Maux d'amour

Jeff Daniel's stars in 'Love Hurts' as a man who engages in empty womanizing after experiencing the pain of divorce and losing his kids. His ex and kids have moved to a farmhouse in Pennsylvania near his parents and, in the meanwhile, Daniels tries to heal his hurt with work, cigarettes, liquor and sex.

Then he's asked to attend his sister's wedding in his Pennsylvania hometown (his ex and kids will be there) and we can clearly see some life lessons on the horizon. Weddings are often ripe for human behavior ('Lovers and Other Strangers,' Altman's 'A Wedding' are two good examples) and here is not different. The screenwriter has a good ear for brisk diaolgue that sounds like real people are speaking it. Bud Yorkin directs with a sure hand and makes all the scenes interesting.

But it is the acting by the principles that raises the film up. Jeff Daniels has often given excellent performance that fly under the radar ('Purple Rose of Cauro,' 'Marie,' 'Something Wild'), but here he does something very special : he humanized an average shlub who is fallible and even sometimes a jerk. John Mahoney and Cloris Leachman seemingly effortlessly invest their roles as his parents with humanity and compassion. And Amy Wright (who we never got enough of) brightens the film as the awkward and unsure sister.

It's a quiet film, made of little moments. No CGI here. Just humans grappling with life in a sometimes humorous and altogether honest way. Burt Bacharach lends a nice if somewhat repetitive score. An underrated gem of a film and a certain must for Jeff Daniels' fans. Don't listen to the naysayers.

This is an excellent film in every manner with the impulse behind its artistic success being the script by Ron Nyswaner, wry, witty and moving, each in its turn, detailed when it needs to be, and only suggestive, when that is appropriate. Varying concepts of what a person's home is and what it should be molds this comedic drama, the final directoral essay by Bud Yorkin, and unjustly overlooked or carelessly reviewed. Jeff Daniels portrays Paul Weaver, freshly divorced but not having altered his causative rakish ways, obligated to sojourn at the home of his parents for the wedding of his sister (Amy Wright), an awkward circumstance as his former wife (Cynthia Sikes) and two children are temporarily living there due to plumbing troubles in their own house. Paul is eager to become closer to his estranged children, but his daughter Sarah (Mary Griffin) has toted an abundance of resentment with her and is puzzled by the obviously ongoing mutual attraction between her parents. During a hectic nuptial weekend, Paul finds an available exchange of ardour with a bridesmaid (Judith Ivey) and this, along with his damaged association with his father (John Mahoney) supplies additional provender for Nyswaner's well-crafted script. Yorkin's fastidious direction allows for able ad libbing from Daniels and Wright, and is nicely supported by resourceful camerawork from Adam Greenberg who employs classic technique when isolating Weaver within a disquieted environment, by superb editing from John Horger, and by faultless sets and costumes from Leslie Rollins and Elizabeth McBride, respectively. In the last analysis, the film fares well because of attention to detail, originating largely from the writing of Nyswaner who strongly evokes small-city working-class Pennsylvania (although primarily shot near Dallas-Fort Worth) with each scene neatly sculpted and generally avoiding the cliched, helped by strong acting through the final scene, remarkable itself for its insouciant sense of actuality.

More of a drama, this movie is one of the saddest movie about love, it only show the worst part of it, in every scene the hero is strained and hurted, you can only cry about his fate until a little before the end, they describe it as "A Painfully Romantic Comedy" on the poster, but they really should change it to "A Painfully Dramatic Comedy " because the romance is simply not present, only rejection and questions about relationship, overall the movie is not badly played or written, but they lied about it, and I don't like being lied to..

Paul (Jeff Daniels) is a womanizer. It ruined his marriage, as his wife divorced him about one year ago. He is repentant, naturally, but just can't seem to stop chasing the females. Going home to Pennsylvania for a wedding, he encounters his ex-wife, his children, his dotty mother, his alcoholic father, and the bride, his jittery sister. While waiting for the wedding to occur, Paul and his family go through one trial after another. Paul even makes passes at one of the bridesmaids. Will he ever learn? This film is so tuned to reality that it is a downer to watch. Daniels gives an outstanding performance as the likable guy with big flaws. Sikes also does a fine job as the ex-wife with a lot of baggage. The ending strives to approach a more upbeat tone. Fans of Daniels will want to see this work. All other viewers should be cautioned that it is not a romantic comedy. It is a dark comedy at best, with the happy romance vibes registering a zero on the love meter.

It's beyond fiction when he calls the married woman "beautiful" . Makes zero sense takes you right out of what might have been a passable movie.