Talons aiguilles

Almodovar successful and overwrought melodrama about a love/hateful relationship with the ordinary rare characters , twisted situations and eccentric events. A girl's veteran mother (Marisa Paredes) go back after 15 years abroad to perform in Madrid and to find her estranged 27-year-old daughter (Victoria Abril) who left her as a child , the latter has married one of her old boyfriends. They attempt to mend their broken mother/daughter relationship and deal with their common lover (Feodor Atkine) . The reunion after fifteen years is difficult , not least because Rebecca has married her old boyfriend . Things go wrong when there happens a crime and a rare judge (Miguel Bose) starts investigating . A mother, a daughter, a lover. Relationships can be murder.

Agreeable film full of feeling , outlandish characters , haunting mood-pieces , Spanish Neo-realism , and sense of style but not totally satisfactory , including conventional pitfalls , profanities and a lot of sexual scenes . The picture deals with a veteran singer returns after 15 years abroad to perform in Madrid and finds her troublesome daughter , stablishing a physical and problematic relationship between them . It is sad and amusing , but like the rest of the movie mostly sad . This results to be an off-the-wall as well as semi-ironic melodrama , including familiar absurdities , dysfunctional roles and many other things ; featuring two feminist heroines of classical proportions . The picture is pretty well but turns out to be inferior to Almodovar's subsequent entries such as ¨The skin I live in¨, ¨Volver¨ , ¨The bad education¨ or ¨Talk to her¨. The result is undiluted scabrous drama , crazy strings of plots , sharp images , plenty of colorful images and marvellous songs from Luz Casal . Filmmaker piles up on the contrivances , turns and twisted events so that the picture to have success . It's a piquant look at a peculiar family involving strange and complicated situations during its half an hour runtime . And being influenced by American Romantic Dramas and especially by director Douglas Sirk . Nice interpretations by all cast , outstanding Marisa Paredes , Victoria abril and Miguel Bose. Furthermore , a notorious support cast such as : Anna Lizaran , Cristina Marco , Féodor Atkine ,Miriam Díaz-Aroca , Pedro Díez del Corral ,Bibiana Fernández , among others . Enjoyable musical score by Ryuichi Sakamoto ; adding some wonderful songs . Brilliant and luxurious cinematography by Alfredo Mayo.

The motion picture was realized in his peculiar style by Pedro Almodovar ; he often uses symbolism and metaphorical techniques to portray circular story lines , though here he directs a special melodrama , including his ordinary touches . Almodovar directs throughout with splendid zip and he usually portrays strong female characters and transsexuals and along his career getting some important international prizes . His first feature film, Pepi, Luci, Bom (1980), was made in 16 mm and blown-up to 35 mm for public release . In 1987, he and his brother Agustín Almodóvar established their own production company : El Deseo, S. A. The "Almodóvar phenomenon" has reached all over the world , making his films very popular in many countries . Oscar-winning Spanish director Pedro Almodovar who made successes such as Labyrinth of passions , Law of desire , Women on the verge of a nervous breakdown , Bad education , All about my mother , Talk to her , Broken embraces , The Skin I Live In and many others . The latest from acclaimed Spanish director , Pedro Almodovar's I'm So Excited (Los Amantes Pasajeros) competing for the inaugural best European comedy honor during the upcoming 26th edition of the European Film Awards . And his last hits as Julieta and Dolor y gloria with Antonio Banderas .

Aldomovar is one of the few male directors on the planet who is a true artist and painting a portrait with female emotions. Using garish sets, outrageous humor, and witty songs, Aldomovar expertly juxtaposes the absurdity of what we fleetingly but devoutly believe is truly important with eternal truths. If you speak Spanish, then you are privy to another layer of wry duality that really doesn't translate through the subtitles. Abril is remarkable as the returning mother finding things turned upside down and ultimately doing it one or two better. Highly recommended.

A girl's mother returns after fifteen years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with their common lover.

Roger Ebert said that "Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it." I can understand this. Some of his work I like an some I think is just alright. This film happens to be one I liked, combining the Almodovar use of color with some interesting plot and character twists.

I do not recall if I have seen Douglas Sirk's "Imitation of Life", which this film was in part inspired by. Either way, it makes me want to see it now because Sirk was one of the best of his generation and it is no wonder he has inspired so many (though mostly in Europe, it seems).

I have seen almost all Almodovar films, as he is a unique and eccentric director with vision. Eccentricity is not the case with this one. Humour is almost absent. Maybe you have by now figured out I prefer other, more humorous and provokative Almodovar films. Not that it's no good. It is, with tight acting and nice storyline. It didn't touch me though, as it was supposed to, and as a friend suggested. See also other Almodovar reviews by me to see what I mean.

For something completely different from this, see the next film of Almodovar, 1993, KIKA, as well as LABYRINTH OF PASSION, MATADOR. Blasphemous, humorous, explosive! Whatever the case, I should recommend this to people who saw other more exessive Almodovar films and didn't like it. This is much more serious, with firm storyline and great acting by everyone, as well as TALK TO HER.

In our Spanish Cinema class we have watched many Spanish movies. Most of these movies were boring and had horrible endings, but Tacones Lejanos wasn't bad. Pedro Almodovar is a good director and both High Heels and Women on the Board of a Nervous Breakdown held our class' interest, and did not disappoint us too badly with their endings.