Two small-town Texas cops go undercover to catch a major drug dealer and are sucked into the drug culture, compromising their assignment.Two small-town Texas cops go undercover to catch a major drug dealer and are sucked into the drug culture, compromising their assignment.Two small-town Texas cops go undercover to catch a major drug dealer and are sucked into the drug culture, compromising their assignment.
- Director
- Writers
- Stars
- Awards
- 1 win & 5 nominations total
Jimmy Ray Pickens
- Man in Disco
- (as Jimmy Pickens)
Cynthia Dale Scott
- Yellow Rose Waitress
- (as Cynthia Scott)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Jason Patric and Jennifer Jason Leigh play two beat cops graduating to agents who are given a rather diabolical case on their first undercover go-around. The two are tasked with gathering enough evidence to jail a ruthless drug lord (Gregg Allman).
The two go through a good amount of close calls with Allman and company and after trying heroin a few times; become full-fledged addicts. A move which prevents much of anything in the way of investigations to happen.
A strong cast and keenly realized ending make up for the lull spots that seem to plague the very middle of the film.
While no masterpiece, "Rush" is an offbeat, well made film set in the early '70's centering on the efforts of some Texas cops to bust supposed drug dealer Greg Allman -- at all costs.
All of the actors perform well -- Jason Patric gives a particularly intense performance as the once idealistic officer who has obviously stayed undercover too long.
Great score by Eric Clapton. I really have no idea why this fairly unconventional film (gee, maybe that was the reason -- it wasn't a formulaic cop/buddy movie) did not receive more acclaim. 7/10.
All of the actors perform well -- Jason Patric gives a particularly intense performance as the once idealistic officer who has obviously stayed undercover too long.
Great score by Eric Clapton. I really have no idea why this fairly unconventional film (gee, maybe that was the reason -- it wasn't a formulaic cop/buddy movie) did not receive more acclaim. 7/10.
I watched this only because Sam Elliott was in it, expecting little from Patric & Leigh, whom I looked upon as TV-quality lightweights. I was quite wrong -- both can act with great strength when given a quality script (a rare item in Hollywood). This is an intense, driven tale about undercover cops firmly entangled in the drug underworld, with the criminal activity and hypocrisy evenly spread between the cops and the dealers. The accuracy of this portrayal and the obvious futility of the "War on Drugs" explain why this film was hammered loudly by the police departments, newspapers and mainstream critics. To anyone who hasn't spent time around serious junkies this film will be a bit of a jolt, but it's the best and most honest portrayal of this world ever put on film.
This is definitely not your standard two-cop "buddy" films that spew forth so often from the Hollywood colon. The story is not predictable, nor is the ending....nor the ending after that ending. Scripts like this are jolting because they make you realize just how awful most of the other films actually are.
Some of the secondary actors turn in surprisingly nice jobs here. Sam Elliott turns in his usual good work, always enjoyable, but several others are well worth mention: Max Perlich, the pathetic little snitch, and Gregg Allman, who with almost no dialogue does a very convincing portrayal of a malevolent local crime kingpin.
This is one of those rare movies where the soundtrack is worth owning. Eric Clapton does a superb score, and his selection of music for the saloon and drug den scenes is masterful.
I've watched this three times, each a few years apart, and it gets better each time. The film doesn't have rely on fancy car chases, lengthy gunfights or comic relief. It's simply a fine film done by craftsmen -- a rare treat indeed.
This is definitely not your standard two-cop "buddy" films that spew forth so often from the Hollywood colon. The story is not predictable, nor is the ending....nor the ending after that ending. Scripts like this are jolting because they make you realize just how awful most of the other films actually are.
Some of the secondary actors turn in surprisingly nice jobs here. Sam Elliott turns in his usual good work, always enjoyable, but several others are well worth mention: Max Perlich, the pathetic little snitch, and Gregg Allman, who with almost no dialogue does a very convincing portrayal of a malevolent local crime kingpin.
This is one of those rare movies where the soundtrack is worth owning. Eric Clapton does a superb score, and his selection of music for the saloon and drug den scenes is masterful.
I've watched this three times, each a few years apart, and it gets better each time. The film doesn't have rely on fancy car chases, lengthy gunfights or comic relief. It's simply a fine film done by craftsmen -- a rare treat indeed.
Rush was definitely interesting to watch, though not always pleasant to look at. Set amidst the war on drugs, this film challenges us to rethink this battle. Are the wasted resources really worth the hypocrisy and corruption that go hand in hand with the arrests? The movie was not extraordinary, but I did go away haunted by many of the prevalent themes.
The relationship between the two undercover agents was very intriguing. I would have liked to have seen a bit more development before they became so involved, but nevertheless, their support of each other, alone in a world they don't belong in, is very interesting. Their different descents, and partial ascents accross the blurred line of addiction gives merit to the portrayal of this affliction. I would definitely recommend Rush for those who have second thoughts about the war on drugs. This film shows us that the worlds of the law breakers and the law enforcers may not be so far apart after all.
The relationship between the two undercover agents was very intriguing. I would have liked to have seen a bit more development before they became so involved, but nevertheless, their support of each other, alone in a world they don't belong in, is very interesting. Their different descents, and partial ascents accross the blurred line of addiction gives merit to the portrayal of this affliction. I would definitely recommend Rush for those who have second thoughts about the war on drugs. This film shows us that the worlds of the law breakers and the law enforcers may not be so far apart after all.
Although this story isn't about the average person's everyday life, in my opinion this film is one of the most realistic and interesting movies I have ever viewed. This tale takes place in Caterly, TX where two undercover detectives have found their chance to make a difference, but after becoming involved in this world they realize that right and wrong is not always black and white. This film is very close to my heart. There are no cheesy lines that you only here in movies where you find yourself thinking "who really talks like that?" The emotions displayed by these characters come across the screen as guanine and hit you where it hurts. Most of all this movie has an unbelievable soundtrack including hits from Jimi Hendrix and Eric Clapton.
Did you know
- TriviaJason Patric actually did shoot up for authenticity's sake for the film, though the substances he used in his syringes were either saline or vitamins.
- Goofs(at around 10 mins) When Jim slams the door of the Charger and the window falls down, you can see the hand of a crew member in the back seat quickly pulling something to let the window fall.
- Quotes
Willie Red: I think she fix... I think she fix , or she don't walk outta' here.
- SoundtracksTears in Heaven
(released as a single on 18 December 1991)
Written by Eric Clapton and Will Jennings
Performed by Eric Clapton
Produced by Russ Titelman
- How long is Rush?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Rush: un viaje al infierno
- Filming locations
- The Swinging Door - 3818 Farm to Market 359, Richmond, Texas, USA(The Driller's Club)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $7,241,350
- Opening weekend US & Canada
- $36,890
- Dec 22, 1991
- Gross worldwide
- $7,241,350
- Runtime
- 2h(120 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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