Beethoven

A lot of critics didn't like Beethoven, but they must be Scrooges. How can you not love this big, ungainly, lovable beast? At least the movie going public certainly liked him.

This St.Bernard puppy escapes from dognappers who take him and others from a pet shop. But even as a puppy he's resourceful and he wonders into a typical suburban home and is made welcome by the family and I mean the kids Christopher Castile, Nicholle Tom, and Sarah Rose Karr. Even their mom Bonnie Hunt kind of takes to him. What's a dad like Charles Grodin to do.

But as Beethoven grows older his clumsiness causes a lot trouble. He does have an instinct for sorting out some bad people and dealing with them. The kids get it, the parents don't.

Dean Jones is the villain here, a veterinarian who 'kills' his charges but secretly uses them for mad scientist like experimentation. Jones who was the all American hero in so many Disney films in the 60s and 70s looks like he's having a great old time as the Snidely Whiplash of scientists. He's got a pair of mooks for henchmen in Michael Tucci and Oliver Platt. In the old days they'd be played by Allen Jenkins and Edward Brophy.

This movie has little kids and a big dog in it. Now only the most hard hearted could resist that.

After a St. Bernard puppy is abducted from a pet shop by animal abductors, the puppy escapes and finds its way to the home of the Newton family. Mother Alice (Bonnie Hunt) and children Emily(Sarah Rose Karr), Ted (Christopher Castile), and Ryce (Nicholle Tom) all immediately take to the puppy whom they name Beethoven, however father George Newton (Charles Grodin) is less enthused by the idea. While Beethoven enjoys the comforts of living with the Newtons, the animal abduction ring, run by sinister vet/black market animal tester Dr. Herman Varnick (Dean Jones) sets his sights on Beethoven as a test candidate for testing a new type of ammunition.

Released in 1992 to rather mediocre reviews but very healthy box office, Beethoven certainly fits well within the oeuvre of 1990s post Home Alone/Uncle Buck family comedies that ended up defining John Hughes career in the decade. While Beethoven is still a very early revisit of Hughes to the successful formula, it is quite noticeable that Hughes is setting the foundation for common place tropes that would reappear in further films. With that said, the movie is actually quite charming thanks to a well trained dog serving as the titular character, and Amy Holden Jones balances out the Hughes' tropes with some charm and edge that help the film to keep from going overboard with formula.

The best scenes in Beethoven are just watching the dog interact with people. The filmmakers do a pretty decent job of given Beethoven a personality as the gentle giant who's full of energy and intelligence but lacking in self awareness or grace in his movements. The scenes where Beethoven casually escapes his backyard enclosure are quite fun and there's a nice small town/Disney type vibe as he meets the Newton children around town and helps them deal with bullies, getting the attention of crushes, or in one instance engaging in a Lassie type rescue during a close call. The scenes with Beethoven frolicking around with the family or various people in town (firefighters, small business owners, etc.) are charming and make the film a pleasant enough sit.

The actors are perfectly servicable. Charles Grodin is perfectly fine playing an overworked, overstressed, father (even if at points it feels like he's doing a Steve Martin impression), and the rest of the family is perfectly fine as well. Some performances unfortunately go a bit too broad for my taste, such as Stanley Tucci and Oliver Platt playing a rehash of the comedic crook duo a la Horace and Jasper or Harry and Marv, or David Duchovny and Patricia Heaton playing a pair of snobbish DINK(Dual Income No Kids) who are basically insidious versions of Todd and Margo from Christmas Vacation. The real standout in the human performances is Dean Jones who washes away any history of light hearted Disney comedies and away and gives a fittingly sinister and slimey performance that honestly wouldn't be out of place in a straight thriller. It's a terrific villain performance and allows Jones to lift a bit more weight than he usually is allowed and he does so quite well.

The movie in terms of the movie itself it's perfectly fine. It doesn't reach the gold standards of Disney animal movies like '67's That Darn Cat or either of The Incredible Journey movies, but it also doesn't embarrass itself as seen in cases like C. H. O. M. P. S. or Bingo. Beethoven rests comfortably around the level of a Benji movie but with a bigger budget and more polish. The direction by Brian Levant is very exaggerated and lacking in subtlety or restraint, but unlike his other movies he tries to resist the temptation to go full cartoon logic (save for one scene with Duchonvy and Heaton). The movie is very much a collection of character based plots in the first half loosely connected with the second half being more based around the animal abduction ring. There's not much in the way of surprises, but it's all done well enough.

