IMDb RATING
6.5/10
9.5K
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Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Rachel Chagall
- Rachel
- (as Rachel Levin)
Renée Taylor
- Edith Baron
- (as Renee Taylor)
Kim Myers
- Heidi Solomon
- (as Kim Meyers)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
i read the reviews of loved and hated this film, and as you can guess i am on of the ones that have loved it. I can understand that people find the story implausible, because of the age difference and the social and cultural differences of the love story. i suppose having been in a few love across the divide love stories myself i identify and understand the motivations of the two characters and what the director is trying to say. Both James Spader and Susan Sarrandon are lost in the film, James had lost his lover and all meaning in his life, and Susan has lost her son, and her self respect and is being self destructive to herself. She has a truth which she teaches him on their first meeting, where she accurately reads him, and shows him how to let go and have a good time and have contact. The original sex scene which some people hate in the reviews is my all time favourite. If the sexes were reversed it would verge on rape, but because it is female on male it doesn't feel that way. the way she holds him down catches him unawares and drags him into this sexual and emotional awakening is what makes it so electrifying for me. James spader's night after rejection of her rings true, and for most people it would end there....but he goes on and they really learn off each other...maybe as i have found in real life it would end, but i think that love is about two people coming together having contact being together loving and learning from each other.
So may people that i see staying together in so called sensible compatible marriages don't have what you see these two having together for however long.......
So may people that i see staying together in so called sensible compatible marriages don't have what you see these two having together for however long.......
Max Baron (James Spader) is a successful ad executive in St. Louis. His wife Janey (Maria Pitillo) was killed in a car accident two years ago. He buys 50 burgers from White Palace (White Castle refused to give permission) for his friend Neil (Jason Alexander)'s bachelor party and discovers six empty boxes. He berates Nora Baker (Susan Sarandon) and gets his refund. Later at a bar, Max finds common suffering with Nora who lost her son to leukemia. They start an affair based on their shared losses despite their differences.
These are two good performances from great actors of interesting damaged people. The bulk of the interest probably comes from the age difference. For me, more of the interest comes from these sad lives. I would have liked a bit more Sarandon. The hardness of their chemistry is terrific.
These are two good performances from great actors of interesting damaged people. The bulk of the interest probably comes from the age difference. For me, more of the interest comes from these sad lives. I would have liked a bit more Sarandon. The hardness of their chemistry is terrific.
Truth to tell I only watched this movie recently because I consider Susan Sarandon one of our finest actors. Also, I'm going add, one of our sexiest actors too. Ms. Sarandon gets the most from this role by underplaying the part with most of her interpretation deriving from her facial expressions. And, I have to admit, that if she can excite a 70 year-old man with her sexual magnetism as she did me, she has it all over some of the so-called younger sexy actresses. There was one scene that bothered me though, the Thanksgiving dinner scene where Spader's Jewish family is depicted as shallow and bigoted, something like Woody Allen's family in one of his films. Also, why the director ended the picture with that hokey table-top nonsense in a crowded restaurant is beyond understanding. It detracted from the reality of the film.
White palace has a great sexual dynamic, clearly Susan Sarandon's character (Nora Baker) is a sexually charged self confident woman who is at least 10 years or so older than James Spader's character (Max Baron). This movie shows how deep attraction and passion can change people's lives (perhaps for the better) and overcome class/personality and age differences.
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
For me there really is nothing better than good writing, good actors and an interesting and engaging film. This has all of that.
I won't go saying that this is a fantastic film, it's not going to be on the top 250 list with Shawshank, but what it does attempt to do it does very well, tell a compelling story about two lonely people in different stages of life from two different socioeconomic levels finding each other first for a physical relationship and over time that relationship deepens into something quite beautiful.
Spader is a white collar ad exec who seemingly has everything a 27 year old would want, except he lost his wife two years prior and is still quite depressed and mourning her loss. His friends want to see him find someone new, but it doesn't seem to work for him as he just isn't receptive to the women he is paired with.
He find Susan Sarandon in a bar, she's drinking and they start off awkwardly but there is a palatable connection that these two actors have that is unmistakable. A quite sexy (in my opinion) love scene occurs and in the next morning while Spader is trying his best to be a gentleman but still get out of her home after what he believes is a one night stand there is something there that these two wounded people connect on.
The thing that I love about this movie is it's honesty. It doesn't go where you'd expect this movie to go. It is well directed and the story is quite compelling in addressing the needs to two adults to love and be loved. It's the theme of social expectations and the burdens they cause (rightfully or not) and the impact they can have on a relationship.
It really is a shame that films like this just don't get produced any longer as it's nice to see good actors bring interesting characters to life in a very well produced slice of life film.
I won't go saying that this is a fantastic film, it's not going to be on the top 250 list with Shawshank, but what it does attempt to do it does very well, tell a compelling story about two lonely people in different stages of life from two different socioeconomic levels finding each other first for a physical relationship and over time that relationship deepens into something quite beautiful.
Spader is a white collar ad exec who seemingly has everything a 27 year old would want, except he lost his wife two years prior and is still quite depressed and mourning her loss. His friends want to see him find someone new, but it doesn't seem to work for him as he just isn't receptive to the women he is paired with.
He find Susan Sarandon in a bar, she's drinking and they start off awkwardly but there is a palatable connection that these two actors have that is unmistakable. A quite sexy (in my opinion) love scene occurs and in the next morning while Spader is trying his best to be a gentleman but still get out of her home after what he believes is a one night stand there is something there that these two wounded people connect on.
The thing that I love about this movie is it's honesty. It doesn't go where you'd expect this movie to go. It is well directed and the story is quite compelling in addressing the needs to two adults to love and be loved. It's the theme of social expectations and the burdens they cause (rightfully or not) and the impact they can have on a relationship.
It really is a shame that films like this just don't get produced any longer as it's nice to see good actors bring interesting characters to life in a very well produced slice of life film.
Did you know
- TriviaRobert Downey Jr. was considered for the role of Max Baron and even screen tested with Susan Sarandon.
- GoofsIn the final scene where Max and Nora are talking at the restaurant, their hairstyles change mid-conversation.
- SoundtracksLove Or Money
Performed by Slater Sealove Band
Courtesy of Reata
Written by James Slater & Carl Sealove
- How long is White Palace?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Pasión otoñal
- Filming locations
- Duff;s Reataurant, 392 North Euclid Avenue, St. Louis, Missouri, USA(The NYC restaurant where Sarandon and Spader reunite at end)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $17,487,531
- Opening weekend US & Canada
- $1,078,697
- Oct 21, 1990
- Gross worldwide
- $17,487,531
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