New Jack City

Nice thriller stars Nino Brown (Wesley Snipes), he is an up-and-coming drug pusher. His brother and right-hand-man, Gee Money (Allen Payne) introduces Nino to a new drug: freebased "crack" cocaine . Ruthless Nino Brown lords it over a New York neighbourhood with an empire built on crack and violence. He and Gee and Duh Man (Bill Nunn) go about getting cooperation through violence and coercion, while they take the poor neighborhoods of New York by storm. The crime lord ascends to power and becomes megalomaniacal while a maverick police team vows to stop him. Detective Stone (Mario Van Peebles) wants to bring Nino to justice, but no one on the police force is crazy enough to go against Nino. Stone decides to call in Scotty Appleton (Ice-T), a plain clothes cop who is currently serving a suspension for shooting an unarmed suspect who ran during a failed drug deal. Scotty is a disenchanted streetwise African-American officer of the law who's convinced by Stone to infiltrate Nino's organization, with the help of another burned-out cop, Nick Paretti (Judd Nelson). It was a time that there was a new gangster in.........They're a new breed of gangster !. The new public enemy !. The new family of crime !. Where survival depends on friends, trust and power... !An organized crime family out to run this city is up against cops who knows its streets !.

New Jack City (1991) is presented with punch and precision, being efficiently shot. This is a very violent, but crisp and cleanly made narcotics thriller. Just say no ghetto-melodrama but an action movie with thrills, intrigue, shoot'em up, suspenseful, and lots of violence. Depicting a slight study of drug proliferation, violent gangs and its effects on poor neighborhoods. The film pays lip service to social analysis while delighting paraphernalia of action and violence. As such, it's a superior example of what used to be called blaxploitation, with Mario Van Peebles piling on corruption and carnage for all he's worth. Powerful acting for the always versatil Wesley Snipes as wealthy Harlem drug lord sought by rebels cops Ice-T, Mario Van Peebles and Judd Nelson. Fine playing all around otherwise, los of action and strong dialogue you can hear, other familiar secondary actors include the following: Chris Rock, Michael Michele, Bill Nunn, Russell Wong, Bill Cobbs, Christopher Williams, Vanessa Williams, Tracy Camilla Johns, Nick Ashford, Thalmus Rasulala, John Aprea and several others.

It contains an adequate musical score fitting to enviroment from Michael Colombier and songs from Johnny Hill, 2 Live crew, Ice-T and others. Likewise, an atmospheric and evocative cinematography by Francis Kenny. Nicely put together in an old fashioned style by Mario Van Peebles who also plays one of his features roles. Mario is son of director Melvin Van Peebles and German actress Maria Marx. He's a known actor and filmmaker. His movie debut came when he was 12 in his father's 1971 film Sweet Sweetback's Baadasssss Song. Mario has his own movie production company named "MVP Filmz". He has directed a number of films, both, TV and cinema , such as: ¨Armed, Superstition, USS Indianapolis: Men of Courage, Renegades, Road to redemption, We the party, Boss, All Things Fall Apart, Panther, Wiseguys, Hard Luck, Love kills¨, among others. New Jack City(1991) rating: 6.5/10. Nothing new here but incisively made.

This movie was a surprise. I remember Mario van Peeble's father's "Watermelon Man", an amusing comedy that turns anti-white about half-way through and winds up rather a racist tract. It's almost a convention in movies about African-Americans who seem destructive to themselves or others that they are turned on to dope by white guys. Or, if they retain their rectitude, it's the white guys that are at the head of the horde of local pushers. Of course white women flock to the heroes, etc. We've seen it hundreds of times. But this one is different. The majority of performers are African-Americans, both the cops and the bad guys, neither of them perfect in their goodness or their evil. The characters seem to choose their own destinies for a change. Wesley Snipes is not given a loving trophy blonde. There is a token white cop, Judd Nelson, who was my supporting player in "From the Hip," an extraordinarily good film itself, who is permitted to say, "It's not a black thing. It's not a white thing." Crack is the problem here, not race. We're all in this together, which, in these days, is a pretty progressive statement. It's strictly a genre film. There is craftsmanship in it, if no noticeable attempt at depth, but it's well and stylishly done too. Van Peebles knows how to place the camera and when to cut. The performances are excellent for a film of this type. Snipes especially is a fine physical actor. It winds up with the expected shootout in an empty warehouse or factory. I'd kind of put off seeing this on TV, afraid of wincing through the prejudices I anticipated being expressed, and I was pleasantly surprised to find them completely absent here.

