Un été en Louisiane

Reese Witherspoon plays Dani, a young country girl that falls madly in love with the new 17 year old neighbor, Court, played by Jason London. Court tries his best to make Dani realize that the difference in their ages would make a love relationship improbable. Soon the nubile charm of Dani starts winning over Court's will. Next enters the meeting of Dani's older sister, played by Emily Warfield, and the beginning of a short lived love/jealousy problem.

Tess Harper and Sam Waterston round out the cast. This is a fresh, free spirited; but heartbreaking drama that touches down deep. Feel free to cry.

Dani(Reese Witherspoon) has always been very close with her older sister Maureen(Emily Warfield) until they both start falling in love with their neighbor Court(Jason London). But it is not after a terrible tragedy strikes that the two sisters realize that nothing can keep them apart and that their love for each other will never fade away.

This was truly a heartbreaking story about first love. Probably the most painful story about young love that I have ever seen. All the acting is amazing and Reese Witherspoon gives a great performance in her first movie. I would give The Man in the Moon 8.5/10

If there's any director in Hollywood who deserves a crown for conquering the coming-of-age genre, it's Robert Mulligan, director of To Kill a Mockingbird and Summer of '42. His last film was The Man in the Moon, one of the most revered modern coming-of-age films. It takes place in 1957, during the summer a teenaged Reese Witherspoon's life changes forever.

In Reese's first movie, she's a tomboy, but she's still adorable in her transition out of adolescence, and as she's done in almost every other film since, she melts the hearts of the audience. She stomps around in overalls and smacks her gum as if it never occurred to her to care about her appearance, but she's just as cute in those scenes as she is when she finally dolls up and tries to act like a regular teenage girl.

Fourteen-year-old Reese is very close to her older sister, Emily Warfield, but clashes at times with her parents, Sam Waterston and Tess Harper, who don't seem to understand her difficult age. When a new family moves in next door, complete with three teenage boys, everything changes. Reese gets to know one of the boys, Jason London, but as time passes, her feelings grow into more than just friendship.

There's a lot more to the plot, but I'd rather not spoil anything. Needless to say, there are all the classic elements to a poignant coming-of-age story, including domestic troubles, love triangles, self-discovery, tragedy, and the bonds of family. Just as in classics like My Girl, you're going to need your Kleenexes during this one. It doesn't matter whether you have issues with your dad, mom, sister, or remember a bittersweet time before you grew up, there are several scenes that will inspire tears. Reese has great chemistry with her on screen family, and I guarantee the parents in the audience will identify with Sam Waterston's protectiveness and wisdom.

This one isn't for the faint of heart, but if you're in the mood for a good cry this weekend, or if you're craving a nostalgia movie with lots of Elvis Presley songs, rent The Man in the Moon.

Kiddy Warning: I'd probably let my kids watch this one, but I just wanted to warn you, because everyone has different tastes, that there are some upsetting scenes and violence involving children.

As I watched this movie I began to feel very nostalgic. As a child growing up in a rural area I felt as if I was a kid again! The swimming pond (it's called a "tank" in Central Texas), the running through the countryside like a wild free spirit! The story was very believable and I totally lost it and cried toward the end. Through the pain we go through in life...life goes on and there can be forgiveness.

It's a generic coming-of-age story -- think "The Member of the Wedding," "Summer of '42," "A Summer Place," even "Little Women" -- and there are moments where Mulligan might have omitted the soupy music, not used slow-motion, or played down the golden-lit prettiness of the setting. Otherwise, it's done with rare emotional perfect-pitch. Nothing's forced, every line has feeling, and the pacing is just right. Even the below-A-list casting helps: Bigger movie stars with more recognizable personalities might have overwhelmed the material. In particular, Witherspoon is excellent: Her line readings are fresh and original, and her body language is just right for a gawky, hoydenish 14-year-old on the eve of womanhood. Waterston is also very fine, even if he has to spend much of the movie climbing in and out of the family truck.

One senses that the film's makers were aware of its unpromising commercial prospects -- no big stars, no big car crashes, no special effects -- and consciously decided to make the best possible movie, box office be damned. It's intimate and honest, and it sticks to the ribs. If you find yourself misting up at the end, you don't have to feel you've been duped.