1992, Florida, USA. Aileen Wuornos is claimed to be the world's first female serial killer.1992, Florida, USA. Aileen Wuornos is claimed to be the world's first female serial killer.1992, Florida, USA. Aileen Wuornos is claimed to be the world's first female serial killer.
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The documentary portrays her as angry at the world, yet relentlessly addicted to bad advice from others who seek to exploit her for their own selfish reasons. First she listens to a nincompoop "Christian" lady, who convinces her that Jesus will forgive her sins if only she admits to all her crimes in court. So she does, only later to realize the stupidity of such advice. Similarly with legal representation. Going from bad to worse she listens to a worthless narcissist more interested in his own career than saving her life. For all involved, she is worth more dead than alive. Her life would end in the electric chair, while the audience would be eating popcorn and watching the Hollywood version of her story.
The deeper question, however, is how did this woman become a killer in the first place? What is it about our culture that we turn a blind eye to poverty, neglect and abuse, yet we blame those who act out their frustrations through anti-social behaviors? Given her background, why should we be surprised that she turned out as she did? Her life meant nothing to anyone until she went over the edge, and then it only meant a story to be exploited for profit by others. There are flaws in this documentary, to be sure, but a very sad story it yet remains.
Not as compelling as the second film but it's still interesting. I would strongly recommend this film for documentary fans or those who enjoy Nick Broomfield's work.
The topics noted by the documentary are that Wuornos had a dismal childhood (resulting in her proclivity towards violence); and that during the trial, a number of people tried to enrich themselves from the publicity. Basically, there were no good guys; the documentary doesn't heroify Wuornos, but also shows what opportunists everyone else was.
Broomfield made a second documentary about Aileen Wuornos, but I haven't seen that one, only this one and "Monster" (it turns out that there was also a 1992 movie about Wuornos starring Jean Smart). The point is that Wuornos is a clear example of how a harsh upbringing can turn someone into a sadist - that is, a screwed-up society breeds screwed-up people* - and how people will then want to profit from it. Definitely worth seeing.
*That was also one of the points made in "A Clockwork Orange".
Some dismiss Broomfield's work as egocentric and cheap shot ridden; I find it honest and actually quite compassionate. I think he was derided for presenting an unflattering portrait of the then in vogue Courtney Love. Well, looks like he was right on that one too.
This is, I think, his strongest film. But see the sequel too; one the grim jokes turn themselves inside out.
Did you know
- TriviaIncluded among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
- Quotes
Aileen Wuornos: [In court] I wanna be back in prison. I don't care what the sentence is. I'm already on death row, I'm gonna see the chair, I don't... this is all re-electional purposes. This is not for nothing but to get you guys re-elected. And this is a bunch of bull-shit. This doesn't even need to happen. I'm trying to save tax payers money; you people don't care. You wanna press on with a jury and everything else to try to impress the public. And all I wanna do is go back to prison, wait for the chair, and get the hell off of this planet that's full of evil and your corruption in these courtrooms.
- ConnectionsFeatured in Aileen: Life and Death of a Serial Killer (2003)
- SoundtracksTime
Written by Roger Waters (as Waters)/David Gilmour (as Gilmore)/Richard Wright (as Wright)/Nick Mason (as Mason)
Publisher: PINK FLOYD MUSIC PUBL. Ltd.
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- Эйлин Уорнос: Продажа серийной убийцы
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