Aileen Wuornos: The Selling of a Serial Killer

The grotesque and sinister Steven Glazer leads Nick Broomfield into a frightening tabloid current affair world in which serial killers have agents, The police frame suspects in order to get movie deals, I don't wnt to spoil to much of the disturbing thins that occur but Steven Glazer has some odd advice to give to his client.

Nick Broomfield, the director of 'Kurt and Courtney', offers another interesting insight to a notorious subject of a different kind. Aileen Wuornos, dubbed America's first female serial killer and a woman who killed seven men, is the topic of Broomfield's investigation. He draws attention to the circumstances surrounding the media and Hollywood deals and the characteristics of Wuornos's lawyer and a Christian woman (who adopts Aileen and becomes her spiritual mother) and exposes their agenda. Rather than give insight to the crimes itself, Broomfield reveals the sensationalism of the event, and the people involved with Aileen. This is hardly a brilliant documentary but essential viewing as we see Broomfield struggle to get his interview with Aileen where the compelling factor revolves around the circumstances of the process and people involved itself!

***1/2 out of *****!

"Aileen Wuornos: The Selling of a Serial Killer" is a disturbing documentary in which no one comes out in a positive light: not the police, not the lawyers, not the judges, not the media, certainly not Aileen Wuornos and not even the filmmakers.

This documentary by Nick Broomfield is unfocused, and the filmmaker and his small crew are often part of the saga. It paints a rather grim picture, where police are more concerned about possible movie deals than arresting the right person (although they did have the right person, almost by accident), where lawyers are slime buckets even when masquerading as laid back rejects from the '60s and '70s "flower power" era, and where people who claim to be spiritual and doing "God's work" come out looking no less mercenary or self-serving than anyone else (well, except maybe the killer and the sleazy lawyer).

Filmmaker Broomfield doesn't give us nearly as many facts as you might expect - and in this case, even wish for - in a documentary of this type. Much of the film consists of him traipsing around with his small film crew, trying to convince somebody to talk to him. He seems often to miss the point, and doesn't ask the most relevant or probing questions. I never could decide, while watching this film, how much of that was on purpose, for effect, and how much was just him not doing a very good job. It does add to the overall dark impression in the film, that few people really know the truth, know what's going on, and that fewer still care...

Interesting in places, disturbing in others, downright scary if you come out of this believing this is how the criminal justice system works (or not) in this country, Broomfield's film is certainly thought provoking, if somewhat confused and lacking focus.

Why is it that Aileen Wuornos wasn't even the biggest monster in this documentary? She killed a few men, yes, and there's no getting around that, but her attorney, Steve Glazer, and her "adopted parent" Arlene Pralle, were absolutely despicable. I can't believe I watched a documentary about a serial killer and I was angriest at the killer's attorney and new found friend.

This titillating, albeit a bit amateurish, documentary focuses on the greed surrounding Aileen Wuornos, alleged killer of seven men in Florida. You may have seen her portrayed in the movie "Monster" for which Charlize Theron was awarded an Oscar.

The two worst people in this documentary, as I mentioned, were Steve Glazer and Arlene Pralle. Steve Glazer was a musician turned lawyer and he was bad at both. Except if you're bad at music people can boo you off the stage or turn your demo off. If you're bad as a criminal defense attorney your client gets put in the electric chair as Wuornos was. Steve Glazer spent the entire documentary smiling and singing as though he didn't have a care in the world. It was all too vexing to see his smug, self-righteous, predatory face every shot with a s--- eating grin, singing a stupid song, or justifying his pathetic lawyering.

After him was Arlene Pralle. She looked like a missing member of the Manson Family. She looked utterly vapid and vacuous, and she had a voice to match. In all of her Born Again wisdom she convinced Aileen to plead no contest which was tantamount to pleading guilty. She and Steve ushered Aileen to death row as though they were doing the Lord's work. If that didn't make her repulsive enough, she also sought to make money off of Aileen like many others had. She was a horrible human being and she was too dumb to know.

We didn't get to see much of Aileen that wasn't archived footage. It would've been nice to hear her fully explain what she'd been through and what she'd done. No one will ever know the complete truth, but I'd like to hear from her a lot more than the slimy people she found herself attached to.

This film, and Broomfield's follow up, should be viewed by anyone who wants to reexamine their feelings about capital punishment. Wurous is abused by everyone, obviously at least half mad, and in a state of terror at being incarcerated. A ghoulish group of hanger ons try to exploit her at every turn (interestingly, the lawyer is given a questionable reprieve in the sequel) and even grease her path to the electric chair. The system to takes a crack at exploiting her "fame."

Some dismiss Broomfield's work as egocentric and cheap shot ridden; I find it honest and actually quite compassionate. I think he was derided for presenting an unflattering portrait of the then in vogue Courtney Love. Well, looks like he was right on that one too.

This is, I think, his strongest film. But see the sequel too; one the grim jokes turn themselves inside out.