La Liste noire

The film Guilty by Suspicion showed the effects of the Hollywood blacklist in true-to-life form. Not only did it deal with how friendships and families were affected during this period, but it also showed how other American's, such as teachers, were also blacklisted. Blacklisting was not only a Hollywood occurrence.

Those interested in communism in Hollywood will find the screenplay exciting and interesting, as there are hints of actual transcripts from the House Committee on Un-American Activities scattered throughout the movie. I've watched it at least three times, and I never get bored, I just pick up more and more of the realities of this time period.

The movie is not meant to be used as a way to research this time period. It is a statement movie. It is a statement about the evilness of the red scare. It is not pro-communist, but it is pro American freedom of expression.

Guilty by Suspicion is a great educational movie that is supported by a great cast, and great subplots!

Upon reading through 20 or so of the last reviews of "Guilty by Suspicion" it dawned on me that the majority of the reviewers are only vaguely familiar with the history associated with the film. Robert De Niro's DAVID MERRILL is an almost direct representation of real-life director ELIA KAZAN, known for such great films as "A Streetcar Named Desire" and "On the Waterfront". Only the names have been changed, but the main points of KAZAN's struggle are all intact. Even long-time friend Arthur Miller and wife Marilyn Monroe make an appearance (under different names, of course).

The story depicted in this film is not only perfectly representational of the black list era Hollywood, but is actually perfectly factual and accurate down to the small details. Reviewers should really do more research before "guessing" at what they just saw.

Director David Merrill (Robert De Niro) returns from filming in France to find the country over-run by the Red Scare. People are all taking loyalty oaths. The House Committee on Un-American Activities is hunting for Communists. Bunny Baxter (George Wendt) is his writer best friend. Actress friend Dorothy Nolan (Patricia Wettig) is struggling after her husband named names. David's married to Ruth (Annette Bening) with a young son. Friendships and marriages are breaking apart as tension rises. With his work on the line, Merrill is also pushed to name names as others acquiesce.

It's a sincere telling of a fictional Red Scare story with some of the real players in the real history of the Un-American Activities Committee. It's very sincere but not the most thrilling drama. The actors are first rate. Despite the good work, there are no surprises and nothing too dramatic. It feels more or less melodramatic. This is one movie where a based on true story would be useful.

In 1947 the House Committee on Un-American Activities began an investigation into Communism in Hollywood. Shortly after this director David Merrill returns from filming abroad. It is not long before he is targeted for having attended "a few meetings" a few years ago. The approach is softly, softly with the committee just wanting Merrill to name some more names for them. When he refuses to help, he finds himself gradually cut out of studios and projects, with fewer and fewer people willing to take his calls.

The period of history around which this film is set is an interesting one and one that is worth knowing about as part of the whole "learning from history" ideal. However this is not the same as the film itself being good because unfortunately it is not what I would have liked. It relies too heavily on the informative nature of the recreation of the period rather than developing an interesting script with realistic characters. It doesn't help that the film tries to be all very serious and respectful but does rather fail and ends up coming over all earnest and self important. The script also tries not to really upset anyone who didn't take the moral stance of the fictional Merrill by just focusing on him even though it would have been a lot more interesting if it had had outrage, bitterness and realism at its heart.

Winkler directs without a great deal of style and his courtroom scene is average where it should have been the best scene of the film. De Niro works his material hard and makes for an engaging lead, however it is the lack of depth and complexity in his material that limits his performance. This is more or less true of the rest of the cast which, although starry, doesn't really provide anyone in particular with an opportunity to mark themselves out. Bening, Wendt, Wettig, Wanamaker, Sizemore, Scorsese, Cooper and others are good presences but not much more than that.

Overall then an interesting film in so much as it informs about an important period of history. However it is all very earnest and safe and lost a lot of potential for me. The cast is starry but the material is middle-of-the-road and didn't give anyone the complexity and outrage that the subject deserved.

I consider this period of the early 90's to be Robert DeNiro's second wind, if you will, after many great films he starred in the 70's. This film, along with the excellent Goodfellas, Awakenings, Night and the City, A Bronx Tale, and Cape Fear highlighted a great actor's resume. He hasn't done many great films in a while, but his acting chops speak for themselves. He stars here as David Merrill, a blacklisted director in Hollyweird, who's basically accused of being a communist and certain government factions want him to name names. His performance, although subdued, is very solid as he struggles with the decision to either report his friends, who are thought to be Communist in order to rescue his once promising career, or refuse to give up any names so their lives and careers won't be destroyed also. There's a moving scene between Merrill and congress as they bombard him with questions and accusations. This is probably the most memorable scene, but I thought it tries to wrap the film up in a neat little ball, as opposed to letting us know exactly what went on in those supposedly communist meetings Merrill was a part of, and what was discussed there and who attended these meetings.

George Wendt does a commendable job as Bunny Baxter, even though it's difficult to see him other than Norm from Cheers, but I digress. Annette Benning and Patricia Wettig also give solid performances in this forgotten little film based on a true story.