Beethoven is an above average family film anchored by a good performance from its central dog. The movie does a good job of making Beethoven feel like a character, and while the script is certainly formula its at least well done formula that moves at a good pace and doesn't linger on any point long enough to drag. Beethoven is the kind of movie you can watch with your kids and they'll enjoy it while you'll smile once every so often. It won't stick with you, but as family films of this type go it's one of the better ones.

The title canine is an adorable Saint Bernard puppy who escapes when bumbling, idiotic criminals Harvey and Vernon (Oliver Platt and Stanley Tucci) rob a pet store of their inventory. Beethoven makes his way into the house of the Newton family, immediately endearing himself to the children (Nicholle Tom, Christopher Castile, Sarah Rose Karr) and wife / mother (Bonnie Hunt). The dad (Charles Grodin) is another story. He's not a real dog person, but reluctantly agrees to take on the pup as a pet. In your typical Hollywood fashion, havoc ensues, as the puppy grows into the destructive, messy (but also very loving) big brute that Grodin knew would result. The main plot concerns a thoroughly evil veterinarian (Dean Jones, in a hilarious performance) who collects dogs for test purposes.

Watching this as an adult, you can see the flaws more clearly. Sometimes this is genuinely groan inducing, sometimes predictably silly. (You can tell that co-writer John Hughes, who uses his pseudonym of Edmond Dantes, was still getting Home Alone out of his system.) It's also easier to sympathize with George, even though Grodin brilliantly portrays him as a fastidious grump who craves order in his life. He actually makes his family get up at seven in the morning on Saturdays. Another word of advice is that this isn't totally harmless; some people, not just the younger children, might find certain scenes objectionable.

Overall, though, "Beethoven" is passable family entertainment without being exceptional in any way. It may hit you where you live, however, if you're a dog person like this viewer. The perfectly cast Grodin is well supported by a cast that also includes TV stars David Duchovny and Patricia Heaton as a snotty yuppie couple, and familiar character players like O-Lan Jones, Nancy Fish, and Richard Portnow. A 10 year old Joseph Gordon-Levitt makes his film debut as a schoolchild. It's particularly fun to see Jones playing the raspy voiced bad guy. Beethoven himself is quite engaging and sweet; some of the best scenes here have him making little journeys around town.

Followed by a mind boggling SIX sequels.

Seven out of 10.

Such a good movie, even after 26 years! A much watch when we have kids.

"Beethoven" isn't a great family film, but it is surprisingly sweet and amusing. It's one of those films that is strangely attracting, though you can't really understand why.

I think a lot has been built up on this film just because there were some sequel spin-offs that were more than horrible. (The 3rd and 4th sequels with Judge Reinhold were some of the worst attempts at comedy. Ever.) But the original was a nice, family-friendly film that accomplishes what it promised.

Charles Grodin plays George Newton: Family man, businessman, NOT a doggy-man. But things change rapidly when a runaway Saint Bernard named Beethoven comes to the Newton residence. Newton's children immediately get attached to the animal, but Grodin's character doesn't exactly like the fact of a big ol' slobbering dog being around his house. So there are some gags as Grodin gets mad at Beethoven for certain things he does throughout the film.

But then, evil animal vet Dean Jones tries to take Beethoven, and Newton decides to fight back for his family and bring the doggy back home.

"Beethoven" isn't anything very original, and it isn't anything very memorable, nor is it excellent quality gags. But it's a surprisingly pleasant and good-natured family film that doesn't resort to crude humor or language like other so-called "family films" out there.

Ivan Reitman, who has brought us "Ghostbusters," "Kindergarten Cop," and "Stripes" co-produced this film. He's a talented director, even if he sometimes makes average films. The thing about his films are, that even when they're average they are still pretty funny and strangely watchable. And though I'm not sure what all a producer does on a film, I think he probably did a good job with something on this film. :)

Charles Grodin is one of those actors that I've always liked because he seems very down-to-earth and regular. He is a subtle comedian that never goes OTT and doesn't come off like ANOTHER Jerry Lewis-Jim Carrey hybrid.

"Beethoven" isn't anything great, but it's strangely likable and enjoyable. When compared to other so-called family films, it's pretty nice. It doesn't skimp on the gags (even if they're not very great) and it never turns stupid (like the 3rd and 4th film).

All in all, "Beethoven" delivers what it promises, and it does it pretty nicely.

3.5/5 stars -

John Ulmer