Souvenirs d'un été

My daughters (ages 10 and 12) and I love this film, we cherish this film. We laughed, giggled, cried, hugged, and bonded. I highly advise this film to all mothers and daughters. Some warnings. There is a brief scene where some skinning dipping boys are chasing the girls who have stolen their clothes. It begins with a very quick shot of an older boy's penis as he flips into a pond (I didn't see at first, but my daughters did after repeated viewings and use of the pause button), followed by a discussion of male erections by the four girls. The scene is so well written and handled that parents could actually use it to break the ice in the discussion of sex with their children. I did. The girls then proceed to steal the boy's clothes and are chased on their bicycles by the four boys who are seen nude from the rear. This scene is played so innocently and cute that a parent need not worry about it, though I have noticed my girls rewinding that scene. A parent should not worry about their children viewing this film, however, the parent should watch it with their children.

I watched this movie when I was 11. Like all movies you watch when you are 11, it has that nostalgia value that no critic can touch. Sure, it's not entirely realistic or in any way makes you contemplate your life on a deeper level. It's one of those movies you just accept, flaws and all, because it's catchy and fun and full of childhood nostalgia. The cheese factor is pretty low, compared to many other coming-of-age films. So yes, it may have a 19% rating on Rotten Tomatoes, but I will always have a special place in my heart for this movie. And yes, because I'm sure everyone wants to know, I SO wanted to be Roberta. Ps Since when have you had to have 10 lines of text to be considered a review? Wtf IMDb, we are in the culture of efficiency.

Samantha (Demi Moore) is called home to Shelby, Indianna for her childhood friend Chrissy (Rita Wilson)'s coming childbirth. She recalls her childhood in the summer of 1970 in the new subdivision Gaslight Addition. The four friends Roberta (Christina Ricci), Teeny (Thora Birch), Samantha (Gaby Hoffmann), and Chrissy (Ashleigh Aston Moore) try to earn enough money for a tree house. One night, they play séance at Dear Johnny's grave at the cemetery and lightning strikes. They go off to discover the story behind Dear Johnny while Wormer brothers continue to hound them.

There is a definite 'Stand By Me' feel to it. It's the female equivalent. The obvious question is if the adult version is compelling enough and do the two versions fit together. I can certainly do without the adult version. Rosie O'Donnell doesn't really fit as an adult Christina Ricci. It would have been much better to limit the adult storyline like 'Stand By Me'. Although, it's only about 20 minutes of screen time at the start and the end of the movie.

This is a cult classic girl movie and i still watch it today. Although I did not enjoy the 'Now' version of the film, where the four girls are grown up and re-uniting, mostly because i feel the characters dont really like eachother anymore, i loved watching the 'then' part with the four girls growing up in 1970's USA. The excellent soundtrack just adds to the uplifting feeling of this film. Watch as we follow Christina Richie and friends growing up through fun times (Devon Sawa getting his clothes stolen) and bad times (Richie finding out how her mum died). Look for an early performance from Brendan Frasier as a soldier back from war, and Thora Birch before she got all serious! Excellent film.

In this coming-of-age story set in both the 1970s and 1990s, the younger cast is brilliant and natural, particularly Christina Ricci and Gaby Hoffmann. The script soars with female teenage humor, friendship, and pre-puberty naivete -- a sprightly soundtrack of 70s tunes takes older viewers down memory lane. But then, just when the story about four best friends during summer vacation in a new housing development is clipping along at a compelling pace, SLAM! The film jumps forward 20 years and the girls are grown-ups. And at these points, the movie groans along like a garbage disposal with too many potato peels crammed in it.

Remarkably, the dismal acting of these veteran actresses isn't as bad as the lack-luster script during these "flash-fronts". Were there separate writers for this film? I usually adore Rosie O'Donnell, but casting her as the grown Roberta was a horrible choice. Demi Moore's character is now self-absorbed and self-pitying, and Melanie Griffin (super-famous actress) and Rita Wilson (pregnant homemaker) are insipid caricatures. None of these women are one-quarter as interesting or delightful as they were when they were adolescents, particularly Roberta (Ricci/O'Donnell). The film's flipping back and forth between the decades becomes quickly annoying.

Suggestion: Rent the video, and fast-forward through the adult stuff. Fast-forwarding the tape won't rob anyone of the film's message (something like "friendship is forever," or "don't go into cemeteries at night"), and it'll save you about 30 minutes of fidgeting, waiting for the film to turn back to the four girls. At least they have fun. And the treehouse they save up to buy is every girl's idea of truly cool!