V.I. Warshawski, un privé en escarpins

It is remarkable to me how much affection and revulsion this watchable, incomplete misfire of a film can inspire, here among the Comments and elsewhere; I haven't seen more than a few minutes of it for several years, but did see it in a theater in its original run. Kathleen Turner as VIW is too much a flirt to conform to Sara Paretsky's portrait of her detective, but otherwise gives a decent performance that, better than the script, gets across Warshawski's toughness, wit and unwillingness to suffer fools any more than she has to. The film, as someone else noted, would've done well to be a more faithful adaptation of one of the early novels, rather than pulling bits from several and then letting the plot go completely slack by the last third. But there are nice touches, here and there; Wayne Knight was born to play the petty thug and childhood schoolmate of Warshawski. But the hastiness and corner-cutting of the production is unfortunately evident. One wonders if a second film, with a better script and crew, might've been quite good.

V.I. Warshawski is my all-time favorite movie, and I don't know why people keep butchering it so bad. It's an intriguing mystery that pulls you in and doesn't let you go until the end.

Kathleen Turner shines as detective Victoria Warshawksi whom is hired by the 13 year old girl, Kat, she is babysitting to find out who murdered her father. With suspects at every corner, Vic doesn't know who to trust and who not to. Kat joins forces with Vic in a more helpful approach to the situation, getting information that Vic can't obtain herself eliminating suspects and narrowing it down to one. The ending will blow your mind, as it isn't expected.

Filmed on Chicago's waterfront, V.I. Warshawski delivers the goods for intrigue, mystery, and top notch action! If you haven't seen it, give it a chance. It's worth the 1.99 rental price - don't listen to anyone who says this movie unbearable to watch because it's an outstanding film and one of Kathleen Turner's best.

In the 1980's Kathleen Turner was a tremendous star. Several of her films were huge box-office hits:"Romancing the Stone"(1984), "Jewel of the Nile"(1986), "Peggy Sue Got Married"(Best Actress Oscar nomination,1986), and "The War of the Roses"(1989). Critics loved her in John Huston's "Prizzi's Honor"(1985) and "The Accidental Tourist"(1987). Her sexy voice helped make "Who Framed Roger Rabbit"(1988) an enormous blockbuster. And who can forget her star-making performance that made her quite the sex-symbol in "Body Heat"(1981). When "V.I. Warshawski" came out Turner was still at her peak. The huge success of "War of the Roses" made her the #1 female star at US BoxOffices in early 1990. But "V.I." opened to disastrous reviews. She is actually very good in it but the script is so mediocre and the direction is so flat. She is given nothing to work with but her vibrant personality and sultry looks keep it together. The film ended up pulling in only 12 million in the US. This disaster immediately derailed Turner's career. Male stars like Bruce Willis and Nicolas Cage can star in one flop after another pulling in huge salaries but it does not matter as long as they get an occasional blockbuster. But take a huge Female star like Turner- give her one colossal dud and she is more or less finished in Hollywood. Turner's career never recovered. A few more mediocre duds followed then her looks went so now she is stuck in supporting roles that make it hard to believe she was once among the greatest of female stars. Maybe she can make a comeback as a star character actress. WHo knows.

I have just seen Kathleen Turnjer in "V.I. Warshawski" for the third time and, for the third time, am at a total loss to understand the panning/overall rating of 4.3 awarded to it by previous reviewers. I think the movie DOES reflect a lot of the Paretsky original novels and think Turner does a good job in portraying "the dick from the dock" in a manner which combines both respect for the literary character and the kind of gritty, down-to-earth film noir genre which the film obviously pays its debts to. This latter aspect is particularly apparent in the DIALOGUE, much of which my wife and I found hysterical and easily on a par with such remakes of Chandler as the "Farewell, My Lovely" version of the 1970s with Robert Mitchum and Charlotte Rampling. Like the letter, "V.I." is not going to be rated as "The Maltese Falcon" or "The Big Sleep" of the 1990s, but I still think it is a sound, entertaining and engaging piece of work, which does not deserve the reviews mentioned above. Now that we are past the "Blow 'em up / SFX-dominated" fayre of "Die Hard 27"or whatever, is it time for a follow-up to what was, in my view, sadly, Turner's sole donning of the red glitter shoes of V.I. with another actress in the role?

Vicky V.I. Warshawski (Kathleen Turner) is a brassy private investigator in Chicago. She meets ex-hockey player Boom-Boom Grafalk at a bar. She is surprised when he brings his daughter Kat (Angela Goethals) to babysit. Next he's killed in a suspicious accident. V.I. promises Kat to solve her father's death. With the help of reporter Murray (Jay O. Sanders), they investigate the death and the sale of the family dockside property and business.

I like Kathleen Turner as this character. She fits the character quite well and her relationship with little tough-talking Kat is endearing. It's too bad that this is such a badly made movie. The action is done poorly. Director Jeff Kanew does a poor job overall.