Wizards of the Demon Sword

While this movie would work for riffing, it doesn't work in any other way. You know you're in trouble from the get-go when the first action sequence is filmed in a desert landscape filled with ATV tracks. It's supposed to be the Middle Ages, of course. It's hard to tell if the script or the acting is worse, and the endless modern slang is a mistake. Perhaps it's both acting and script at fault, but whatever the explanation, it's all quite cringe-worthy.

Cave Dwellers and Deathstalker are great movies compared to this.. and trust me when I say they are not great.

There are one or two moments in here that don't make you wish you were somewhere else, doing anything else, but I don't recommend watching to find them

Not much is expected from low-to-no-budget Sword & Sorcery film, and this one delivers a little bit more than not much.

First the airing of grievances: The dialog is stilted often difficult to listen to. The campy synthesizer background music is so bad that it can be distracting. The acting is somewhat better than average for the genre, which is to say it is usually poor but sometime okay. Lyle Wagner and Russ Tamblyn are good. Lawrence Tierney absolutely shines, but his screen time is much too short. The rest of the cast never really rises above the level of acceptable.

This film is not without merits, however. It delivers what one expects: sword fighting; a lovely woman in need of rescue; an evil wizard in need of vanquishing. The underlying story is quite good. It was well developed and internally consistent, and when everything is finally explained there aren't any major plot holes. Some parts of the story are kind of clever, and certainly better than what one usually gets from this type of movie.

If you are able to tolerate a sub-par movie for a better than average story, watch this. If you need crisp & snappy dialog or subtle & thoughtful acting, watch anything else.

Thane is on a quest with Melina to save her father from the evil wizard, Lord Khoura in this hilariously awful low budget swords & sandals film. The last really watchable 'good' bad movie by Fred Olen Ray, this film can't even be described. Sure one can tell you the loose plot of the movie, but it can't even wish to convey the lunacy of the hilarious bad stilted dialog, the atrocious but belly laugh warranting 'special effects', or the (lack of) acting that will have you on the floor. Case in point there's one scene that has Thane punching Melina in the face. You're probably sitting here reading that thinking what the hell can be funny about that, but just the way it's directed and shot is extremely funny. This is NOT a film for anyone who wants to see any resemblance of a good movie. But for us select few who are real fans of Ray, this is a treasure.Not as great as Hollywood Chainsaw Hookers but definitely up there with Star Slammer.

My Grade: B

Eye Candy: Heidi Paine and an uncredited extra both get topless

It's a campy film and none of the actors seem to take it seriously.

Neither did the writers, by the look and sound of it.

Everyone seems to have fun while making the film, however.

It has a pair of cool stop-motion monsters.

If you like it cheesy and tongue-in-cheek, with hot ladies and brawny guys you might enjoy this film.

But don't expect an epic masterpiece.

My review was written in May 1991 after a Cannes Film Festival Market screening.

Sword and sorcery was never cheaper looking than in "Wizards of the Demon Sword", a poverty budget special by genre-meister Fred Olen Ray. Troma pickup is strictly a video title.

Filmed on trerrain familiar from B westerns and Hollywood serials of yore. "Sword" is actually about the knife of Aktar, supposedly able to unlock evil forces. Russ Tamblyn and his beautiful daughter Heidi Paine have been entrusted with its safekeeping. Evil Lyle Waggoner has captured Tamblyn, but Paine is on the loose.

Macho warrior Blake Bahner accidentally teams up with Paine and film limnsl their misadventures trying to spring Tamblyn. Slapstick and bad pusn are attempted repeatedly without success (a wise man who helps out the duo is named Seer of Roebuck).

Hambone acting, especially by heavily made-up Waggoner and his chief enforcer, Amazonian warrior Dawn Wildsmith, is fun, but the swordplay here is unimpressive. Cheap sets, stock footage and silly insert sequences of crudely done stop-motion animation of dinosaurs are serious drawbacks.

Dan Speaker, who devised the swordfighrts, is personable in tne buddy role opposite Bahner.