Babe Ruth becomes a baseball legend but is unheroic to those who know him.Babe Ruth becomes a baseball legend but is unheroic to those who know him.Babe Ruth becomes a baseball legend but is unheroic to those who know him.
- Awards
- 1 nomination total
Joseph Ragno
- Huggins
- (as Joe Ragno)
Robert Swan
- George Ruth Sr.
- (as Bob Swan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
6mar9
John Goodman steamrolls his way through this film, with just about everyone else pushed into the background.
Purists no doubt will cane this film for historical inaccuracies. Heck, I'm from another country and know jack about baseball, but 15 minutes on the Internet was enough to show me that the film took serious short-cuts with Babe's life and career, not to mention a number of errors and distortions of fact.
Does this matter? Well, yes, probably. But you have to feel for the filmmakers. How do you condense a 20-year sporting career, not to mention a study of a complex and flawed individual, into a couple of hours of cinema? It's not easy, and the film suffers from events that are merely touched on Example 1: Ruth is introduced to mobsters in a speakeasy, but this seems to lead nowhere. The obvious question is: what happened next?. Example 2: The conflict between Ruth and Lou Gehrig is not portrayed accurately, and its resolution is not shown at all.
An excess of sentiment also hurts the film. There are moments that look like cliched scenes from countless other sporting movies - especially the sick kiddie in hospital extracting a promise of 2 home runs from Ruth, who dutifully delivers, and the same kiddie, now fully recovered and grown up, showing up at Ruth's swansong. It's emotionally manipulative film-making and I regret to say it works, but it also pulls this film back from greatness.
All up, just above average, unlike its subject matter.
Purists no doubt will cane this film for historical inaccuracies. Heck, I'm from another country and know jack about baseball, but 15 minutes on the Internet was enough to show me that the film took serious short-cuts with Babe's life and career, not to mention a number of errors and distortions of fact.
Does this matter? Well, yes, probably. But you have to feel for the filmmakers. How do you condense a 20-year sporting career, not to mention a study of a complex and flawed individual, into a couple of hours of cinema? It's not easy, and the film suffers from events that are merely touched on Example 1: Ruth is introduced to mobsters in a speakeasy, but this seems to lead nowhere. The obvious question is: what happened next?. Example 2: The conflict between Ruth and Lou Gehrig is not portrayed accurately, and its resolution is not shown at all.
An excess of sentiment also hurts the film. There are moments that look like cliched scenes from countless other sporting movies - especially the sick kiddie in hospital extracting a promise of 2 home runs from Ruth, who dutifully delivers, and the same kiddie, now fully recovered and grown up, showing up at Ruth's swansong. It's emotionally manipulative film-making and I regret to say it works, but it also pulls this film back from greatness.
All up, just above average, unlike its subject matter.
There are really only two ways John Goodman could ever fit into a sports movie: a) he's not the lead or b) it's about fishing. I'm nowhere near an authority on the real Babe Ruth, but I reckon a baseball legend could probably run five yards without being completely out of breath. Don't get me wrong, Goodman is excellent in the non-baseball scenes, but whenever he gets on that plate it's really embarrassing and highly unconvincing. Was this movie made on a dare? Did the studio just think John Goodman needed some exercise? It's pretty painful to watch all in all, but you can't look away. And yet...in a way it's also indescribably entertaining, even though that's probably just my dark side enjoying the "run fatty run"-aspect of this film. It also helps a lot that, as I already implied, the parts about Ruth's personal life are well-acted and in fact much more interesting than the repetitive homerun-homerun-homerun-homerun-homerun-homerun-homerun scenes. "The Babe" is a decent biopic, but you never really believe you're watching Babe Ruth. Oh well, at least it's easy to sit through.
As someone familiar with the historic record of Babe Ruth's life, the many "playings around" with the facts were noticeable. In some of the cases, presenting the story accurately wouldn't have changed the filmmakers' intent at all. Example: In the movie, Babe already is married to Clare when Dorothy dies in the fire. Dorothy died a couple of years before Babe got married. He was a Catholic, remember; they weren't living together.
I'm still pretty sure the Baby Ruth candy bar was named for Grover Cleveland's daughter, not the Babe. I am old enough to have attended many ballgames in Forbes Field, and they didn't even try to make the park in the movie look the same. Where was the ivy?!
In real life, Clare wanted Babe to retire after the 3 homers in Pittsburgh, but Babe had promised people he would appear in several more games. Nothing happened in those games, and, dramatically, having him quit after Pittsburgh made good sense for the movie.
I'm also glad the picture ended when it did, not showing Babe in his last frustrating years waiting vainly for the Yankees to call him. We didn't need to see his - and Clare's - decline.
I take serious issue with the critic here who apparently likes the William Bendix movie better. Keep in mind that was made while Babe was still alive. The Babe they presented there was so perfumed and sugar-coated as to be completely unrecognizable.
I'm still pretty sure the Baby Ruth candy bar was named for Grover Cleveland's daughter, not the Babe. I am old enough to have attended many ballgames in Forbes Field, and they didn't even try to make the park in the movie look the same. Where was the ivy?!
In real life, Clare wanted Babe to retire after the 3 homers in Pittsburgh, but Babe had promised people he would appear in several more games. Nothing happened in those games, and, dramatically, having him quit after Pittsburgh made good sense for the movie.
