Le voyage du capitaine Fracasse

Ettore Scola is an avant-garde director, Il Viaggio di Capitain Fracassa is really fabulous, set on seventeenth century an itinerant theatrical troupe are heading to Paris, during a storm they reach a crumble castle of the blighted Baron of Sigognac (Vincent Perez) to get a shelter, the faithful servant Pietro sees the great opportunity to send his young poor Baron to Paris hoping a meeting with the King Louis XIII which the Sigognac's father had saved Louis XIII's father at Paris's siege in the past and may returning all his wealth, the lineup of Troupe are leaded by Tyrant (Tony Ulci), the unloved and beauty Serafina (Ornella Muti), the dreamer sweet Isabella ( Emmanuelle Béart) and the volatile Zerbine (Tosca D'Aquino), the veteran actor Matamore (Pierrer), the versatile Pulcinella (Massino Troisi) the vain old lady Leonarde (Masiero) and the leading character Leandre (Wertmuller) , Pietro bribes Pulcinella to protect his Baron along the journey, they running across many places which they acting their theatre play, always paid by food, in the travel the young Baron knows the love, however all them have to share sorrows, starvation and some fun occasionally, further all this told in sparse flashbacks by Pulcinella to an eager health civil servant, all in small details, Ettore masterfully exposes the hardness period to the scenic arts, their aches and pains, a journey to celebrate the art, almost perfect!!!!

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First watch: 2020 / How many: 1 / Source: TV-DVD / Rating: 9

Although it does not follow Theophile Gautier's novel slavishly, this movie gets the essentials all right. (The very next day after seeing the movie in 1990 in France, I went to the nearest bookstore o buy the book, which I hadn't read yet; and which proved a delight, too.) While many US and UK movies do period pieces like the Three Musketeers in near-parody or camp, this one treats the story with respect. Think Cyrano de Bergerac, but with a more even and varied cast of characters, and a big twist of a happy ending. It's particularly fun for anyone who does amateur theater, as the plot involves a nobleman (down on his luck in the south) who swallows his pride long enough to join a troup of travelling actors (at the time, denied the right of burial), for a trip to Paris. Fortunately, despite being in the sticks, his tutor at sword fighting was the best.

This movie is one of the best films the great Italian director, Ettore Scola has ever made. It also has a fantastic cast, all doing a great job, but, is seems the late Massimo Troisi does outshine them all, with a stunning performance as Pulcinella, a Sancho Panza sort of clown. This fantasy, dream-like tale, is based on the famous book by the same name by Théophile Gautier, the French author. This is actually the 5th movie adaptation of this novel, which must tell you something about its force to attract generations of film makers.

Vincent Pérez plays Baron of Sigognac, a young royal, whose quest for material wealth brings him true love and revelations on the nature of this world. The plot themes are somewhat related to Stoppard's excellent Rosencrantz and Guildenstern Are Dead - both uses the traveling players to explore the nature of the human condition. One might also recall Bergman's Seventh Seal, but Fracassa is more akin of Stoppard's light hearted, witty, approach to those grave subjects.

A truly exceptional, beautiful and entertaining film, a long standing achievement for all involved, surely better than Il Postino, though, sadly, much less known. Surely overdue for re-release?

One of films in which every aspect gives a special state. From performances to the inspired use of story, from nostalgia to the refreshing humor, from the dialogues to the love story. A homage to theater and a great adaptation of a fascinating novel. And, sure, Massimo Troisi .

One of the reviews here is that it is one of the best films of the great Italian director Ettore Scola. I would say more: it's one of the best movies ever. Top 20 in the History of cinema IMHO.

Comedy, drama, romance, history, poetry and literature in one of the most simple and beautiful tributes made to theater and the love of acting. This movie is proof that you can make a great work without much money or production. In fact, simplicity is its greatest virtue.

And as icing on the cake it still allows us to enjoy the stunning beauty of Ornella Muti throughout its projection. 10/10