For the Boys - Hier, aujourd'hui et pour toujours

A wonderful epic on war, modern American history, entertainment, and music. There is hardly a subject it doesn't touch on, from the 1950s Blacklist, to the antiwar movement in the 1960s, to the exploitation of talent, and to betrayal of friendship in politics and in marriage. All the performances are superb: Midler is extraordinary--her singing, acting, dancing and characterization are peerless; James Caan in one of the finest roles in his post-Godfather career, conveys the talented smarmy-but-sentimental Eddie Sparks; George Segal in a finely nuanced role as Caan's writer, and Arye Gross, who sets the entire backdrop for the story, all are excellent. On top of a plot-line that never sags, we are treated to a musical feast: Many old standards and obscure songs with orchestrations and vocal arrangements that are all first-rate, and the performances are flawless. The dramatization and attention to detail in the various historical periods is accurate and fascinating. Some may find the film too sentimental or simplistic: but it is a film, not an historical study, and sentimentality is different from sentiment. And finally, a movie that not only offers great music, great comedy, a story on an epic scale with characters that are realistic and has you crying in three or four magnificently poignant scenes is truly rare.