La Montre, la Croix & la Manière

THE FAVOUR, THE WATCH AND THE VERY BIG FISH (3+ outta 4 stars) I hadn't seen this movie for along time but I remember thinking when it first came out that it didn't have much going for it. Seeing it a second time I was really surprised at how much more I liked the oddball storyline. Bob Hoskins plays a nerdy church photographer who is trying to complete a photo series of famous Biblical characters. Unfortunately he hasn't found the right Jesus yet and his boss (Michel Blanc) is putting on the pressure. Filling in for an ailing friend, Hoskins finds himself doing voice-over work for porn movies... where he meets Sybil, the girl of his dreams (Natasha Richardson), in the funniest scene in the movie. Hoskins finally finds the ideal Jesus in a sad-faced homeless man played by Jeff Goldblum... who, after becoming famous playing Jesus, begins to think that he might *really* be. Many, many complications arise... and lots of extremely odd plot twists and bizarre characterizations. The movie definitely does not go where you think it is going to. The actors all do great jobs... and the script is filled with witty one-liners... and even a serious aside or two. Definitely worth checking out if you like unusual movies.

This is a new approach to comedy. It isn't funny.

The joke is that this, in and of itself, is supposed to be funny.

The story is based on a French short story, located in Paris, and the characters have French names. Louis Aubinard, for example ... played by ... Bob Hoskins? The movie also stars the equally French Jeff Goldblum and Natasha Richardson. The situations are similar to and the characters perform as if in those Carry-On movies from years back.

I believe these are also jokes - to cast these actors who make no attempt to act French in any way, to have them cavort in the manner of broad English dance hall comedy, and to leave the whole bloomin' mystery unexplained to the audience.

In the humour department, this is practically the Algonquin Round Table, isn't it?

The movie tries to be charming and quirky, and I guess these characteristics are sort of funny. Not as funny as Duck Soup or Love and Death, perhaps, but funnier than The Deer Hunter or The Battleship Potemkin.

It is an example of personal filmmaking. It makes no real effort to reach out and share with the audience, but stays true to its premise and its internal logic. Although all the situations are unbelievable, they are logical within the film's own bizarro world.

I generally like this kind of eccentric movie, but I found this one to be paced too slowly, to be dull-witted, tedious, and to provide too few pleasurable surprises or genuine wit. It just kind of meanders in predictable and sophomoric ways, and wastes some wonderful talents along the way. It has to be the low point in the career of each of the major stars, who are all otherwise distinguished players. I found it to be the biggest waste of talent since The Betsy, and I wish I had never seen Goldblum and Hoskins in this thing.

So, call it an interesting miss, and pass on it as a rental unless you really have a lot of time to kill.

I saw this movie when it first came out and really liked it. I recall it didn't do that well, perhaps because the trailer for it was so badly done.

I decided to watch it again, and it's still very entertaining. It starts a little slow but gets nuttier and nuttier as it goes along. Jeff Goldblum is excellent as a volatile pianist and Bob Hoskins quite good as the meek protagonist. The plot is quite ingenious. The movie is quite silly and odd, and I can certainly see it wouldn't appeal to everyone, but for those who like quirky indie films, this is a great bet.

This is a lovely piece of black humor and non sequitur, and I can't believe I never heard of it until a friend showed it to me last night. While it has some parts which are not absolutely necessary, most of it is splendidly daft and macabre, and seems like the sort of thing I would have heard about, considering my taste for such films as Delicatessen, Brazil, Naked Lunch, Repo Man and so on. Why didn't anyone tell me????

This is a truly refreshing comedy with offbeat humour and I couldn't help laughing so loudly when I watched it. The main characters in the film are Louis (Bob Hoskins), Sybil (Natasha Richardson) and the pianist (Jeff Goldblum). Photographer Louis (who specialises in religious pictures) is asked by an sick friend to do him a favour- voicing a porno movie. At the studio Louis meets Sybil, who also lends her voice to the same film. Then Sybil tells Louis about a pianist (whose real name remains unknown) she met a couple of years ago, where she worked as a waitress. At a rich girl's birthday party the girl asked Sybil to ask the sad-looking pianist to smile because his facial expression was ruining her party. The girl even gave her an expensive, specially designed watch to Sybil for a smile of the pianist...

The depressed-turned-crazily-jealous pianist attacked a violinist one night for the violinist's attempt to seduce Sybil. He got jailed. Now he's done his time and is coincidentally discovered by Louis and later hired by Louis' supervisor (Norbert, played by Michel Blanc) as the model Jesus Christ. Louis doesn't realise that he's the pianist, Sybil doesn't know Louis and the pianist work together now and the pianist is totally unaware that Louis and Sybil know each other. The psychologically deranged pianist is gradually convinced that he possesses the power of Christ, and seeks revenge when he finds out he's been 'betrayed' by the man who's given him a job and the woman who's driven him 'mad'...

The 'favour' resembles the beginning, the watch is the connection while the 'very big fish' which is purchased by Louis resembles the odd consequences. Funnily acted, funnily filmed, with an eccentricly romantic ending, this movie is quite relaxing and it really makes you laugh. Many, many credits to Jeff Goldblum for his extremely hilarious, magical facial expressions and his acting as the pianist.