La nouvelle vie de Sarah

They had a real nice feel for the time and place with this one....I remember enjoying it alot. Oceans of grass to replace the Maine woods and shore, different mores and a different way of thinking. Walken really plays against type here, he is quiet and turned inwards...Little House on the Prairie done by Hallmark, if you will.

*** outta ****

I remember reading the book, Sarah, Plain and Tall, as a small child, probably for school or something. In most cases, movies based on books are usually a let-down, but this movie, in my opinion, was even better than the book itself. It's a wonderful story of a young mail-order bride who travels from her home in Maine to the vast strangeness of undeveloped, prarie-town, Kansas. One of the things I really liked about this movie was that it didn't have any sticky-sweetness that is common in family films. Sarah, the main character, is far from perfect, and there is a constant battle-of-wills between her and Jacob. Probably the biggest conflict in the film, besides the fact that Sarah is extremely homesick, is that Jacob expects Sarah to be like his late wife--who seems to have been a quiet, gentle woman. Sarah is nice, but she is also stubborn and quick to speak her mind. She and Jacob have to come to terms with each other, over and over again. Jacob's character was well-written. He's a man trying to raise his family the best he knows how, but he can't seem to let go of his late wife. He blames himself for her death, and seems almost afraid to let his children remember her. He doesn't have much room in his heart for Sarah, but she barges in anyway, neatly disobeying him and breaking down the walls in his heart. The children were very good as well--Anna struggles with accepting Sarah, and her growing fondness towards her. Calab loves Sarah, simply because he is small and doesn't remember his real mother. I thought the story line was great, as was the actual casting. Glenn Close doesn't usually play such wholesome, family roles, but she actually pulled it off, which proves, of course, that's she's a terrific actress in any role. She was convincing as Sarah, and gave her a little added spice... Christopher Walken, also, was great as the father, who, I think, falls for Sarah without really realizing it. The children, played by Lexi Randell and Christopher Bell, fit snugly into their roles. The whole movie is a very touching family story. I give it ten stars, for a wonderful performance.

"Sarah, Plain and Tall" is a beautifully told story. It has a nice vibe to it. It grabs hold of you right away. It has a lot of emotion but it never gets sappy. I've never been a fan of Glenn Close. I could only take or leave her. But I have to admit, Close does a very good job in this movie. The rest of the cast is also very good, especially the children. "Sarah, Plain and Tall" never fails to hit the spot. I need to watch this one more often.

Nice little movie about life in the Prairie and about how a young widower can make a new life, and how his two children can relate to a new women coming to their home to "replace" their mother. No clichés (there could have been scores of them), sensitive story, good casting. Never before that movie had I sensed how Kansas and Maine, two states in the same country, can be so far apart, geographically and culturally.

This seems to be a minority opinion, but I actually liked the book "Sarah, Plain and Tall" much better than the movie. The book is spare, poetic and lovely. The romance of Jacob and Sarah is in the background, but Anna and Caleb's hopes to have a new mother are almost palpable. The lack of details allows rich play for the imagination, and Patricia MacLachlan is an absolute master at evoking the sights, the sounds, the very texture of the world in which her characters live. When Jacob puts his arm around Sarah for the first time in the book, it is a delightful surprise and it means so much because we are seeing it through the eyes of the children who so very much want Sarah to stay. The movie, by filling in all the gaps, and filling it with conversations which to me, felt too modern for the times, lost a lot of the magic of the story. Glenn Close did a wonderful job of embodying Sarah, but she was a little too adept in her ability to analyze Jacob's lingering grief and anger -- in those days they didn't do as much emotional analysis as we do now, and anyway, how would a spinster who lived with three elderly aunts know about a widower's inability to let go of grief? I think perhaps if I hadn't read the book first and loved it so deeply, I may have liked the movie more than I did. The book was a perfect example of the old writing adage, "show, don't tell," but ironically, the movie did way too much telling and not enough showing.