Les chandelles noires

John LeCarré has been lucky in the adaptations of some of his books on to film. 'A Murder of Quality', though quite different from 'Tinker Tailor Soldier Spy' and 'Smiley's People', not to forget 'The Spy Who Came in From the Cold', is a perfectly crafted murder mystery.

Denholm Elliot's George Smiley does not try to imitate the famous portrayals by Alec Guinness but creates a similarly fascinating character out of LeCarré's most famous creation. Glenda Jackson plays his spinsterish "pal", Ailsa Brimley, a former colleague of Smiley's from The Circus during the war years. She is akin to Connie Sachs, memorably played by the great Beryl Reid in other LeCarré adaptions. Both Ailsa and Connie were in love with George and enraged at his reprobate wife, Ann. This and other LeCarré themes are used in 'A Murder of Quality' to their usual intriguing effects; the inclusion of homosexuality, misogynistic tendencies in some of the male characters and the hint of Smiley's darker, perhaps murderous past.

It is good to see Joss Ackland and Thorley Walters, old hands from earlier LeCarré adaptations. There isn't a weak link in the cast. Christian Bale makes a sexually tantalizing school boy, complete with his "criminal mind" and vulnerable consciousness. Diane Fletcher, the Lady Macbeth-like Mrs Urquehard from 'House of Cards' appears here as the tough dramatic arts mistress, the archetype gorgon, hearty and heartless.

Billie Whitelaw is a poignant mad-woman, Ronald Pickup a wonderfully spineless worm who lives with his "manly" sister, Fiona Walker. Matthew Scurfield is a fascinating police chief, a working grunt with many-faceted depths to his personality.

The cinematography is on the dark and gloomy side, as befits the story and setting. The music is superb, another wonderfully evocative score by the late great Stanley Myers.

This is now available on DVD from Acorn Media and I urge all LeCarré addicts to get it.

Great television like this is extremely rare, and getting scarcer all the time.

This time, it's Denholm Elliot as George Smiley, and the story is "A Murder of Quality" from 1991, also starring Glenda Jackson, Joss Ackland, Billie Whitelaw, and a 17-year-old Christian Bale.

Smiley is asked by a former colleague (Jackson) to look into a strange letter sent to her by a junior master's wife at a boy's school, Carne. When Smiley calls the school, he learns that the woman has been murdered. Her husband is a suspect.

Smiley travels to the school and works with the police. He discovers that plenty of people had a motive to kill this woman besides the husband - she was a blackmailer, not for money, but for the power of it. Another murder follows, and Smiley begins to put the pieces together.

Very good film, with LeCarre writing the screenplay himself. Denholm Elliot does an excellent job as Smiley, quietly observant, perhaps lacking the bite of Alec Guinness, but good nonetheless. It was a delight to see Glenda Jackson - she's been out of acting for so long, it was a joy to see her and remember how fabulous she was. Christian Bale doesn't have a ton of dialogue, but he was instantly recognizable and did well. Joss Ackland has a showy part as a professor and gives a flamboyant performance.

This is a depressing, moody film, quite dark, and highly recommended.

My favorite DVD bar none. Denholm Elliott's Smiley was a brilliant interpretation in the shadow of Alec Guinness, not a surprise if one remembers his role in Woody Allen's "September." Glenda Jackson and Diane Fletcher might have been given more screen time. Christian Bale was smartly cast.

I've watched the DVD perhaps 30 times, more than either Tinker Tailor 1979 or Smiley's People 1982 (but they are several hours longer, I'd have to reload the DVD player for these, and each have gotten 10 or more viewings). To digress, Bernard Hepton's part in Smiley"'s People is scary good. To digress again, Cyril Cusack's "Control" in Spy Who Came in from the Cold" is chilling (though the style of the film is badly dated).

Is this program a mystery at all? I think "A Murder of Quality" is mostly a commentary by Le Carre on the sins and pretensions and hypocrisy of the decayed British Empire of the 1950's. To me, the mystery is much in the background - it provides a great format. In contrast, Tinker-Tailor and Smiley's People use the complex mystery to illuminate the hypocrisies of the East and West, but are strong core mysteries.

When I first viewed "A Murder of Quality" I was slightly put off by the structure, particularly the quick scene changes. I now think it was clever and possibly the reason I view the story over and over. I'm not sure who might get my credit/praise. Perhaps it's J Le Carre himself since he has screen writing credit.

On my DVD, Diane Fletcher's photo appears for Glenda Jackson in her (Glenda's) biography. There is no Diane Fletcher biography.

A surprise to John Le Carré's readers and to viewers who already know about his works adapted into films, "A Murder of Quality" is a less challengeable enterprise for the great agent George Smiley, this time investigating a mysterious murder close to a respected school in England's countryside. Smiley and his ability to find clues here are more approachable to someone like Hercule Poirot than to someone who had difficult missions when of his time in the Circus solving global problems during the Cold War.

This TV adaptation goes according the original work, a small film based on a small book with effective and similar result. Both are good but they suffer from the greatness of seeing Smiley doing more important jobs going around the world working for the British intelligence. Plot is well elaborated but sometimes we lose interest in it, its lack of having a good pace to keep the story going. Plus, it looks like something already shown before time and time again, but it might work better for those who never watched careful and brilliant investigative flicks before. This isn't sinking into obscurity because people are rediscovering it due to very young Christian Bale's minor yet important role in it, people get curious to see some of his early projects.

Casting's good work is what makes of "A Murder of Quality" a very decent film. Playing the great George Smiley is Denholm Elliott, who brings a jolly quality to the role of the eternally enigmatic, contrived and serious character whose delivery of lines goes without affection, enthusiasm or surprise. Not the best portrayal of Smiley (Gary Oldman nailed it in every possible aspect in "Tinker Tailor Soldier Spy") but it's a good one anyway, very amusing and playful. And there's place for a remarkable performance of Glenda Jackson, playing George's best friend and helper with the case, and the efficient presences of David Threlfall and Joss Ackland.

A good dramatic suspense but never effervescent as Carré's stories tend to be. 7/10

This 1991 British production (Thames TV) for the A&E channel is based on mystery writer John le Carre's second novel. Le Carre wrote the screenplay for "A Murder of Quality," so the necessary changes for filming were made by the book's author himself. It's interesting that this is the only story with le Carre's character, George Smiley, that is set outside the field of espionage.

A number of British actors have played George Smiley in movies made on le Carre's books. They all are very good. Denholm Elliott has the role in this film. He plays a more reserved, humble character than usual. Glenda Jackson is excellent as his friend from espionage days, Alisa Brimley. Joss Ackland is very good as Terence Fielding, a school headmaster. And, Matthew Scurfield is very good as Inspector Rigby. The rest of the supporting cast all are quite good.

While this story has the usual red herring or two, it wasn't difficult for me to guess early on who the culprit was. The film even seemed to make it easy with one scene in particular. While I haven't read many mystery novels of the past few decades, I do enjoy the movies based on works by mystery writers. Besides le Carre, John Grisham and others are still writing today. But no one, in my estimation, will ever top Agatha Christie as a crime and mystery writer. Her super sleuth, Hercule Poirot, remains the most beguiling of all crime solvers, in my book. Since the early 1960s, I have read and/or watched the films on all of Christie's works that have been printed or put on film. Only once was I able to guess correctly early on who the culprit was.

Still, one can't have caviar, clams casino, lobster, and crepes Suzette all the time. Those are all the more enjoyable on special occasions, after many more meals of good but wholesome everyday meals. So, a movie based on a le Carre novel is enjoyable and satisfying at any time. Most movie buffs should enjoy "A Murder of Quality."