Proteus

Basically a group is stranded on an abandoned oil rig where some testing has been going on and there's a monster. While that would be enough plot for people, the creators decided to add in some crappy drug smuggling story to it. It may give the group an excuse to be out there but, at the same time, it's pretty much unnecessary and leads to some mediocre subplots. My other issue is all the damn monster-vision shots. We have constant disruptions where we see everything through a blurry (green or red) lens moving quickly. To make it worse, half the time the monster isn't even doing anything! It's just running around, not interacting with the group or anything else. Plus, in the interests of being confusing, we'll occasionally catch glimpses of puddles of organic crap appearing and then transforming yet predictably none of the characters see this plus nobody ever seems to hear anything (an aggravating trend).

Finally somebody is grabbed then, while tracking them, they find an old scientist who tells them they're in danger and they should leave. He then promptly vanishes from a locked room. The story proceeds to get weirder from there. However, it never really gets good. The setting is great, though, and I like the concept. Some of the effects are really neat while others... well, not so much. I love the monster's true form. At the same time so much of the movie just isn't worthwhile and there are just so many pointless moments. And while the ending does help salvage other parts of the film, the whole thing feels like a half-rate rendition of The Thing.

Also, the title is a reference to a Greek mythological shapeshifter.

This movie is terrible, simply awful, the script has no plot and makes no sense, the actors act as if they have been drinking straight vodka the night before whilst the filming and soundtrack is annoying.

I have never been so bored and depressed watching a movie, no offence but whoever funded this shambles must have been from another planet or possibly Norfolk.

Worst of all the paper mashie shark-zombie-rubber duck mutant looks like a 4 year olds attempt at something out of Blue Peter.

Eco Warrior out!!!

This is a surprisingly decent science fiction horror movie, that rivals some big budget movies of the same genre.

First, there's solid story in this movie, and the delivery by the actors were good. Second, the production was very good for a low budget movie. There's no corners that were cut to make it look as authentic as it can. Third the special effects were more than decent. In fact, in this area, it was much better done than more famous films such as the "Relic" and "Dog Soldiers", and many other movies that had bigger budgets.

So, the producers of this movie has made careful planning of how to make this movie, and all the details came out right.

The movie is almost in the league of Deep Rising, but that movie had much bigger budget, and it shows. Good science fiction horror, that's worth watching.

This is based on a book called 'Slimer' by Harry Adam Knight. Whilst the book is a tense, gripping and claustrophobic thriller packed with interesting characters and some truly chilling scenes, the film just stinks of a disgustingly wasted license. Another opportunity completely flushed down the drain by people not talented enough to produce and direct the home video footage of a family party.

The plot, for lack of a better word, involves drug smugglers who are shipwrecked and wind up on a deserted oil-rig where sinister experiments are taking place. After a lot of wandering around they meet a scientist with a Germanic accent which sounds nearly as realistic as Professor Tryst's in 'Dr Who:Nightmare of Eden' (which, believe me, is no great achievement). The characters are Z-grade and the film doesn't even attempt to follow the story in the original book. Before long the laughable monster (imagine a cut-price Jaws on legs) appears to sink the film to even greater depths. Doug Bradley (Pinhead in the 'Hellraiser' films) makes an appearance, but even he's wasted in a minor role as a rather cliched mad company boss.

A painful experience. That saying 'the old ones are the best' certainly applies to monster movies. Recent monster films like this waste of (very little) money aren't worth the tape they're printed on.

Right. First, lets discuss Proteus's good points...........Now that's out of the way lets discuss its BAD points. I thought films were supposed to have plots? Am I wrong, are The Silence Of The Lambs and Seven and The Usual Suspects, not films? Are films simply supposed to be a load of random images, designed to bore you rigid? If Proteus is anything to go by, then they are. The plot of Proteus is: Drug dealers go onboard an oil rig. There is a monster there. Some of them die. Some escape. That's IT. No riveting subplots, no amusing witty dialogue with which the film can redeem itself. This film is APPALLING in every conceivable way. The script writers have stolen every idea from every horror flick you ever saw, but the director has handled their material in such away as to remove every grain of suspense or horror. This film COULD have been dragged into the heady heights of mediocrity, is the actors had any talent to speak of. But the lead's (Craig Fairbrass) inability to sound anything other than a cockney wideboy, and his complete and chronic lack of charisma, throw THIS feeble idea firmly down the toilet. It turns out that the monster that is killing some of the drug dealers on board the ship is a shape shifter (that's handy guys, now you don't have to pay any money for a monster suit), invented by some scientists (supposedly brilliant, but haven't they learnt that genetic experiments in secret laboratories always end with disaster?). When the first scientist marches in and says "I am Dr Soames" in the worst German accent ever committed to screen, all that is missing is the boos and hissing from the kids in the audience. And surely, people in films like this, fighting genetic experiments gone horribly wrong are supposed to be heroic? The script and the acting are both so appallingly bad that you want every single character to die. In incredible pain. The film tries to redeem itself at the end with an explosion (wow, that was good. There was an explosion in "Leprechaun", for Christs sakes) and the appearance of the monster in its real form. It's a rubber shark. Ooh. Don't get too scared. I can't remember what happens at the end of "Proteus". But I don't care. I knew I wasn't going to care while I was watching it. To this day, I still want the people behind "Proteus" to give me an hour and a half of my life back, so I can use it for something useful, like watching grass grow in my back garden. I hope the rubber shark doesn't get me. I give this a generous 0 out of 10.