Hudson Hawk, gentleman et cambrioleur

This was one of the first films that I saw when I came back from the Persian Gulf War. It is listed as among the biggest money losers of all time and when it came out it generated some of the most scathing reviews of all time. When Bruce Willis made The Last Boy Scout later that year, one reviewer said "He gets punched in the mouth so many times, he must feel like he's still reading reviews of Hudson Hawk" Willis wrote the story for this film, so I'm sure this must have particularly hurt him, this film put his career in the toilet before Pulp Fiction revived it. I don't think the film was all that bad myself, even though it wasn't Citizen Kane and wont go down in history as a classic I am at least hoping that it might generate a cult following. At least it attempts to be original, you have to give it credit for that. So many movies these days are just rip offs. Willis gives an engaging performance as the cappachino-drinking, wise-cracking cat burglar who is forced to pull off one last hiest. I really laughed at the scene where he and Danny Aiello pull off that robbery while doing such a wonderful rendition of "Would You Like To Swing On A Star". Aiello is a great actor as is Andie McDowell and James Coburn who also give great supporting performances. Coburn has a lot of fun spoofing his tough guy image. It sort of reminds me of In Like Flynt. My best advice is leave your brain at the beginning of the movie and just have a good time. Yes this film wont cure cancer or anything like that, but its still a lot of fun if you just give it a chance.

Is this a great movie? Not really. Will I absolutely stop and watch it if I happen to see it's on? Yes, I will. It's truly an oddball comedy, most definitely not every joke works, but its manic energy and silliness still manage to crack me up.

The real credit, for me, goes to the movie's two ridiculous scene-chewing villains, Minerva and Darwin Mayflower who pretty well have to be seen to be believed. If you looked up over the top in a dictionary I think you could possibly see a picture of them, and yet they're played with such conviction and flair that I love every scene they're in. For me, without them, the movie wouldn't be anywhere near as fun.

This movie was on my list of movies generated by actors as personal projects. That's because you really get to know these guys when you see what they really want to do. Bruce worked on this for a very long time.

If you check out Willis' acting stuff, it is a particular style, very much like Mel Gibson's. The idea is to focus on the character in a serious way, but always let the audience know that there is a carefree guy doing it. The formula is subtle and depends on the genuine take on life that the actor has.

If you allow for the incompetent editing and execrable score, this is a very clever movie. In particular, it is a very clever placement of a movie about other movies. It walks through the various motions of a real movie, with lots of references to remind you. But it is really a bunch of jokes that make the broadest fun of movies. The position and distance that this film has to real movies is precisely the same as Bruce's acting stance to the job he does in portraying the character.

Check it out. It's got some problems, but it tells you a lot about Bruce in whatever of his other films you like, and will likely enhance that film.

In May of 1991 the world was just not ready for Hudson Hawk, and apparently this caused a lot of confusion in the marketing department. How on Earth were they supposed to sell this strange oddity of a film? Eventually they settled on Bruce Willis brand recognition and built an ad campaign that would promote it as a sort of Die Hard-lite. When audiences eventually found out it was an absurdist, cartoon caper comedy they didn't quite know what to make of it and it was widely panned by critics and filmgoers alike. Not fair. Hudson Hawk is actually a wonderful little movie with a reputation is simply doesn't deserve.

By the time July of 1991 rolled around the movie was getting its UK premier and the ad campaign had changed to play up the comedy and adventure more than the action. I remember 10-year-old me (already a Die Hard and Willis fan) sitting alone in a screen at the old UCI cinema in Kinnaird Park thinking "this looks awesome". If a kid could tell the difference...

Being a 15-rating here in the UK (and rated R in the US) I had to wait until it hit home video. As soon as the end credits rolled I was fascinated by this new Cappuccino thing that Hawk was always harping on about. It became my go-to beverage whenever and wherever it was being served (an idiosyncrasy that has since been ruined by the horrific advent of "fashionable coffee"). As you can tell, I've been a fan of Hudson Hawk since I was a kid.

Bruce Willis is Eddie Hawkins, the world's greatest cat-burglar, who is determined to go straight after a long stretch in prison. Too bad for him that an assortment of eccentric villains are determined to force him to do their dirty work in a crazy world domination plot. Take the usual tropes of James Bond, Crosby and Hope, the Pink Panther, and retro heist movies and you'll have something close to what Hudson Hawk attempts to be. It is handsomely shot in real European locations with lots of quotable dialogue courtesy of Daniel Waters who co-wrote the script with Die Hard scribe Steven E. De Souza, based on Willis' original ideas. Yes, Bruce Willis created Hudson Hawk himself.

The movie is far from perfect though, even the biggest Hudson Hawk fans know that. It is way too complicated and will take several viewings just to fully grasp what the hell is going on. However, even in 1991 it seemed that De Souza and Waters knew that the European Union and forthcoming "single currency market" would be a terrible idea. The plot to ruin the world economy would probably be lauded in these more politically turbulent times.

Also,the literal bookends are an indulgence too far, and Andie McDowell (a last minute replacement for Isabella Rossellini and Maruschka Detmers) is just about tolerable in a role that she clearly didn't understand. The scene where she feigns mental illness by speaking in Dolphin-ish is yet another eccentricity that the film could have done without. But the main fault here is the swearing. The cast are dropping f-bombs and mofos all over the place and it just doesn't sit well the overall tone. There is absolutely no reason why Hudson Hawk should have been anything more than a PG. When I was 10-years-old I was overdosing on episodes of The Young Ones (a similarly anarchic and crazy TV show) and this movie really appealed to me. I do believe that kids and family audiences were the people that Hudson Hawk should have been sold to and the R-rating harmed the films appeal a lot.

McDowell aside, the cast are all either wonderfully over-the-top or strangely quirky. From James Coburn's enthusiastic CIA crook, to a restrained David Caruso as the mute Kit Kat. He doesn't even have any lines and he has a character arc. If you are in need of light- hearted, good-natured entertainment then Hudson Hawk never fails. It is a real shame that this never had the chance to develop into a franchise. If so we might have been spared the awfulness of Die Hard 4 and 5.

Hudson Hawk has the dubious distinction of being the final film produced by TriStar Pictures prior to their being bought out by the Sony Corporation and merged with Columbia Pictures.

Plot In A Paragraph: Hudson Hawk, the worlds greatest cat burglar, has just been released from prison in New York. He is immediately blackmailed in to stealing some of Da Vinci's finest work in order to aid a world domination plot.

Bruce Willis gives one of his worst performances as Eddie Hawkins/Hudson Hawk, likewise Danny Aiello is not up to his usual standard as Tommy Hawks best mate, Andie MacDowell is very blah as Anna, Hawks love interest. David Caruso and Frank Stallone are both fine in their supporting roles. However Sandra Bernhard and Richard E. Grant are simply awful. Cringeworthy bad. They ruin EVERY scene they are in.

The movie doesn't seem to know what it wants to be, a slapstick comedy or an action adventure, and sadly ends up being neither.

One thing I did like was a running joke in the movie that has Hudson and his partner Tommy (Aiello) singing songs concurrently but separately, to time and synchronize their exploits. Willis-Aiello duets of Bing Crosby's "Swinging on a Star" and Paul Anka's "Side by Side" are a bit of fun in an otherwise mixed bag.