IMDb RATING
5.6/10
4.7K
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A night in the life of a cynical prostitute forms the basis of Ken Russell's portrait of the world's oldest profession.A night in the life of a cynical prostitute forms the basis of Ken Russell's portrait of the world's oldest profession.A night in the life of a cynical prostitute forms the basis of Ken Russell's portrait of the world's oldest profession.
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Sanjay Chandani
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- (as Sanjay)
Ginger Lynn
- Wounded Girl
- (as Ginger Lynn Allen)
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Ken Russell who made major films like WOMEN IN LOVE and THE DEVILS apparently burnt out by the time he got to TOMMY (bad ghoulash!!!), except for this sly, trembling, subtle and street piece with Theresa Russell (with able support from Jack Nance briefly) that bombed critically and ..duh..financially in the early 90's.
Totally under-rated and stylistic in a Bunuel sort of way, this walk down the boulevard..partly because of the casting of Ms. Russell (Nicholas Roeg's wife; still I believe), makes this almost realistic in David Lynch way without a million characters.
She talks to the audience (ala ALFIE) style, bad things happen, lonely Roy Orbison-type streets, and a crescendo that is totally unexpected. Ms. Russell is beyond the pale in this one and grabs you with silky, stuttering, and flexible grace as she draws you in to her tale of woe that you think you know the end to. . . . NOT! Find this one credible and bewildering piece of Americana and you may find a cul-de-sac to park it on.. if you like low-budget cool, hip, and demented cinema. Theresa Russell should have been nominated in '91, but you know how it goes. Oh well!
Totally under-rated and stylistic in a Bunuel sort of way, this walk down the boulevard..partly because of the casting of Ms. Russell (Nicholas Roeg's wife; still I believe), makes this almost realistic in David Lynch way without a million characters.
She talks to the audience (ala ALFIE) style, bad things happen, lonely Roy Orbison-type streets, and a crescendo that is totally unexpected. Ms. Russell is beyond the pale in this one and grabs you with silky, stuttering, and flexible grace as she draws you in to her tale of woe that you think you know the end to. . . . NOT! Find this one credible and bewildering piece of Americana and you may find a cul-de-sac to park it on.. if you like low-budget cool, hip, and demented cinema. Theresa Russell should have been nominated in '91, but you know how it goes. Oh well!
The prostitute Liz (Theresa Russell) works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a diner until the day a man introduces her to prostitution. Later she is raped by at least five men and the pimp Blake (Benjamin Mouton) "protects" her. Liz tries to escape from Blake and befriends the prostitute Katie (Elizabeth Morehead); however Blake chases her. On the streets, she befriends the homeless Rasta (Antonio Fargas) that helps her when she needs.
"Whore" is a docudrama by Ken Russell that shows the tough life of a whore. The hot Theresa Russell is a perfect choice for the role of Liz, talking to the camera to explain her life and feelings and analyzing the type of men that is client of a whore. I saw this movie for the first time in the 90's and in 2015 it has not aged. My vote is seven.
Title (Brazil): "A Prostituta" ("The Prostitute")
"Whore" is a docudrama by Ken Russell that shows the tough life of a whore. The hot Theresa Russell is a perfect choice for the role of Liz, talking to the camera to explain her life and feelings and analyzing the type of men that is client of a whore. I saw this movie for the first time in the 90's and in 2015 it has not aged. My vote is seven.
Title (Brazil): "A Prostituta" ("The Prostitute")
I really enjoyed this film because of the acting of Ms.Russell. Though all the characters were painted with the usual overly broad strokes.
The only problem I basically had with this film, was that Ms. Russell's character was much too glamorous to be a *street whore*.
Her skin and make-up were flawless, she had nice teeth etc.. It sounds silly, but I notice these things when watching films. That was the most un-authentic part of this film, noticing how perfect she looked.
From viewing documentaries depicting real life prostitutes (HBO's series about hookers in the Bronx, those women were rough....missing teeth, barely literate etc) and other movies depicting the horrors of prostitution, we all know they usually don't look as good as Ms. Russell does in this film....unless they are call girls. Call girls aren't as abused as street hookers, they usually have a decent and comfortable place to be with their clients.
Most street whores have drug problems, even if they don't, that rough 'street life' certainly takes a toll on ones looks. I saw none of that in Theresa's character. She looked young and vibrant!
Nevertheless, she gave a great performance given the below par script she was given to work with.
