Robin des Bois, prince des voleurs

Robin Hood: Prince of Thieves is an action adventure film and is directed by Kevin Reynolds. The film stars Kevin Costner, Morgan Freeman, Christian Slater, Mary Elizabeth Mastrantonio, and Late Alan Rickman.

Robin decides to avenge his father who was murdered by Sheriff Nottingham. He joins forces with band of thieves to overcome the evils of the sheriff.

There might be some historical inaccuracies in the film but still i enjoyed watching the film and with a terrific storyline, superb execution filled with action, drama and pinch of comedy.

The screenplay of the film is superb and will keep you engaged on a major part of the film, the film indeed strays in the middle but comes beautifully on the track as the film progresses ahead.

Acting in the film is superb and Alan Rickman is the most impressive of them all and probably the main highlight of the film but is closely followed by Freeman, Costner and Slater. Geraldine McEwan as Mortiana who also was very impressive. Mary Elizabeth Mastrantonio looked cute and impressive.

The climax of the film is good but could've been little more refined and extended to give the film a perfect closure.

An entertaining film which should be watched atleast once.

Robin Hood:Prince Of Thieves is an all-star rehash of one of cinema's oldest and most popular stories. Kevin Costner takes the title role and proves to be handsome enough and swashbuckling enough to do justice to the role during the action scenes. However, during the film's quieter moments, Costner's American accent grates a little amid the Sherwood Forest surroundings.

The story doesn't particularly need explaining, but for people who have lived on Mars for their whole lives here it is. Robin of Locksley, a young soldier, returns from the Crusades to find the city of Nottingham and its surrounding area terrorised by the evil Sherrif of Nottingham (Alan Rickman). Robin takes refuge in the nearby Sherwood Forest, where he gathers a band of woodland outlaws who are always stealing money and treasure taken by the Sherrif and giving it back to the poor. His dashing antics impress Maid Marian (Mary Elisabeth Mastrantonio), a childhood friend, and he quickly becomes popular with the poor and honest folk who nickname him Robin Hood - Prince of Thieves.

The film is very old-fashioned, but it occasionally gives away its 1991 release status with modern touches (the fancy camera-work in which the camera is seemingly fixed upon an arrow as it is fired at a target; the introduction of a Moorish warrior character [Morgan Freeman] to broaden the film's cultural reference; Rickman's self-deprecating pantomimic turn as the wicked Sherrif). On the whole, it is an entertaining film with a good balance between the action and the romance. The best performance - surprisingly - comes from Michael Wincott who oozes menace as the Sherrif's despicable cousin Guy of Gisbourne. There are some quite significant factual errors, the best (by "best" I mean "funniest") of which is when Robin and his Moorish companion stand at the foot of the white cliffs of Dover and Robin tells him: "by nightfall we will dine with my father!" Quite a feat, since Nottinghamshire is about 200 miles away and this pair are travelling on foot!

The summer of 1991 was a lousy one for movies; there were only a few that stood out amid dozens of crummy releases. The only movies that summer that I admired were 'Terminator 2,' 'Thelma & Louise,' and this one, which still stands as one of the most entertaining action-adventure movies I've seen.

No, it isn't a masterpiece, on any level. Yes, I realize that Kevin Costner lacks a satisfactory British accent (he doesn't even attempt one). But the movie is still a fun, rip-roaring piece of escapism, sort of like 'Raiders of the Lost Ark,' only without the special effects.

Costner may seem miscast as Robin of Locksley, but there's no doubt that he had the physicality and screen presence to convincingly hold our attention as a larger-than-life hero. He'd just come off 'Dances With Wolves,' and so it was a thrill to see him on horseback again (it still is, in 'Open Range'). I'm willing to concede that he's no Olivier, but in the action hero mold, he still cut an exciting figure.

I also enjoyed Alan Rickman's great, over-the-top portrayal of the Sheriff of Nottingham. Out of place? You betcha. Fun? Funny? Wicked? Hey, that's why we pay admission.

The sets are all dank and gloomy and wonderful. The action is well-staged and had audiences on their feet all those years ago. Sherwood Forest is appropriately dense and spooky-looking. OK, so the movie has Christian Slater in it. I didn't say it was perfect.

'Robin Hood' marked the beginning of the end of Kevin Costner's unanimous popularity with audiences. Everyone started playing the part of Hollywood bean-counter and worrying about 'Waterworld's' budget. But you know what I like about both these movies? No CGI. I am sick and tired of CGI movies. Popping the deluxe 'Robin Hood' DVD into the old player is a refreshing treat and a thumb in the eye of digital junk like 'Pirates of the Caribbean.'

Wow, this film seems to have annoyed some people. What a fuss about it being historically inaccurate, or that Azeem found the Chinease invention of gunpowder etc etc. WHO CARES! Don't nit pick at a film like this and you'll enjoy it. As for Kevin Costner not having an English accent, I don't really care, since it's a lot better then the other Robin Hood movie that was made in England, and was unlucky enough to be released at the same time. (I think it was simply called 'Robin Hood') OK,so Robin Hood IS supposed to be English, and yeah, Kev Costner could at least have tried an English accent, but if we're going to go that far, then they may as well have got an English actor instead of an American one, but somehow, I don't think Costner could have been bettered. He makes an excellent Robin Hood. Alan Rickman is brilliant as the hilarious Sherrif of Nottingham ('Shut up you TWIT!')It's great fun, and one of those film to watch with your feet up and a big bar of chocolate.....

Escaping death in Jerusalem, Robin of Locksley returns to his England home with Moor companion Azeem in tow. However he finds his home burnt to the ground, his father slandered and murdered and the poor marginalised to within an inch of their lives. Branded an outlaw by the evil Sheriff of Nottingham, Robin flees into Sherwood Forrest where he brings together a group of ragtag rebels "led" by a man called John Little. As his popularity grows, Robin becomes a massive thorn in the side of the Sheriff, forcing him to take harsher action.

Younger viewers coming to this film on television may not appreciate that this film was made at a time when the presence of Kevin Costner was a bonus and indeed almost a selling point. Yes, I know this sounds like crazy talk from an older man who has seen too many movies to be good for him but it is true and Robin Hood is a fine example of a so-so film that was built partly on his star power. Of course the downside of this is that the film itself is not that good because it has his and others' names to let it carry it. The plot is well known but rather annoyingly touched with modernisms and Americanisms to the detriment of the telling (whether this be the accents, the errors or just the attitude). This also contributes to the lack of depth in the film and generally, although it looks slick, it doesn't provide anything in the way of emotional engagement – despite the fact that it spawned the manipulative and saccharine Bryan Adams hit that seemed to taint everyone's wedding back in 1992.

The direction is glossy but it cannot get to the heart of anything and Reynolds also fails to get that much out of his cast. As a result Costner simply trades on his rather stiff charm, occasionally enjoying himself but generally taking the whole thing too seriously. Rickman effortlessly dominates the film by chewing the scenery in each and every scene – his colourful performance makes Costner (who can be good) look as stiff as a board. I've never seen the appeal of Mastrantonio at the best of times and this is not the best of times. She is dull and pretty poor all round. Freeman is a good face but is a modernisation too far. Slater is pointless although support from Wincott, Blessed, Brimble and a few others is good if not that great.

Overall then this is a rather joyless spectacle but one that is glossy enough to perhaps do the job for undemanding viewers. It isn't that much fun and the attempts at emotional engagement are mostly cloying and sentimental. The cast are mixed but the only one able to inject life into the rather stiff material is Rickman, who easily livens his scenes but cannot carry the film. Worth a look if you are in a undemanding mood but just don't expect anything more than the blockbuster basics.