Strictly Business

My review was written in November 1991 after a screening on Manhattan's UES.

"Strictly Business" is a feel-good comedy about young blacks moving up the social ladder that could do solid business if audiences respond to a kinder, gentler type of picture.

Film eschews the gritty approach of recent black-themed pics for a Pollyannaish tale in which even the top white execs are portrayed as reasonable and fair-minded. Crossing class and social barriers is the issue here, not race.

The two heroes, debuting on the big screen after TV experience are handsome Joseph C. Phillips, intent on earning a partnership in a leading New York real estate firm, and streetwise Tommy Davidson, his friend in the mailroom who dreams of making the management trainee program.

Key link between the two is beautiful restaurant hostess Halle Berry, with whom Phillips is immediately infatuated. Davidson knows her from the 'hood and agrees to fix them up in return for Phillips' help at work.

Comedy comes from Phillips having to learn how to relate to Berry and other blacks since his nerdish success-oriented behavior has turned him into an insular workaholic.

Except for the forced, strictly wish-fulfillment final reel, the film is kept evenly on track by a light touch from debuting director Kevin Hooks, also a TV recruit.

Phillips displays impressive comic timing in executing some hilarious physical shtick and is complemented by the verbal savvy of stand-up comic Davidson. Anne Marie Johnson as Phillips' bossy girlfriend barks out orders during sex like a drill sergeant and earns some big laughs. Sam Jackson ("Jungle Fever") demonstrates his versatility as the mailroom boss.

Given a glamorous intro not unlike Bo Derek in "10" (complete with slow-mo torso photography), Berry is pic's revelation as a sexy and intelligent young woman. She's featured next in Warner Bros.' Christmas pic "The Last Boy Scout".

Film benefits from an infectious score by Micchel Colombier and several rap tunes by top artists like L. L. Cool J and Big Daddy Kane.

Good clean movie with a message. They don't make them like this anymore. This movie reminds me of a later movie Mo Money!, though more for comedy with the Wayman brothers still clean and fun to watch. I gave this movie a 10 for entertainment value.

(1991) Strictly Business ROMANTIC COMEDY DRAMA

Waymon Tinsdale (Joseph C. Phillips) works for a real estate firm in which he is supposed to look for potential clients willing to invest. And as a result of being unhappy with his current girlfriend who is shallow and artificial, upon having lunch with his boss, he does stumble onto a young woman he became infatuated with who had gotten fired from the very restaurant she was working at. And after dropping her pictures on the ground, he would then go on a crusade to find her, and he is unable to do it without the help of his friend, Bobby (Tommy Davidson) who sort of acts like an intern for the firm. And he would upgrade Bobby to a much higher position in exchange for more information about her as well as meet her.

This is a cute little flick in which many actors, who later get more fame, appear in the same film.

Tommy Davidson (In Living Color, stand-up comedian), Samuel L. Jackson (Pulp Fiction and Star Wars?), Halle Berry (some movie where she got an Oscar for some reason), Denis Leary (stand-up comedian known for his song "A..hole"), and Sam Rockwell (Galaxy Quest) get together in this not too interesting flick about business as usual.

It's simple formula works for people in their teens. It has a "70's" feel to it that makes it not worth watching. I found it interesting to see them all together before they became more famous. Halle Berry *is* adorable.

The ending is incredibly drawn out. I kept screaming in my head "END IT, PLEASE END IT!" 6/10

-Zafoid

Sketches from the everyday life of a successful New York office, with varying results achieving its goals by selling real estate, ranging from detached expensive buildings to entire neighborhoods. There are two African Americans on its staff. The first is a trader named Wayon, drowning in work 24/7, aiming for the position of a business partner, «whiter than other whites». The second is a typical street slob and party animal, leading his way, apparently, from somewhere in Harlem, in his own way reflecting the context of his era, a guy named Bobby. He barely holds on to the role of a messenger, delivering and sorting documents of varying importance, periodically causing the wrath of the episodically appearing boss in the person of Samuel L. Jackson.

One day, opposites working in the same structure, but coming from different worlds, will have to collide, as Wayon really liked an unfamiliar beauty in the person of Halle Berry. Bobby will help Wayon find «his dream», and Wayon will help Bobby move up a few notches in business, where the term «stepping on heads» is not rude at all, but a factual reality. In general a fairly standard and classic plot twist, with some adjustments for the «street» specifics, a light melodrama, with a dash of comedy.

Actually, this very «lightness» becomes the other side of the coin - there is no high-flown dramaturgy or conventionally complex messages here, and you can't expect anything in the spirit of Spike Lee's «Jungle Fever», released in the same 1991, where Halle Berry also managed to make her mark in one of her earliest and rather atypical roles. The film also does not claim the laurels of «Wall Street» (1987). To a greater extent, there is a set of purely situational, topical sketches, strung together on a common, rather conventional plot line and placed in a not very long running time of one hour and twenty minutes, but devoid of any depth. The film is generally not bad, but does not stand out in any special way.