L'amour en larmes

The first time I watched this movie I kept saying to myself.. this movie seems so familiar.. Then I realized that I had read the book the summer before.. This is a great credit to the screenwriter and director as the story is followed precisely and each page is brought to life on the screen.. A must for Forester fans, Anglophiles or those who want to enjoy a true tale of human souls intertwined. The prejudices and self importance of the English upper class are superbly charactered by all.. You'll laugh , cry and wonder at their actions.. You will become part of them... This is definitely one that I will be adding to my "Sunday Night Movie and Tea" collection.

Where Angels Fear to Tread is not the best E. M. Forster novel to be written, and it is certainly not the best to be made into a movie, but it is well worth watching for another superb performance by Helena Bonham Cater and her supporting cast.

Rupert Graves (V for Vendetta) is excellent as an Edwardian aristocrat who becomes enchanted with the Italian way of living. Helen Mirrewn (The Queen) is equally good in her small role as the flighty Lilia. Judy Davis (Marie Antoinette , The Beak-up) provides the comic relief as a proper lady who cannot abide a half-English child being brought up by Italians.

It all makes for a good movie with fine performances.

Charles Sturridge's adaption of E.M. Forster's classic novel is well in line with such other greats as "Howards End", "A Room With a View", and "A Passage To India". As with all of Forster's work, "Where Angels Fear to Tread" treats the topic of Edwardian British society with poignancy and humour.

Cultures clash when Philip Herriton is forced by his mother to retrieve the only child of his dead sister-in-law, Lilia, from its Italian father. The baby represents both the English and Italian way of life, and the ensuing struggle over it is an analysis of just how futile our own nativist prejudices can be.

Such a sensitive topic is dealt with by a charming cast. Rupert Graves is perfect as a man transformed by his horrific experiences; Helen Mirren is both laughable and lamentable as the tragically flighty Lilia; Helena Bonham-Carter is the soul of goodness, and Judy Davis (a Forster veteran from "A Passage to India") provides comic relief as stuffy Harriet. These fine performances are matched with a beautiful score by Rachel Portman and even more beautiful Italian vistas courtesy of Mr. Sturridge.

Stimulating and provocative, I highly recommend this film to those interested in either Forsters' work or the imperialistic inclinations of the British circa 1900.

Such is the credo of a trio of Edwardian English gentry who travel to Italy to save a new born baby from the clutches of its Italian father upon the death of its English mother. "Where Angels Fear to Tread" is an excellent film in need of a story. A well crafted, well acted, well directed period piece (circa 1906), the film peers deeply into the marginally interesting group of characters, their relationships and idiosyncrasies, and their difficulty bridging the English/Italian culture gap. Unfortunately this tedious work only seems to get interesting about the time credits roll and one is left wondering what happened to the on screen "To Be Continued" declaration. An okay watch for those into the subtleties of European period films with little to offer all others.

Where Angels Fear to Tread in addition to its alluring title also boasts a solid cast of Helen Mirren, Rupert Graves, Helena Bonham Carter and Judy Davis. Throw in the beautiful Italian landscape and scenery and you're well on your way. There is one major obstacle preventing this film from reaching its full potential, and unlike others who suggest it was the direction, I say the major problem rests squarely on the script. There are too many random elements thrown into the mix, that have very little to no context or explanation. There are too many to go into now but characters show up at random places and times, and behave seemingly for the convenience of creating drama, but after a while the viewer really does need a bit more information and character development. The Judy Davis character is completely lacking in any sympathetic traits completely to the point that I wanted nothing more than to see her run over by a train Rupert Graves is so thoroughly passive and ineffectual as to become highly unlikeable, despite his charm. Despite these serious shortcomings I have to say I was still completely engaged as to how things were going to ultimately conclude. When it ended even more horrifically that I had imagined I found myself to be quite upset. So, even though Where Angels Fear to Tread has some major problems I still think its a film worth checking out.