Chameleon Street

It's a shame this film didn't get more notice and better distribution at the time it was released, in spite of being championed by indie fave Steven Sorderbergh. I've been waiting for another directorial effort from Wendell B. Harris, but nothing appears to be forthcoming. That's unfortunate but indicative of the realities of contemporary Hollywood, where talented black performers are given short shrift in favor of the bottom line. This usually means that the project that gets made is based on the name recognition of the rising black star who's attached and where they are on the pop music charts.

Even though the film itself suffered a bit on the production value end because of its low budget, the story was original and Mr. Harris' portrayal of the identity shifting protagonist was exhilarating for its boldness. The idea of person of color who unapologetically subverts "the system" is daring in and of itself. The fact that it was done with style and a good bit of humor was both refreshing and encouraging. It says that there are statements to be made through the medium of film without being overtly confrontational or dogmatic.

Chameleon Street is a very amusing look at an intriguing character, who seems to find peace in recreating himself through various occupational, and identity transformations. He brilliantly masquerades as a number of professionals, and takes his audience through a thrill ride of elaborate schemes to make money, while carefully concealing his true identity. Ultimately, he is unable to escape his own character flaws, which cause his elaborate plot to unravel, thread by thread, before his very eyes. Although other stories have chronicled the lives of impostors, none have been told in such a refreshingly comical manner. It is a treat to watch.

A biting satire based on true stories of separate con-artists that tried to pull various scams, including blackmail and impersonating a reporter, surgeon, lawyer and others. Not a simple comedy so much as a deep look into how different races, social classes and ways of making a living are taken for granted. A true "independent" film, not because of its small budget or Wendell Harris's role as writer-director-star, but from its story and style taking chances. Even after winning best film at Sundance (before it was the super-popular fest it is now), no distributor would pick it up, apparently scared by the film's content. The only offer was to remake the film with "Fresh Prince" Will Smith, effectively putting a happy face on it. Appalled at that idea, Harris held out and STREET finally made an all-too-limited release in theaters and later on home video. Highly recommended.

About half as good as "Catch Me If You Can", this at times funny film is way too one note, that note, of course, being that the white establishment is so stupid that it can even be hoodwinked by a none too clever con artist. I got the point after the first scam involving the title character impersonating a Time Magazine journalist and by the middle of the second, when Street pretends to be a surgeon, I was officially tired of the whole thing. That I didn't bail until the start of the third impersonation (an African exchange student at Yale) was mostly due to writer/director/star Wendell B Harris' comic chops, which are not inconsiderable. Kinda surprised that he didn't get a shot at a second feature, at least as a scenarist and/or actor. Give it a C plus.