A Grande Arte

Tchéky Karyo is frankly OUTSTANDING in his role as Hermes. The disturbing, quiet, intense, dangerous man, superb! I feel this is Peter Coyote at his best, a vulnerable, intelligent, humane man who comes face to face with the reality of life that previously he had only viewed through the lens of his camera.

Again those remarkably talented Brazilian actors and actresses just continuously amaze me. As in another film I very much enjoyed that was shot in Brazil, BOCA, the Brazilian talent is immense. Previous comments have outlined the plot and so forth. I would only add that this film is tense and one comes away from it with a sense of discomfort, and that is something to be so affected by a film when all too often once the house lights come on there is no residual emotional connection.

I noted on the main details page that the Spanish version is several minutes longer than the USA video version and that REALLY irks me. This should be available, as should Zalman King's BOCA, on DVD and in full length, unedited, uncut, uncensored.

If one just wants to waste a couple of hours in amusement this is not the film to see, if one wants to have a visceral reaction and to be taken by one's collar and dragged into the frenetic and all too grim world of the invisible people of a great metropolis then by all means see EXPOSURE aka A GRANDE ARTE.

Fighting with edged weapons fell into obscurity after the advent of the gun. The old European blade skills almost died out, as did the Oriental arts of Arnis, Escrima, and Silat(which were derived in part from the fighting art of the Spanish Conquistadors).

The science of blade fighting smoldered weakly for five hundred years in remote outposts of Indonesia, the Philippines and Japan where the gun never quite captured the imagination of peoples who had truly understood steel.

Recently, for reasons which are still obscure, blade skills have enjoyed a renaissance as a legitimate martial art in the United States. A sub-culture of knife fighting students has emerged which will be the audience of this excellent movie.

This film stands almost alone as an artistic representation of training and fighting with edged weapons. Early in the movie Tcheky Karyo carries off a chilling and realistic knife-fighting sequence which makes the hair stand up on the neck. He then plays the instructor, showing the viewer the simple beauty of how an art thousands of years old can be transmitted.

Peter Coyote makes us see the mental and physical journey of the student. At the climax of the movie he manages to project truly the mind-set needed to face steel with steel as he goes toe-to-toe with the true master in a duel to the death.

The training sequences in this movie are clear expressions of real techniques used in the old arts of Arnis and Escrima, with elements of European blade practice thrown in. The film could actually be studied as a training aid.

A certain amount of "Hollywood" was included to extend the final fighting sequence for dramatic effect, but this will not be noticed by the novice and should not interfere with the enjoyment of any viewer interested in the arts involved.

This film is an example of the movie being better than the book. Rubim Fonseca's book "The High Art" contained only the germ of the grim plot which the movie fully exploits. For some reason, after having his character learn the high art, Fonseca has him put the knife away in a drawer and back away from the brutal reality of the science he has learned, contenting himself with amorous conquests rather than the quest for vengeance which was the real core of the book.

This movie will have a limited but loyal audience for many years. It is sad that there will probably never be a DVD version in which the frames could be stopped to better understand the science involved.

Whoever owns this movie please release on DVD. This is a cult type movie centered around knife fighting. The back story, cinematography, and allure of a dangerous earthly South America draws the viewer into what is probably Peter Coyote's most interesting work. Highly recommended! Very few movies transmit the feeling of a place as well as this movie does so visually. I have been searching for this movie for sometime and wonder why it hasn't been released on DVD. Early Walter Salles is much better than most of what is being shot today. Coyote plays a photographer living in Rio that avenges the death of a prostitute friend and goes on a journey through South America to do so. In the process of this his character learns to fight with knifes and becomes involved in an underworld whose rules he is forced to adapt to and survive.

When I saw this movie I thought it was the renaissance of the Brazilian Cinema. I was wrong.

Anyways this movie I consider one of the best of Walter Salles. A movie the He himself doesn't even like to talk about it, because of a lots of studios interference.

The photographer, José Roberto Eliezer, should be awarded for the first sequence of this movie.

It's a very good Brazilian cast and I, with 16 years old, believed that I was watching movie by Brazilwood.

I guess I reached 10 lines.

This is a well made, low key thriller about knife fighters in Rio. Peter Coyote gives one of his best performances. The only quibble I had with the film is that I wanted to see A WHOLE LOT MORE KNIFE FIGHTING!

After all that great, cool set up and the main character undergoing the Art of Knife Fighting training. I was a bit disappointed we didn't get many more knife fights. This could have been the ultimate knife fighting movie. Still, it's good. But when during the final fight sequence I wanted something more spectacular, blood spraying to the heavens like the end of Kurosawa's Sanjuro. And after seeing the extraordinary knife fighting sequence in Kill Bill I was expecting a little more.