La fièvre d'aimer

For me there really is nothing better than good writing, good actors and an interesting and engaging film. This has all of that.

I won't go saying that this is a fantastic film, it's not going to be on the top 250 list with Shawshank, but what it does attempt to do it does very well, tell a compelling story about two lonely people in different stages of life from two different socioeconomic levels finding each other first for a physical relationship and over time that relationship deepens into something quite beautiful.

Spader is a white collar ad exec who seemingly has everything a 27 year old would want, except he lost his wife two years prior and is still quite depressed and mourning her loss. His friends want to see him find someone new, but it doesn't seem to work for him as he just isn't receptive to the women he is paired with.

He find Susan Sarandon in a bar, she's drinking and they start off awkwardly but there is a palatable connection that these two actors have that is unmistakable. A quite sexy (in my opinion) love scene occurs and in the next morning while Spader is trying his best to be a gentleman but still get out of her home after what he believes is a one night stand there is something there that these two wounded people connect on.

The thing that I love about this movie is it's honesty. It doesn't go where you'd expect this movie to go. It is well directed and the story is quite compelling in addressing the needs to two adults to love and be loved. It's the theme of social expectations and the burdens they cause (rightfully or not) and the impact they can have on a relationship.

It really is a shame that films like this just don't get produced any longer as it's nice to see good actors bring interesting characters to life in a very well produced slice of life film.

White palace has a great sexual dynamic, clearly Susan Sarandon's character (Nora Baker) is a sexually charged self confident woman who is at least 10 years or so older than James Spader's character (Max Baron). This movie shows how deep attraction and passion can change people's lives (perhaps for the better) and overcome class/personality and age differences.

The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.

The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).

But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".

Max Baron (James Spader) is a successful ad executive in St. Louis. His wife Janey (Maria Pitillo) was killed in a car accident two years ago. He buys 50 burgers from White Palace (White Castle refused to give permission) for his friend Neil (Jason Alexander)'s bachelor party and discovers six empty boxes. He berates Nora Baker (Susan Sarandon) and gets his refund. Later at a bar, Max finds common suffering with Nora who lost her son to leukemia. They start an affair based on their shared losses despite their differences.

These are two good performances from great actors of interesting damaged people. The bulk of the interest probably comes from the age difference. For me, more of the interest comes from these sad lives. I would have liked a bit more Sarandon. The hardness of their chemistry is terrific.

It was interesting to me that it was more of a problem that she was such a slob than that she was significantly older than him. If anyone can carry off a believable and appealing older woman/younger man romance to a mass audience, it's Susan Sarandon. No other actress combines her ripe, open sexuality with such an accessible and self-assured personality. She makes sexiness respectable. James Spader does less well, not so much because of a faulty performance, but because he seems unable to break through a preternatural reserve. It served him well in "Sex, Lies and Videotape" but a little more emotionality is called for here. The sex scene when he is writhing in the throes of passion and finds a half-eaten sandwich under the bed is hilarious, not to mention the pivotal scene when he gives her a dustbuster as a gift. The future for this couple might seem unlikely, but I don't think it's any less likely than that of most movie lovers.

I liked James Spader's performance; demonstrating as it does a vulnerable quality I didn't know he had. All those wistful looks off into the distance, and the general aura of a man beaten down by life make for something that – I have to say - is pretty touching! This softer element he brings to the part was a nice change from seeing him do the sleazeball routine for the umpteenth time... The movie itself is reminiscent of Pretty Woman in spots, and is a pleasant surprise. An offbeat sleeper on Sarandon's resume.

It's got that whole 'you can't rationalise who you love' motif, which I'm all too aware of, in my everyday living... (of course)

The whole 'keeping things around for show as an empty token of status' philosophy of some of the protagonists pals is a nice comment on the world of yuppie superficiality that James Spader's characters themselves have often been found immersed in. The movie could easily have been just another bland melodrama, but these themes provide a refreshing and unexpected counterpoint.