A young Londoner seeks to escape the drug scene by landing a waiter job, but his lack of proper footwear becomes a hurdle. The quest for shoes symbolizes his struggle to break free from a wo... Read allA young Londoner seeks to escape the drug scene by landing a waiter job, but his lack of proper footwear becomes a hurdle. The quest for shoes symbolizes his struggle to break free from a world of addiction and vice.A young Londoner seeks to escape the drug scene by landing a waiter job, but his lack of proper footwear becomes a hurdle. The quest for shoes symbolizes his struggle to break free from a world of addiction and vice.
Joe Alessi
- Plainclothes Policeman
- (as Joseph Alessi)
Yemi Goodman Ajibade
- Tramp
- (as Yemi Ajibade)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I rented this movie , just seeing it there on the shelf. I had no idea what to expect. I watched it and thought it was wonderful. Clint is very adorable, very lost, very determined. He is trying to get out and all that matters is his pair of nice shoes. He has transferred all his hopes for a new life and a future outside of drugs in this one very simple thing. Its a beautiful concept. The other characters left me wanting more, but yet being satisfied with that feeling. I was left with the feeling of respect for tiny things that I take for granted sometimes and a great respect for a good pair of shoes or as Clint would say a "cute boot"!
10tinita
I've only seen this movie once, but I was impressed how important a pair of shoes can become. This film lets us view life from a totally different, strange view. A view of life, as a drug addict sees it, but somehow is not really unpleasant. The film has got the same quality as films like "Trainspotting" or books as "Camden Girls": we are able to laugh about things actually being really tragic. What a pity that this film is known to so few people...
See this movie! Sure, the lives of the characters in it are terribly sad, but the only grim sort of sadness I felt, watching this, was due to the overwhelming lack of such richness in most American films. We're talking actors who throw themselves into their parts, rather than ride the oily wave of celebrity. We're talking a script that tackles, with only minute concessions to gimmickry (at times the playfulness crosses over into winsomeness), the true complexity of human beings. Clint, Muffdiver, and Sylvie are multi-faceted, unfolding (but only so far--no easy answers here) characters. The end's a bit tidy, but this remains a minor qualm in light of the film's rewards.
I picked it up at the video store about 10 years ago, because the title caught my eye. I was very surprised to find that the movie was very entertaining; with serious bits, but oh such funny bits too. I loved the wittiness of it. It took me a year before I was able to locate a place to purchase it. I have it in my library now and watch it every so often. I LOVE "Clint Eastwood! Justin Chadwick is perfect as Clint Eastwood.
The characters are very real, and you truly begin to feel for each one of them. Even the supporting cast gives such life to their characters. Of course Steve McIntosh is great as Muff Diver, McIntosh never disappoints with his acting.
The characters are very real, and you truly begin to feel for each one of them. Even the supporting cast gives such life to their characters. Of course Steve McIntosh is great as Muff Diver, McIntosh never disappoints with his acting.
as an extra. To be honest I always thought it would be bad - and sure enough - it is. Hanif was pretty well organised on set - but his 2nd Assistant did more. I thought Justin Chadwick was mis-cast. I am in the last scene in the cafe and I am badly cut earlier on - walking past the cafe then suddenly leaping back 10 paces (only I would notice though)
The problem with it is that even with Brad Dourif in it (met him - nice guy) the film has absolutely no international appeal whatsoever. It is so mired in the late eighties - early nineties that is has no universality and the world it portrays - a rather dull UK with a wasted Alun Armstrong as an Elvis impersonator - is completely misleading for any international viewer.
It's interesting that Hanif hasn't flooded the world since with stuff he's directed - no surprise on this evidence - he's a great writer - stick to that.
The £90 I got went on fares and food - shame it didn't put me off a career as an actor - might have stopped me wasting 2 years at drama school!
The problem with it is that even with Brad Dourif in it (met him - nice guy) the film has absolutely no international appeal whatsoever. It is so mired in the late eighties - early nineties that is has no universality and the world it portrays - a rather dull UK with a wasted Alun Armstrong as an Elvis impersonator - is completely misleading for any international viewer.
It's interesting that Hanif hasn't flooded the world since with stuff he's directed - no surprise on this evidence - he's a great writer - stick to that.
The £90 I got went on fares and food - shame it didn't put me off a career as an actor - might have stopped me wasting 2 years at drama school!
Did you know
- TriviaThe title "London Kills me" was suggested to Hanif Kureishi by David Byrne who was just coming from Madrid. In the 80's "Madrid Me Mata"(Madrid Kills Me) was a well known phrase that became popular due to the Magazine "Madrid Me Mata" created and directed by Oscar Mariné (who will later design Film posters for Spanish directors like Almodovar, Medem and De La Iglesia). Soon in the 90's the well known phrase will be used to express the love/hate relationship of certain artists with the city they live in.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Londres me mata
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $170,667
- Opening weekend US & Canada
- $16,209
- Aug 9, 1992
- Gross worldwide
- $170,667
- Runtime
- 1h 47m(107 min)
- Color
- Aspect ratio
- 1.85 : 1
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