La Liste noire

I consider this period of the early 90's to be Robert DeNiro's second wind, if you will, after many great films he starred in the 70's. This film, along with the excellent Goodfellas, Awakenings, Night and the City, A Bronx Tale, and Cape Fear highlighted a great actor's resume. He hasn't done many great films in a while, but his acting chops speak for themselves. He stars here as David Merrill, a blacklisted director in Hollyweird, who's basically accused of being a communist and certain government factions want him to name names. His performance, although subdued, is very solid as he struggles with the decision to either report his friends, who are thought to be Communist in order to rescue his once promising career, or refuse to give up any names so their lives and careers won't be destroyed also. There's a moving scene between Merrill and congress as they bombard him with questions and accusations. This is probably the most memorable scene, but I thought it tries to wrap the film up in a neat little ball, as opposed to letting us know exactly what went on in those supposedly communist meetings Merrill was a part of, and what was discussed there and who attended these meetings.

George Wendt does a commendable job as Bunny Baxter, even though it's difficult to see him other than Norm from Cheers, but I digress. Annette Benning and Patricia Wettig also give solid performances in this forgotten little film based on a true story.

In 1947 the House Committee on Un-American Activities began an investigation into Communism in Hollywood. Shortly after this director David Merrill returns from filming abroad. It is not long before he is targeted for having attended "a few meetings" a few years ago. The approach is softly, softly with the committee just wanting Merrill to name some more names for them. When he refuses to help, he finds himself gradually cut out of studios and projects, with fewer and fewer people willing to take his calls.

The period of history around which this film is set is an interesting one and one that is worth knowing about as part of the whole "learning from history" ideal. However this is not the same as the film itself being good because unfortunately it is not what I would have liked. It relies too heavily on the informative nature of the recreation of the period rather than developing an interesting script with realistic characters. It doesn't help that the film tries to be all very serious and respectful but does rather fail and ends up coming over all earnest and self important. The script also tries not to really upset anyone who didn't take the moral stance of the fictional Merrill by just focusing on him even though it would have been a lot more interesting if it had had outrage, bitterness and realism at its heart.

Winkler directs without a great deal of style and his courtroom scene is average where it should have been the best scene of the film. De Niro works his material hard and makes for an engaging lead, however it is the lack of depth and complexity in his material that limits his performance. This is more or less true of the rest of the cast which, although starry, doesn't really provide anyone in particular with an opportunity to mark themselves out. Bening, Wendt, Wettig, Wanamaker, Sizemore, Scorsese, Cooper and others are good presences but not much more than that.

Overall then an interesting film in so much as it informs about an important period of history. However it is all very earnest and safe and lost a lot of potential for me. The cast is starry but the material is middle-of-the-road and didn't give anyone the complexity and outrage that the subject deserved.

Director David Merrill (Robert De Niro) returns from filming in France to find the country over-run by the Red Scare. People are all taking loyalty oaths. The House Committee on Un-American Activities is hunting for Communists. Bunny Baxter (George Wendt) is his writer best friend. Actress friend Dorothy Nolan (Patricia Wettig) is struggling after her husband named names. David's married to Ruth (Annette Bening) with a young son. Friendships and marriages are breaking apart as tension rises. With his work on the line, Merrill is also pushed to name names as others acquiesce.

It's a sincere telling of a fictional Red Scare story with some of the real players in the real history of the Un-American Activities Committee. It's very sincere but not the most thrilling drama. The actors are first rate. Despite the good work, there are no surprises and nothing too dramatic. It feels more or less melodramatic. This is one movie where a based on true story would be useful.

Upon reading through 20 or so of the last reviews of "Guilty by Suspicion" it dawned on me that the majority of the reviewers are only vaguely familiar with the history associated with the film. Robert De Niro's DAVID MERRILL is an almost direct representation of real-life director ELIA KAZAN, known for such great films as "A Streetcar Named Desire" and "On the Waterfront". Only the names have been changed, but the main points of KAZAN's struggle are all intact. Even long-time friend Arthur Miller and wife Marilyn Monroe make an appearance (under different names, of course).

The story depicted in this film is not only perfectly representational of the black list era Hollywood, but is actually perfectly factual and accurate down to the small details. Reviewers should really do more research before "guessing" at what they just saw.

Robert DeNiro plays David Merrill, a movie director who is 'Zanuck's wonder boy' at Fox as the movie opens. He's been in Europe for awhile so does not know the full impact the HUAC has been exerting on actors in Hollywood. Zanuck asks David to 'purge himself' so instructs him to meet with a man who has a lot of questions for him, all having to do with people he might or might not know (real actors names are mentioned in this scene) and DeNiro complies, but only to a point, because his best friend Bunny Baxter (George Wendt) is the last name on the 'list.' David can't deal with any of it anymore and storms out of the meeting.

Eventually he finds out the hard way that because he is being uncooperative, he is being portrayed as a Communist sympathizer and cannot get anymore work as a director in movies so he moves to New York to try to get work in the theatre.

Movie has a strange feel to it. There is something underlying in almost every scene, a strange current that flows through the movie because so much of this is about what is unsaid, what is damaging and what is the right thing to do. Husbands betray wives, best friends name best friends, and no one knows how to destroy this thing that has invaded them.

DeNiro, Annette Bening, George Wendt and Chris Cooper are riveting. Sam Wanamaker, Martin Scorsese, Tom Sizemore and Ben Piazza are very good in small roles. Patricia Wettig goes slightly over the top as an actress whose child was taken from her.

Not fun, but worth seeing, and for fans of old cars, DeNiro drives around in the most beautiful white convertible you've ever seen. Wish I knew what type of car it is! 8/10.