V.I. Warshawski, un privé en escarpins

For the time this movie was released, it really is a solid film. One I stop and watch anytime I catch it on cable. I like Kathleen Turner as Vic and see her as Vic when I read Paretsky's Blacklist (2004) and Indemity Only (1982). Paretsky is such a skilled writer that I read all 332 pages of Indemity Only completely in one Saturday. This would have been a good vehicle/series for Ms. Turner if the movie had followed the novels closer. They should have hired Paretsky to write the screen play.

The screenwriters, Edward Taylor, David Aaron Cohen, & Nick Thiel, I believe are responsible for this film being unsuccessful at the box office. It appears they did not read the books or believe themselves that a women could be a private investigator. Paretsky gave them a well rounded, gritty, thorough character. The screenwriters tried to make it a comedy/action film and dishonored Paretsky in their representation of her character. The screen play should have been written as an action/thriller along the lines of Patriot Games (1992), an action/crime like the Italian Job (2003), or a mystery along the lines of the Thomas Crown affair (1999). All have comedic moments in them and would be better genres for the V.I. Warshawki novels.

Maybe if Ms. Turner is up to it she could revive the character or perhaps Charlize Theron would take a shot at it.

I keep thinking the other people who have commented on this movie saw a different movie than I did. I totally enjoyed it, Kathleen Turner delivers a wisecrack better than anyone and her mocking laugh in the bathtub scene is too much! She shows her vulnerable side yet you know that V.I. can take care of herself when she has to. The foul mouthed little girl made me cringe a little with her first words in the movie. The chemistry between V.I. and the girl works for me. Randy Edleman's music for the movie really delivers as well. My test of a film really centers on the characters. If I like the characters and care about them that's usually enough. This film has a story which is more than I can say for other more popular films. I would give it 4 stars out of 5.

I honestly don't understand the low rating. I totally enjoyed this movie. Kathleen Turner and Jay O. Sanders were especially great in this. It has a good story and a decent amount of action scenes. I'd suggest people ignore the low rating and give it a shot for themselves.

I have just seen Kathleen Turnjer in "V.I. Warshawski" for the third time and, for the third time, am at a total loss to understand the panning/overall rating of 4.3 awarded to it by previous reviewers. I think the movie DOES reflect a lot of the Paretsky original novels and think Turner does a good job in portraying "the dick from the dock" in a manner which combines both respect for the literary character and the kind of gritty, down-to-earth film noir genre which the film obviously pays its debts to. This latter aspect is particularly apparent in the DIALOGUE, much of which my wife and I found hysterical and easily on a par with such remakes of Chandler as the "Farewell, My Lovely" version of the 1970s with Robert Mitchum and Charlotte Rampling. Like the letter, "V.I." is not going to be rated as "The Maltese Falcon" or "The Big Sleep" of the 1990s, but I still think it is a sound, entertaining and engaging piece of work, which does not deserve the reviews mentioned above. Now that we are past the "Blow 'em up / SFX-dominated" fayre of "Die Hard 27"or whatever, is it time for a follow-up to what was, in my view, sadly, Turner's sole donning of the red glitter shoes of V.I. with another actress in the role?

It is remarkable to me how much affection and revulsion this watchable, incomplete misfire of a film can inspire, here among the Comments and elsewhere; I haven't seen more than a few minutes of it for several years, but did see it in a theater in its original run. Kathleen Turner as VIW is too much a flirt to conform to Sara Paretsky's portrait of her detective, but otherwise gives a decent performance that, better than the script, gets across Warshawski's toughness, wit and unwillingness to suffer fools any more than she has to. The film, as someone else noted, would've done well to be a more faithful adaptation of one of the early novels, rather than pulling bits from several and then letting the plot go completely slack by the last third. But there are nice touches, here and there; Wayne Knight was born to play the petty thug and childhood schoolmate of Warshawski. But the hastiness and corner-cutting of the production is unfortunately evident. One wonders if a second film, with a better script and crew, might've been quite good.