In one of the greatest patriarchal roles since Brando's in The Godfather, Wesley Snipes astounds and overwhelms as "the godfather" in this film, directed and co-starring Mario Van Peebles. Snipes, however is where the strength of the film lies. His drug lord has no remorse. No heart. No soul. All he has is his power and he wants more of it. The film has a quick pace. The cast is quite good, including Ice-T as a cop going on the inside to try and take down Snipes' drug lord. Judd Nelson is dark and sardonic as Ice-T's main opposition on the case.

New Jack City is directed by Mario Van Peebles (who also co-stars) and written by Thomas Lee Wright and Barry Michael Cooper. It stars Wesley Snipes, Ice-T, Judd Nelson, Allen Payne, Chris Rock, Bill Nunn, Bill Cobbs and Michael Michele. Music is by Vassal Benford and Michael Colombier and cinematography by Francis Kenny.

New York City, 1986 and crack cocaine is the drug of choice and Nino Brown (Snipes) and his gang, the Cash Money Brothers, are building a violent empire and cornering the market. Enter streetwise cop Scotty Appleton (Ice-T) and loose cannon Nick Peretti (Nelson), who form an uneasy partnership willing to push the law's boundaries to bring Nino down…

The Black Scarface!

On narrative terms it's basically an urban modernisation of the Scarface story, the themes at work were nothing new back then, never mind in cinema post 1991. That it is predominantly an African American film caused many at the time to call it a Blaxploitation picture for the 90s set, which is unfair, because it has more on offer than that and doesn't shy away from the dramatics available with such a story. True, it isn't pulling up any trees or breaking new ground in the drug/crime order of cinema, but it's incendiary enough to be thrilling whilst never romanticising the lifestyle of the drug gang. It paints a stark world of a drug infested city populated by colourful gang members, hapless addicts and edgy coppers, all sound tracked by pulse pounding hip-hop beats.

This was Van Peebles' first big screen directing outing and it's a hugely impressive debut. So much so it begs the question on why his subsequent directing career has been something of a none event? Here he delves deep into the realm of neo-noir to provide the picture with many visual smarts and techniques. Backgrounds are often showing oblique angles, colour schemes such as garish greens feature in striking compositions, a flashing red light is used adroitly on a character's face as he struggles to hold his rage, a POV shot of a basketball and the opening of the film with a slow zoom in on a crime about to be committed on a bridge, these are just some of the flair tricks showcased by Peebles.

While some of the key characters that form Nino's gang are under developed, Peebles does garner a great performance out of Snipes and very good turns from Ice-T and Nelson. Snipes provides Brown with a sinister swagger, yet a charm exudes from him that makes it believable that people would be willing to be led by him. Ice and Nelson are a cool double act, both Scotty and Nick pulse with machismo but are equally flawed as characters. The other important character and performance is Pookie played by Rock, a reformed crack addict now helping the police. Peebles is unsubtle in his handling of the Pookie situation, but it strikes the requisite emotional chord and puts further dramatic worth into an already tense filled thriller.

It's not as revolutionary as was once heralded, there is some formula familiarity and the finale is telegraphed too easily, but this has energy and style to burn. Making it one of the leading lights of the drug crime sub-genre of neo-noir. It's a damn shame Peebles was never this good again. 8/10

As British TV is so bad at the moment I'm re-watching many of my DVDs. I dug this out. Wesley Snipes is a very underrated actor just like his peer Laurence Fishburne. He is excellent in this, and as another user has commented, you see especially in the trial scene that his character isn't quite the dumb-head he appears to be just misguided. It has a fine cast. I dug the film out to watch Judd Nelson's performance again in it as I've just re-watched the Breakfast Club and wanted to compare. I can't remember who directed NJC but it's very reminiscent of a Spike Lee film and just as hard hitting. It is just as relevant today as it was back in 1991 in fact more relevant here in Manchester, United Kingdom as we have seen over the past 7 years some serious divisions within the black community.