A young pilot stumbles onto a prototype jetpack that allows him to become a high-flying masked hero.A young pilot stumbles onto a prototype jetpack that allows him to become a high-flying masked hero.A young pilot stumbles onto a prototype jetpack that allows him to become a high-flying masked hero.
- Awards
- 2 wins & 6 nominations total
- Cliff
- (as Bill Campbell)
- Spanish Johnny
- (as Robert Guy Miranda)
Featured reviews
They don't make them like this any more.
It's too bad, as it's a nifty little film with LOTS of special little touches. What I really appreciated were wonderful little homages to the 1930s and 1940s--such as showing Campbell flying a Gee Bee Racer (how they did this scene I don't know), extensive Art Deco styling in the movie, the zeppelin and the villain on the zeppelin that was made to look exactly like Rondo Hatton--a very seldom talked about actor who starred in just a handful of horror-suspense movies of that era. After all, how many would remember Hatton and the Gee Bee Racer? I like these little touches.
Aside from all this, it's a good film. Great, maybe not, but very different and a nice tribute to the Commander Cody films (which featured a jet packed hero in movie serials).
The movie captured the spirit of the comics beautifully. Sure it was disappointing that Doc Savage couldn't be included, but Howard Hughes made a sensible substitution. I was a bit annoyed that Disney felt they had to change Betty into Jenny, but with Jennifer Connelly in the role, I was in a forgiving mood. The film was full of action and humor, cliffhangers and character; just like Stevens' creation. If there was anything to criticize, it was the toning down of Betty/Jenny. Yeah, I know, this is Disney, and she was far tamer in the comics than the real Betty/Bettie Page; but, hey, a guy can hope.
Bill Campbell was perfect for Cliff Secord. He had that All-American look, with an impish twinkle in his eye. Watching the movie, you could see the excitement when he was flying, and that he was head over heels in love with Jenny.
Alan Arkin made a great Peevy, although he was far less cantankerous than his print counterpart (incidentally, Peevy was based on Doug Wildey, creator of Jonny Quest). He was more of a Connecticut Yankee than grouchy mechanic.
Timothy Dalton made a great pseudo-Errol Flynn. I wasn't too happy that they trotted out that Flynn-as-Nazi Spy nonsense; but, it works beautifully for the story. Paul Sorvino made a great 30's mobster, too. Add Tiny Ron as Lothar, modeled after Rondo Hatton, and you have some pretty fun villains.
Then, there's Jennifer Connelly, one of the most beautiful and talented actresses in Hollywood. As I said, I had hoped for a little sexier character; but, the compromise was still pretty good. Connelly brought both a wholesomeness and sex appeal to the role. She looked great in the period clothing, too.
Everything about this film worked. The period detail was first rate, from the costumes, to he set design, to the slang. The only thing that would have improved this would have been to make more films. This is a great film for the whole family and captures the spirit of Republic and the pulps as well as Indiana Jones did.
The reviews cover the plot enough, and there are no real surprises here, but it's great family fun. My kids really love this movie, and I end up watching it every year or two, and I have never tired of it. When it came out there were apparently sequels planned, but it got killed at the box office by T2, which ran over everything that summer, so Disney never did anything with the show. They have recycled the atmosphere and the music in the "Soaring over California" ride at DCA, and I have to say it always makes me wistful that the movie never got a sequel.
By the way, the movie doesn't follow the comics that closely, which I don't mind, but if you are a purist and a fan of the "graphic novels", you might keep that in mind.
Did you know
- TriviaDave Stevens, the writer/artist of the original graphic novel, gave the film's production designer Jim Bissell and his two art directors his entire reference library pertaining to the Rocketeer at that time period, including blueprints for hangars and bleachers, schematics for building the autogyro, photos and drawings of the Bulldog Cafe, the uniforms for the air circus staff, and contacts for locating the vintage aircraft that were to be used. Stevens remembers that they "literally just took the reference and built the sets".
- GoofsWhen the Nazi agent is yelling at Sinclair, he shouts, "Ich habe meine Bestellung, und du auch!" ("I have my order, and so do you!") The German word for a military order is "Befehl." "Bestellung" is the order you give to a waiter.
- Quotes
Neville Sinclair: [on the road leading to the Griffith Observatory] C'mon, Eddie. I'm paying you well. Does it really matter where the money comes from?
[siding with the G-men to fight the Nazis]
Eddie Valentine: It matters to me. I may not make an honest buck, but I'm 100% American, and I don't work for no two-bit Nazi. Let her go.
[Valentine's gang aim their guns at Neville]
Neville Sinclair: [laughs wickedly then yells in German] STURMABTEILUNG! ANGREIFEN!
[an entire army of German soldiers come out yelling and surround Cliff, the FBI and Valentine's gang]
Neville Sinclair: It's your move, Eddie.
- ConnectionsFeatured in Rocketeer: Excitement in the Air (1991)
- SoundtracksDer Hoelle Rache
from Queen of the Night's "Aria" by Wolfgang Amadeus Mozart
Performed by Rundfunk-Sinfonieorchester Berlin
Courtesy of Laserlight Digital, by arrangement with Sounds of Film
- How long is The Rocketeer?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Les aventures de Rocketeer
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $46,704,056
- Opening weekend US & Canada
- $9,600,754
- Jun 23, 1991
- Gross worldwide
- $46,704,906
- Runtime
- 1 hour, 48 minutes
- Sound mix
- Aspect ratio
- 2.39 : 1