Les gladiateurs de l'apocalypse

This under-budgeted film has the kind of stuff I like to see in sci-fi movies: A cool premise (two factions using giant Mech-warrior type robots to fight for land or politics in an arena), two-dimensional characters and great miniature filming!

The story's about a soon-to-be-retired jock who drives giant robots and slugs it out with the other faction's jocks and robots. He is unwillingly replaced by a novice girl he cares about or something, and she tries to fight the old jock's nemesis. Before this guy kills the girl, the old jock gets a chance to mount a robot and fight his enemy until both robots are done with.

The fight sequence are nice to see, the miniature filming is top-notch, and the story breezes through without been noticed (believe me, it's not important enough to notice)... The space-fighting scene at least has an honest-to-God true fact about space fighting: no sound!! (for the first time in Sci-fi movie history, except of course for "2001: A space odyssey", but they had no space fighting in "2001...").

For sure, a fun grade-B movie.

While this movie in no way could be compared to the greats like Godfather or Star Wars, keep in mind that it had very little money. Stuart Gordon does a spectacular job of trying to maintain a big-budget realism with a very small budget. Not only does he do that, but he also makes a fairly entertaining film as well.

I saw this one a long time ago, and have since bought the tape. It really is a true guilty pleasure. While this is not as good as Stuart Gordon's other movies such as Re-Animator, it does beat out the awful Castle Freak. While many say that this is possibly the worst ever, they have obviously never seen a really bad film before.

The plot, which is actually fairly original, focuses on a "Robot Jock (Jox)" that is torn between retiring or continuing to fight for his country in a giant man made robot with specially made weapons to against the interesting, although cliched, Alexander. Add in genetically engineered fighters, and you have yourself one heck of a final fight royal.

The music score, done by some no name composer I have never heard of is actually quite good. I was very very impressed. The score really cought the mood of the action to me.

Overall, it's worth a rental, and if you like it, buy it on tape. I love it, but can see why others would call it average fair. But considering the budget and the company (It was made by the same guys who made Full Moon Studios) it scores pretty high on the zombie meter- 3 1/2 out of five

It's not Stuart Gordons best movie but it's still an absolutely fantastic movie. Terribly bad acting. Weirdly placed music. A script that would of killed itself if it was sentient.

All adds up to one of the best movies of the time.

I've often wondered if Ray Harryhausen ever saw this because it's probably one of the last best movies to feature stop motion.

The movie is fair, but it does have a unique fight scene.This is the only time I have seen a petite black woman start the kick, then an approximately 6 foot tall blonde white stunt man do the kick, and then the black woman ends the kick. This occurs in a fight scene in Gary Graham's bedroom. It truly is worth watching, I have to try and get it on DVD.

In the future all national battles are settled on the robotic battlefield by ten story robots commanded by human robot jox. The battle is on for Alaska's resources and it is up to USA's Achilles (Gary Graham) to take it to the evil Russian rep and dirty fighter Alexander (Paul Koslo). This was Stuart Gordon's fourth film for Charles Band's Empire and the most expensive (rumored to be $10 million) in the company's short history. Was it the film that broke Band's bank? Possibly. It was filmed in 1987 but didn't get released until 1990 (via Triumph theatrically and RCA/Columbia on video) after Empire had gone bankrupt in 1988. Regardless, it is still a pretty entertaining film and - even though I've never seen a single second of Michael Bay's TRANSFORMERS films - I know it is a better film. The screenplay by sci-fi author Joe Haldeman touches on some good stuff, like genetic engineering and the gladiator mindset. Sure, there is some really cheesy stuff ("we can live"), but the cast is all game and you have to love Koslo's villain. The stop motion effects by David Allen are the real showstopper and they hold up pretty well. The miniatures are great too. Look for Stuart Gordon in a cameo as a bartender and Jeffrey Combs as an overly excited bystander. Crash and burn, my friends, crash and burn.