The Camomile Lawn

I think WWII dramas are very romantic and I love this series! When it was first broadcast on Channel Four I couldn't wait to see it every week. Aside from the brilliant acting by everyone concerned, the story lines are excellent, enough to keep you involved, but not too complicated and not done in an "arty" way. Also the characters are interesting and events are wholly believable. You really do start caring about the characters involved.

I thoroughly enjoyed every moment of it, also it gives younger people who weren't around during WWII a little taste of what it must have been like. The costumes and music are lovely too.

So, if you fancy a trip down memory lane and want an interesting and engaging story with likable characters, then you can't go wrong with this one! I get this video out on rainy days when I feel like a few hours of relaxation. Enjoy!

I read the book first and i have to say this series is so true to it. In this rotten PC age its so nice to delve into a past that is poignant and patriotic. A past where the english did their bit. And just brilliant performances from jenifer ehle, tara fitzgerald and rebecca hall. The depth of the acting pool on view here is huge. Its gloriously anti-woke and much the better for it. For example if you love female nudity like me, you will love this. I also thought the back and forth between the modern day and WW2 was brilliantly done.

Let's get the obvious out of the way first , Jennifer Ehle is GORGEOUS , so excuse me if i seem biased! Set during the war , a family with a strange besotment with the smell of their yard (?) are thrown in to a sea of love , hate and torrid affairs! The acting is absoloutely priceless throughout with everyone doing a marvellous job! Only problem is , where can i get it on VHS or DVD? A fantastic drama , a treat for all!

I'd been curious for years to see this thing, both because of the very interesting actors, and the period setting. Now I've just watched the British DVD, and found that its absolutely brilliantly done, and compulsively watchable. Its basically the saga of an "extended family" from 1939 to 1984, focusing on the females - all of them quite lively, and several of whom have luckily married into money. The characters are admittedly somewhat shallow and self-centered, but nevertheless fascinating. The acting and direction are so wonderful, and the story is so intriguing and amusing, that it all just flies by, leaving you wanting more. I suspect that this is one of those rare times when the "film-version" improves on the original book. Kudos to Channel 4 for having successfully tackled another edgy piece of material.

It takes some time getting accustomed to the affected and presumably somewhat archaic upper-middle-class accents assumed by some of the actors. The occasionally plummy and arch dialog, particularly between Calypso and Oliver, started to remind me strongly of watching Rex Harrison and his wives elegantly sniping at each other in "Blithe Spirit (1945)". As an American this blows right by me; I can only guess that, for the UK audience, the accents will place the characters very firmly in time, place, and class.

Trivia note: young Sophy is played by Rebecca Hall, who is the daughter of the director Peter Hall. She turns in an amazing performance.

With a strong cast headed by two of the stars of the Britcom classic "Good Neighbors" and a rash of complaints from Netflix members about nudity, "smut" and depravity, this '92 UK series seemed like a sureshot. Based on a novel by the renegade daughter of an old-school military family, it's a brisk, gossipy account of the martial, marital and extramarital adventures of an extended family of cousins in the early years of WW II. The Martha Stuarty title might be misleading; the lawn in question adjoins a cliffside house in Cornwall that belongs to most of the other characters' Aunt Helena (Felicity Kendal!), the exasperated wife of Uncle Richard (Paul Eddington!), a cranky, appeasement-minded, one-legged veteran of "the last show" (WW I). Also in residence is Sophy (an amazing debut performance by 11-year-old Rebecca Hall), a sensitive younger cousin who's being raised, haphazardly, by Richard and Helena. It's true that some of the characters, in their youthful self-involvement, can be a bit much (notably flashy, posh-voiced Calypso, a nice juicy part for Jennifer Ehle), but the series is consistently involving and occasionally quite moving. Paul Eddington totally nails a scene in which Richard, portrayed as a squawking grotesque till then, discusses sex and marriage with Calypso in a sweetly unguarded way; the last episode, set in the 1970s—by which time adorable Sophy has grown up to be a cranky Claire Bloom—is watchable but disappointing.