I'm also glad the picture ended when it did, not showing Babe in his last frustrating years waiting vainly for the Yankees to call him. We didn't need to see his - and Clare's - decline.
I take serious issue with the critic here who apparently likes the William Bendix movie better. Keep in mind that was made while Babe was still alive. The Babe they presented there was so perfumed and sugar-coated as to be completely unrecognizable.
I can't help but wonder if this film wasn't made more from an excuse to cash in on the popularity of John Goodman at the time of this film than an honest desire to portray the baseball icon. It would certainly explain the film's inaccuracies and rushed feel. I remember that around that time (late 80's, early 90s), Goodman seemed to be fairly popular. Can it be coincidence that somebody wanted to make a film about Babe Ruth at around the same time Goodman started receiving recognition in Hollywood? Honestly, I don't think so. At any rate, Goodman is miscast as Ruth. For one thing, Ruth wasn't really fat; more like broad and stocky. He was quite athletic and able to play the field - remember, there was no such thing as a designated hitter back then. In other words, offense isn't the only part of baseball; Ruth played defense too. Does this film ever show Ruth in the outfield? Can't say for sure because I didn't really watch the entire thing, but it's hard to imagine paunchy John Goodman fielding fly balls. The other thing is Goodman is simply unlikeable as Ruth. As we can see from film footage (including Pride of the Yankees), the real Ruth was energetic and charismatic. Goodman's Ruth is simply loud, crass and grating.
The 2 biggest complaints I had were the sequence of events in the movie and the character that Mr. Goodman portrayed.
It seemed that the movie attempted to show all events which dealt with Babe Ruth's life. Most actually seemed accurate, but the positioning of each event was off. For example, if Babe was so much against divorcing his first wife, why did he go ahead and marry Claire while still being married? The fact is, that he did not marry Claire until his first wife tragically died. This is not portrayed this way in the movie. Also, the movie suggested that Babe met claire as a rookie in Boston. He met Claire in New York in 1923. Does anyone actually think that Babe Ruth would have continued playing for the Yankees if he dangled his manager (his boss) off a moving train???
As for the acting. Babe Ruth NEVER approached the weight displayed by Mr. Goodman. Babe hovered around 200-210 for the most part of his career although his weight did fluctuate. It was a truly sick thing trying to watch Mr. Goodman swing or run around the bases. The guy could barely fit into a uniform. I did think that Mr. Goodman really did well in his facial expressions, speech and overall demeanor of the Babe. It was the physical acting that was left to be desired.
I would have liked the movie to concentrate more on Babe's lifestyle off the field. His womanizing (not enough in this movie), his appetite (not enough in this movie), and the fact he just was a social boob (i.e. couldn't remember names, had no manners). His on the field statistics speak for themselves.
It seemed that the movie attempted to show all events which dealt with Babe Ruth's life. Most actually seemed accurate, but the positioning of each event was off. For example, if Babe was so much against divorcing his first wife, why did he go ahead and marry Claire while still being married? The fact is, that he did not marry Claire until his first wife tragically died. This is not portrayed this way in the movie. Also, the movie suggested that Babe met claire as a rookie in Boston. He met Claire in New York in 1923. Does anyone actually think that Babe Ruth would have continued playing for the Yankees if he dangled his manager (his boss) off a moving train???
As for the acting. Babe Ruth NEVER approached the weight displayed by Mr. Goodman. Babe hovered around 200-210 for the most part of his career although his weight did fluctuate. It was a truly sick thing trying to watch Mr. Goodman swing or run around the bases. The guy could barely fit into a uniform. I did think that Mr. Goodman really did well in his facial expressions, speech and overall demeanor of the Babe. It was the physical acting that was left to be desired.
I would have liked the movie to concentrate more on Babe's lifestyle off the field. His womanizing (not enough in this movie), his appetite (not enough in this movie), and the fact he just was a social boob (i.e. couldn't remember names, had no manners). His on the field statistics speak for themselves.
Did you know
- TriviaIn the film, "Jumping" Joe Dugan is portrayed as Ruth's teammate and mentor since Ruth's rookie year in Boston in 1914. In real life, Babe Ruth was sold to the Yankees in 1920. Joe Dugan didn't join the Red Sox until 1922 and the two weren't teammates until Dugan was traded to the Yankees midway through the 1922 season.
- GoofsThe film portrays Babe Ruth and Lou Gehrig as being enemies from the start. That is, in fact, not the case. When Gehrig first joined the Yankees, he and Ruth got along famously. They would often go on fishing trips and barnstorming tours together in the off season. The Ruth-Gehrig Feud did not start until after Gehrig had married Eleanor Twitchell in 1933.
- Quotes
Brother Mathias: after babe babe ruth breaks a window with a gome run im not sorry ive been waiting for 30 years for saint francis to show me a miracle i thik it finaly just arrived.
- Crazy creditsWe All Miss You Ralph ["Ralph" = Ralph Marrero, who died before the film's release]
- SoundtracksMuskrat Ramble
Written by Kid Ory (as Edward Ory) and Ray Gilbert
Performed by Steve Jensen and The Bistro Band
- How long is The Babe?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Babe Ruth: rebelde, amante y leyenda
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $17,530,973
- Opening weekend US & Canada
- $5,011,205
- Apr 19, 1992
- Gross worldwide
- $19,930,973
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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