Au-delà des ténèbres

Fun little film that seems to combine The Amityville Horror and Poltergeis , tie in a little of The Exorcists and you've got the plot. If you're into a lot of gore then this one probably isn't for you but worth a watch if nothing else is around. 5/10

There's a reason why this claims to be a part of a series it's not: no one would watch it otherwise!

A collared priest enters a prison to give last rites to a middle aged female serial killer. Somehow she's stolen a number of stout children's souls, and the priest can see them. He's somehow affected by her evil holy book, which has a picture of Satan and a house in it that look much more recent than all the other pages. He turns into an alcoholic who staggers around town. Apparently he is possessed and also having a crisis of faith.

Anyway, another collared priest moves into the house from the book because an older priest gave it to him for him and his family of four. There's a strange giant black swan rocker in the children's room they assume was a gift for the kids. One of the doors has a poorly- bricked and stuccoed wall behind it with a slit that glows. Obviously supernatural bad stuff starts happening soon, but the family for some reason stays. Turns out the older priest knew that the entire family would be in danger, but he thought it would be a good idea anyway for some reason.

The movie is filled with terrible editing, terrible dialogue, and terrible plotting. The special effects aren't so good, mainly the house being full of smoke and red light as the cast has sweaty faces. There's a bunch of somewhat spooky zombie witches. A mixture of witches and innocent women had been burned at the stake on the site years ago. What the connection is to the serial killer is anyone's guess.

It's a poor mix of The Amityville Horror (haunted house), The Exorcist (exorcists, possession and crisis of faith), and Poltergeist (child taken into other world, stuff flying around). Don't bother! Who would actually believe this as a sequel to Evil Dead?

The most glaring flaw of this film is that it features a married Catholic priest. Not a former priest, but a priest-priest. I know you're asking yourself, how is that possible? It's not.

Beyond Darkness (not to be confused with the much more famous Beyond the Darkness) was directed by an Italian but set in the United States. Apparently this poor soul was under the impression that there were married priests in America because he saw Protestant preachers on TV? Just baffling.

Otherwise this is a very bland, middling rip off of Poltergeist. Nothing special, was probably a Friday night movie on a major network channel in 1990.

This movie is a little bit stupid. But that is one of its best qualities. Acting ain't great. Special effects even worse (OK, they're better than SOME of the actors).

I couldn't get over David Brandon (Caligula in http://www.imdb.com/title/tt0082133/?ref_=nm_flmg_dr_152) playing a priest. He may be a drunk, but still a man of the cloth. I still can't make it through Caligula 2: The Untold Story in one sitting. It is not only kind of mean-spirited, but actually gross.

I got this on X-Rated (German video label, not MPAA) DVD in a fat box (große hartbox) and the box/case is actually a whole lot better than the film. Way better, as a matter of fact. It's called "Ghost House 6" on the box. Pretty sure it's called "Beyond Darkness" in the credits.

Beyond Darkness is a b horror picture about a haunted house. It's Poltergeist meets The Exorcist.

A reverend and his unsuspecting family move into a house with mysterious supernatural symptoms. Even more mysterious was why a married Protestant minister was a part of the Catholic Church, but these are details, just a minor technicality! The creepy ambient music was doled out with a heavy hand and it worked. The special effects were on point, and the tone was camp-free.

The acting was what you would want to see in this type of story. The hag and the Catholic exorcist killed it. The minister and his wife, not so much. The writing didn't make a whole lot of sense. It could have used more development, such as the backstory about the property being built on the sight of a mass witch lynching. The opening scene more than made up for the gaps in the narrative logic. Beyond Darkness is nobody's classic, but it delivers.