I also enjoyed the 'Alfie' speaking-into-the-camera style and the anti-"Pretty Woman" message. Anyone who thinks prostitution is in any way 'glamourous', well, they need to read a bit more about the seedy demeaning aspects of that life. Then go back to school to get a decent education, so they can get a normal job. There are no free rides, pardon the pun, in that world.
Good performances all around. Though it would have been nice to see Antonio Vargas play a different character other than a wacky street person, at least he wasn't a pimp!
The only problem I basically had with this film, was that Ms. Russell's character was much too glamorous to be a *street whore*.
Her skin and make-up were flawless, she had nice teeth etc.. It sounds silly, but I notice these things when watching films. That was the most un-authentic part of this film, noticing how perfect she looked.
From viewing documentaries depicting real life prostitutes (HBO's series about hookers in the Bronx, those women were rough....missing teeth, barely literate etc) and other movies depicting the horrors of prostitution, we all know they usually don't look as good as Ms. Russell does in this film....unless they are call girls. Call girls aren't as abused as street hookers, they usually have a decent and comfortable place to be with their clients.
Most street whores have drug problems, even if they don't, that rough 'street life' certainly takes a toll on ones looks. I saw none of that in Theresa's character. She looked young and vibrant!
Nevertheless, she gave a great performance given the below par script she was given to work with.
I also enjoyed the 'Alfie' speaking-into-the-camera style and the anti-"Pretty Woman" message. Anyone who thinks prostitution is in any way 'glamourous', well, they need to read a bit more about the seedy demeaning aspects of that life. Then go back to school to get a decent education, so they can get a normal job. There are no free rides, pardon the pun, in that world.
Good performances all around. Though it would have been nice to see Antonio Vargas play a different character other than a wacky street person, at least he wasn't a pimp!
This is based on a British stage play and has been adapted to an American setting. The critics hated this flick but I thought it was great. It's not for everyone but I found it to be a good character study with humor, sex, and all the other elements of fun sleaze that make a Ken Russell film so much raunchy fun. I like the character of Rasta and I haven't liked Ms. Russell in another movie before or since. Porn star Ginger Lynn Allen does a cameo as does cult actor Jack Nance. Go see 'Whore'. Even if you can't say it.
Uneducated prostitute Liz (Theresa Russell) works the L.A. streets. She is beaten up by one bad trick. She recalls various Johns. She married the local alcoholic hunk. They have a son together. She leaves her drunken husband with her son to her mother. As a waitress, she is introduced to prostitution.
Breaking down the fourth wall is an interesting style. The constant unceasing nature does wear thin after awhile especially with Russell's voice in this character. This is more of a monologue. The minimalist style is more due to the lack of budget. Director Ken Russell considers this his anti-'Pretty Woman'. He has certainly drop kicked Pretty Woman and raped her from behind. It is a fascinating take but not a completely successful one.
Breaking down the fourth wall is an interesting style. The constant unceasing nature does wear thin after awhile especially with Russell's voice in this character. This is more of a monologue. The minimalist style is more due to the lack of budget. Director Ken Russell considers this his anti-'Pretty Woman'. He has certainly drop kicked Pretty Woman and raped her from behind. It is a fascinating take but not a completely successful one.
Did you know
- TriviaDirector Ken Russell made the movie as a response to Pretty Woman (1990).
- GoofsWhen Liz gives the finger to the anal sex enthusiast in the opening scene, a person is walking through the tunnel towards her. When she turns around a moment later, the pedestrian disappears.
- Quotes
Man in Car: I wanna fuck you up the ass!
Liz: You can stick it up your own, ASSHOLE!
Man in Car: [laughs] I would if I could... BITCH!
- Crazy creditsCredits have MCMLXXXXI for 1991, should read MCMXCI.
- Alternate versionsAvailable in three different versions: a 85 minutes NC17-rated version, originally released in US theaters; a 80 minutes R-rated video version, which features some cuts and is sometimes repackaged on video under the title "If you can't say it, see it"; and the uncut 92minutes version released in Europe.
- SoundtracksDOING THE BANG
Produced & Performed by Fascinating Force
Written by P. Nero, H. Nero, J. Spivey, T. Keith & W. Fratacci
Courtesy of Select Records
Details
- Release date
- Countries of origin
- Language
- Also known as
- Vida callejera
- Filming locations
- Hyatt Regency Century Plaza - 2025 Avenue of the Stars, Los Angeles, California, USA(soliloquy in front of fountain)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,008,404
- Opening weekend US & Canada
- $165,534
- Oct 6, 1991
- Gross worldwide
- $1,008,404
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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