Un crime dans la tête

I can watch this movie over and over and never get tired (then again, I haven't ever tried watching it 10 times in a row in the same day)... Candy does his own sort of persona with his trademark charm without getting annoying, and the way the film turns constantly as he tries to solve his dilemma is great (particularly when he starts to write while drunk). Not a masterpiece by any standard, but a fun flick...

This is a really good movie to watch if you like silly/fun movies, parody movies, or john candy. It has a great blend of comedy, wit, action and all sorts of other things. I am pretty surprised by the low rating. Its not the best movie by any means, but greatly above standard and really enjoyable. The actors/actresses were funny and did their parts nicely. Its not exactly original though, and it doesn't look like it had the best budget, but it does what its suppose to.. make us laugh. Definitely worth checking to see if your video store rental has it. I rate it 7/10. Rated PG for sensuality, crude humor, language and comic violence.

The all time best line in the movie -- John Candy rescuing Emma Samms on horseback -- "This stranger knows no danger!"

A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.

"Delirious" is an amiable comedy starring John Candy. I liked it but also must admit that the story is slight and the concept, though interesting, seems difficult to maintain for 96 minutes.

Jack (John Candy) is the writer and producer for a daytime soap opera. However, when he's in an accident, he awakens to find himself living in the soap...and everything is very real. However, he also learns after a while that when he writes on his typewriter, things in this world change. So, he soon manages to become a 'Wolf of Wallstreet'...a rich playboy who is catnip for women and with almost god-like powers! What's next? Well, you can pretty much predict it from the clumsily written meet cute with Janet early in the story.

I enjoyed this one but just felt it had difficulty maintaining its momentum. It also was incredibly easy to predict much of what happens as a result of this weird experience...so much so that the finale seemed like a foregone conclusion. A good time-passer but not among Candy's best.

I guess that "Delirious" was mostly one of John Candy's innocuously silly placeholders in between his really great roles, but it's still a fairly entertaining one. Maybe not rip-snorting hilarity - after "Planes, Trains and Automobiles", it's hard to imagine Candy in a funnier role - but an OK way to pass time. As a screenwriter who gets knocked out and wakes up a character in his own show, Candy makes the most of his role. Among the other cast members are Mariel Hemingway, Raymond Burr (in his final theatrical role), Jerry Orbach, Robert Wagner and Margot Kidder.

Oh, and if you think that you recognize "Hungarian Rhapsody #2", the classic Looney Tunes cartoons often used it: "Rhapsody in Rivets", "Rhapsody Rabbit", "Wise Quackers" and "What's Up, Doc?", to name a few. Later, "Who Framed Roger Rabbit" had Daffy Duck and Donald Duck play it on pianos and undermine each other's performances.