpet). While I concede that the title seems fairly arbitrary, it certainly does the film no harm, no more than "Magnolia" did any harm to that film, even though "Magnolia" is surely just as arbitrary a title for "Magnolia" as "Reckless" is for "Reckless." In my view, a film that is unique (as well as uniquely quirky), visually witty, and that can arouse and explore entirely new and unexpected emotional territory in the viewer is a film of value. Mia Farrow's and Scott Glenn's performances are excellent.
I would encourage anyone who wants to see something that is entirely different from anything else and that will make an indelible impression, would do well to see this film. And don't worry, the script is just fine; although it is a morality tale, it is not a morality tale with a smug or pat conclusion, as it ends, as it begins, with a weirdly satisfying sort of open-ended grace.
This is an excellent film by Norman Rene. The final installment of three films that Rene made.
I thought it was beautifully done and particularly loved Mia Farrow in this film.
For me, the film exploresidentity in the same ways as his earlier film, prelude to a kiss....
and perhaps also explores issues related to HIV/AIDS, much like his earlier two films. This is NOT the stage play, like any film of previously written material it illustrates the directors point of view. I highly recommend this film, it's a rare delight W
I thought it was beautifully done and particularly loved Mia Farrow in this film.
For me, the film exploresidentity in the same ways as his earlier film, prelude to a kiss....
and perhaps also explores issues related to HIV/AIDS, much like his earlier two films. This is NOT the stage play, like any film of previously written material it illustrates the directors point of view. I highly recommend this film, it's a rare delight W
Saw this film on TV. I liked the film. It was quirky and interesting. I haven't seen very many like it. Definitely not your run-of-the-mill.
Even though this was one of the strangest movies I have ever seen, it kept you wondering what could possibly happen next. I love most of Mary Louise Parker's performances and this was no different. She has the ability to bring so much to every character she plays. The movie follows Mia Farrow's character through various changes in her life and how she deals with each of them. It isn't an award winning movie by any means, but will make you think. I highly recommend it. I would have probably never stumbled across this movie if Tivo hadn't told me that Stephen Dorff was in it. Even though his part was very small I was glad that it brought me to the movie in the first place. I have to say that I'm happy to see that they are turning the movie into a Broadway play with Mary Louise Parker in the cast. I think it will be a must see.
Produced by International Playhouse Pictures, it looks as if filmed in a doll house. Everybody's a liar, everything is dream-like, toy-like for no good reason. I'm not saying everything in all movies should be totally realistic, but such unbelievable fantasy things and situations in one movie are way too much. How did they get these fine actors -actresses particularly- to this movie? It's nice to see Mia again; if we were meant to understand why her husband wants to kill her, Mia does do it well. Not funny, not moving, just fake. Stephen Dorff briefly appears at the end, fitting for a play maybe, less for a movie, but this isn't one to measure things at. Terrible.
Did you know
- Trivia"Reckless" was first staged by The Production Company in 1983 under the direction of Norman René, who also directed. It underwent some revisions and had other productions, with the first performance of the 1985 published version occurring on September 14, 1988 at New York City's Circle Repertory Company, again directed by Norman René. More recently it had a Broadway revival. Previews began on September 23, 2004; the opening on October 14, 2004 and closing on December 19, 2004 after 77 performances. Mary-Louise Parker, who played Pooty in the movie, took the lead role as Rachel, and Debra Monk repeated her movie role in the Broadway run.
- Crazy creditsTess, Ralph & Juniper ... production dogs
- SoundtracksI'll Be Home for Christmas
(1943)
Music by Walter Kent
Lyrics by Kim Gannon
(Cannon & Kent Music)
Performed by Bing Crosby
Courtesy of MCA Records
- How long is Reckless?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Безрассудные
- Filming locations
- Georgetown, Connecticut, USA(Gilbert & Bennett site)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $103,351
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