The Untold Story

This is my first 'Cat III' flick, so while I'm not qualified to compare this to other genre entries; I've heard this is the pick of the bunch, and I wouldn't be surprised to find that is indeed the case. I guess this is the sort of film that people mean when they talk about completely sick Asian cinema, as The Untold Story doesn't exactly hold back and while the plotting is largely uneven and sometimes doesn't flow well; there's buckets of blood on display, and the film always at least has that to fall back on. The film plays out something like a cross between a psycho killer flick and a police drama, as we follow Wong Chi Hang; a man who brutally murdered a family after a card game, and took control of the Eight Immortals Restaurant. Various members of the restaurant staff are going missing, and it's no coincidence that the restaurant happens to serve 'pork bao'. The story really starts when some kids discover a hand on the beach, and following an investigation into the hand's former owner; it comes to light that it once belonged to the mother of the restaurant family...

The film starts off slowly, and I can't say that I was enjoying it too much by the end of the first half. However, things really pick up in the second half and by the end we are treated to what is surely one of the most brutal murder sequences ever committed to screen! There's a distinct element of pitch black humour to the film, and this is shown through the bumbling police officers and even some of the murder scenes themselves. The way that the film is shot is fairly stylish and certain sequences; such as the one that sees the main character welding a huge butcher's knife, are very memorable. The Untold Story does a good job of drawing the audience into the central character's story, and this is why the second half of the film works better than the first. The title of the film comes from the fact that our murderer tries his best not to divulge the story surrounding the murders to the police, and the torturous sequences that see the fuzz trying to get it out of him add nicely to the brutal atmosphere of the film. Overall, this is a great slice of nasty cinema. Since it's one of the better known 'Cat III' films, I guess all the experienced viewers will already have seen it; but if you've never seen a Cat III film, this looks like as good a place as any to start!

Even though Hong Kong movies are never as good looking or slick made as an Hollywood production, it produced a couple of great little movies. "Baat sin faan dim ji yan yuk cha siu baau" is simple one of those great movies, mostly because of its sick story.

Movies focusing on serial killers are often good and interesting ones to watch, especially when they are done as well as this one. The movie is not really made great by its directing, acting or writing but more due to its violence and graphic straight-forward approach.

The movie features a couple of pretty graphic and sick moments, that makes this movie stand out in its genre. It's one of those movies that got banned in numerous countries at the time of its release and is heavily cut in others. Not that it's the most shocking more around but the movie does have its moments that will make some people's stomach turn.

In the beginning the movie its storytelling doesn't feel balanced out well enough. On the one hand it focus on the movie its killer and on the other on the police investigators. The two don't always mix well and it feels a bit disjointed. This gets better as the movie progresses but it always still remains a problem of the movie. The movie also gets less great toward its ending, when its perhaps starting to drag a bit.

Because the movie picks a more light and comical approach at times, you're able to forgive the movie its rather cheap look and production values. Had the movie been done completely serious the movie would had probably been not as effective, although it of course also prevents this movie from being a classic movie within its genre.

Overall the movie remains a surprisingly good one, despite all of its obvious flaws and 'cheap' Hong Kong style of film-making.

8/10

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I bought this movie out of sheer curiosity. I'd heard about it somewhere, something about it being a cult classic based on a true story. Anthony Wong was in it and I liked him in Hard Boiled and Full Contact, so I said what the hell. I ordered it on DVD and watched it as soon as I got it. Man, this movie is something. It's one of those movies where you watch it wondering if the cast and crew went home and had horrible nightmares every work day. There's stuff in this movie that doesn't quite leave your mind. I've shown this movie to several people, one in particular swearing off Chinese food to this very day. Anthony Wong gives one hell of a performance. It's not necessarily Oscar-caliber (even though I don't really dig the Oscars these days anyway) but it's just... very convincing. A little bit hammy maybe but yeesh, this guy is scary. My friend asked me once while watching it one day if Wong was really nuts. Judging from the look on Wong's face in most scenes I said yes. The murder scenes are better left undescribed because no amount of words can prepare you for when you're actually watching them. The only gripe I have with this movie is the comedy element. I think the best comparison would be to "From Dusk Till Dawn", where it was almost like watching two different movies spliced together. The comedy feels out-of-place and my idea is that they added it to lighten the movie up a little bit for the murder scenes are pretty intense. If you are one of the faint-of-heart, avoid. If you got guts, give this a look. One other thing: after watching this, you will never look at chopsticks the same way again. Rating: ***1/2 out of *****.

Consensus view: ugly, bleak, grueling slasher film about sick restaurant owner in Macau mincing his victims into pork buns, given really strange comedic pizazz by a group of daft incompetent cops on the trail. Smudge of social commentary near the end, when the cops cannot properly solve the case by gathering clues they turn into torturers themselves.

Digging a little deeper, I believe it works the way it does because of the particular way we are situated inside the story: we only spend time with the killer as he maims and mutilates. Our primary focus is on the incompetent investigation, itself a source of ironic amusement exactly because we are two steps ahead; we know exactly what is going on and have to wait for them as they play catch-up. Every dimwitted joke is someone's limbs hacked off down the road.

Our killer is messy and an amateur, the law enforcers perhaps even more. The police captain is always cavorting with hookers. The result is a chaotic universe without moral value or clear demarcations. How better to exemplify a corrupt, absent law than by increasingly depraved violence recast as the darkest of comedies?

Anthony Wong displays some good acting chops in this story-based on real events that took place in Macau back in the early eighties. One scene in particular showing the murder and rape of a young woman is the most disturbing I've seen since R. Kern's "Fingered". Overall the film is good but it is hampered greatly in the scenes depicting bonding between the detective squad chasing down the killer. Here, the screenwriter seems to be attempting to soften the story with silly comic relief and this clashes totally with the tone of the picture. Aside from the scenes in the precinct, the movie works well and it's worth a look. A word of caution, Chinese films aren't usually known for being subtle and with this subject matter it makes for some taboo breaking on-screen violence. It's not as good as "Henry:Portrait of a Serial Killer" but it is quite powerful.