IMDb RATING
6.4/10
10K
YOUR RATING
Documentary following singer Madonna on her controversial Blonde Ambition tour in 1990.Documentary following singer Madonna on her controversial Blonde Ambition tour in 1990.Documentary following singer Madonna on her controversial Blonde Ambition tour in 1990.
- Awards
- 1 win & 4 nominations total
Donna DeLory
- Self - Vocals and Dancer
- (as Donna Delory)
Niki Haris
- Self - Vocals and Dancer
- (as Niki Harris)
Oliver Crumes Jr.
- Self - Dancer
- (as Oliver Crumes)
Kevin Alexander Stea
- Self - Dancer
- (as Kevin Stea)
Featured reviews
ok, so by now you know im not a fan, as im not gushing about her in the Summary line. so i think that grants me a little more credibility...
this was not really a documentary as i envision one, mostly because she was the subject *and* executive producer -- meaning she called the shots on this film. it is therefor impossible not to paint a completely biased and self-interested picture. frankly, it's modanna propaganda (propadonna?). she knew she was making a movie about herself while she was making it... from the voice-over narrations to the staff testimonies of how "sensitive she really is", it all seemed contrived. in fact, the only real part about it were the music videos, and warren beatty (he was hilarious because he seemed so bored or disgusted of the whole thing. sardonically he humors her: "Why would you say something if it's off-camera? What..what point is there existing?"). a that being said....madonna is a terrific performer. her costumes, routines, songs, sets, and raw sexual energy just blow me away.
she's one of the privileged-few in society, but i can see why she got there.
this was not really a documentary as i envision one, mostly because she was the subject *and* executive producer -- meaning she called the shots on this film. it is therefor impossible not to paint a completely biased and self-interested picture. frankly, it's modanna propaganda (propadonna?). she knew she was making a movie about herself while she was making it... from the voice-over narrations to the staff testimonies of how "sensitive she really is", it all seemed contrived. in fact, the only real part about it were the music videos, and warren beatty (he was hilarious because he seemed so bored or disgusted of the whole thing. sardonically he humors her: "Why would you say something if it's off-camera? What..what point is there existing?"). a that being said....madonna is a terrific performer. her costumes, routines, songs, sets, and raw sexual energy just blow me away.
she's one of the privileged-few in society, but i can see why she got there.
This is a wonderful documentary. It shows the ups and downs of being a rock star. Essential to fans.
Nothing surprising is revealed in this documentary. Perhaps ten years ago, when the film came out, it stunned many fans and non-fans. But Madonna has remained in the spotlight ever since, and thanks to magazines, interviews, MTV, VH-1, not to mention her music, video, book and film work since 1991, we've seen most of the stuff in this documentary already. Plus, Madonna shows us only what she wants us to see. There are a few moments when the camera suddenly shuts off, like when she confesses that Sean Penn was the love of her life. She also talks about her huge crush on Antonio Banderas, and when he snubs her, she jokingly admits that she will never work with him (obviously she was kidding because she worked with him in Evita). When she's playful and in good spirits, she's fun to watch. But in the end, this is really a vanity project, instead of the completely "naked" documentary it was supposed to be. That probably suits her diehard fans just fine, but regular viewers are hoping to see more than her "attitude" backstage, long footage of her explicit onstage material, constant vulgarity, and high-maintenance daily rituals.
Madonna: Truth or Dare (1991)
**** (out of 4)
Madonna's "Blonde Ambition" tour is followed in this documentary, which gives fans a behind-the-scenes look at the star and the tour.
Even if you're not a fan of Madonna, it's pretty hard not to really enjoy this documentary on a number of levels but the biggest thing is that it really is extremely well-made. Director Alek Keshishian has really created a rather unique and original look at an artist doing their thing while trying to hold everything together.
Many people have accused this film as being fake or saying that Madonna was acting up in front of the camera. This has been happening since Bob Dylan's DON'T LOOK BACK and it has happened countless times since this film was originally released. I think what makes DON'T LOOK BACK and MADONNA: TRUTH OR DARE so terrific is the fact that the two artists know how to play the camera and they both did it perfectly.
There's a lot of stuff going on here and the film really did a terrific job at showing you how chaotic life on the road can be. We see the tour through Japan, the United States, Canada and Europe and we see as Madonna struggles at times with relationships, her strength and having to face other demons. The documentary does a terrific job at showing what type of physical demand Madonna had on her night after night and the backstage access was just really fun and interesting.
Madonna's relationship with Warren Beatty is on display here and we see other celebrities including Kevin Costner, Al Pacino and Antonio Bandera. The film and Madonna have a lot to say about the celebrity worship and everything that comes along with it. Other great moments include a concert in Toronto where the police show up threatening to arrest the singer as well as another moment where she meets with her father after a hometown gig.
MADONNA: TRUTH OR DARE is also beautifully shot and I loved the director's decision to show the backstage stuff in B&W and keeping the concert footage in color.
**** (out of 4)
Madonna's "Blonde Ambition" tour is followed in this documentary, which gives fans a behind-the-scenes look at the star and the tour.
Even if you're not a fan of Madonna, it's pretty hard not to really enjoy this documentary on a number of levels but the biggest thing is that it really is extremely well-made. Director Alek Keshishian has really created a rather unique and original look at an artist doing their thing while trying to hold everything together.
Many people have accused this film as being fake or saying that Madonna was acting up in front of the camera. This has been happening since Bob Dylan's DON'T LOOK BACK and it has happened countless times since this film was originally released. I think what makes DON'T LOOK BACK and MADONNA: TRUTH OR DARE so terrific is the fact that the two artists know how to play the camera and they both did it perfectly.
There's a lot of stuff going on here and the film really did a terrific job at showing you how chaotic life on the road can be. We see the tour through Japan, the United States, Canada and Europe and we see as Madonna struggles at times with relationships, her strength and having to face other demons. The documentary does a terrific job at showing what type of physical demand Madonna had on her night after night and the backstage access was just really fun and interesting.
Madonna's relationship with Warren Beatty is on display here and we see other celebrities including Kevin Costner, Al Pacino and Antonio Bandera. The film and Madonna have a lot to say about the celebrity worship and everything that comes along with it. Other great moments include a concert in Toronto where the police show up threatening to arrest the singer as well as another moment where she meets with her father after a hometown gig.
MADONNA: TRUTH OR DARE is also beautifully shot and I loved the director's decision to show the backstage stuff in B&W and keeping the concert footage in color.
As a documentary, this movie is excellent. It takes us behind the scenes of one of the most successful and most elaborate music tours produced in recent times. We take a peek at Madonna's private life including her likes and dislikes, her friends, her hectic schedule, and her incredible ambition of staying at the top. But most importantly, we take a close look at how she influences everyone around her. Madonna fans, especially those that attended the Blond Ambition Tour, will really enjoy Truth or Dare.
Did you know
- TriviaThree of the dancers featured in the film, Oliver Crumes Jr., Kevin Alexander Stea, and Gabriel Trupin, sued Madonna for invasion of privacy, fraud and deceit, and intentional misrepresentation.
- GoofsSupposedly the live footage is filmed in the United States (she even greets the audience by saying 'All right, America do you believe in love?" but they zoom out so far that one can't see her lips moving). In the United States Madonna was wearing the ponytail. In all the live footage she has curled hair. This means the show was actually filmed in Europe (according to the credits, it was in Paris). There are several references to the live footage being filmed in America, especially "Like a Virgin" in Toronto and "Keep it Together" (the technical problems) in Los Angeles, although that footage was also filmed in Paris.
- Crazy creditsAll through the end credits Madonna and her dancers' voices are heard getting ready for bed and after the credits are done Madonna is shown saying, "I'm just gonna push this button and the camera's gonna go off now. Ok?"
- Alternate versionsVideo version, retitled "Madonna Truth or Dare", includes footage not in the original theatrical release.
- ConnectionsEdited into Madonna: Holiday (Truth or Dare Version) (1991)
- SoundtracksExpress Yourself
Written by Madonna, Stephen Bray
Bleu Disque Music Co., Inc., Webo Girl Publishing, Inc., WB Music Corp., Black Lion Music
Performed by Madonna
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Madonna: Truth or Dare
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,500,000 (estimated)
- Gross US & Canada
- $15,012,935
- Opening weekend US & Canada
- $543,250
- May 12, 1991
- Gross worldwide
- $29,012,935
- Runtime
- 2h(120 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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