Les Nerfs à vif

Sent to jail for a crime he did commit, a newly released felon has some pain he's to inflict, on the lawyer that defended him, who gave him many years, for the scars of his internment that he carries and he wears, stalking his prey without cover or disguise, the family of Sam Bowden see their world start to capsize, a vengeance full of hate, a psychopath intent, many years of brewing, chewing, digest and ferment.

Robert De Nero delivers a tremendous performance as Max Cady who leaves you under no illusion of the torture he intends to inflict, psychological and physical, on the family of the man responsible for his incarceration. Nick Nolte plays Nick Nolte, not quite as elegantly as Gregory Peck.

Last night on TV there was "Casino" and today "Cape Fear" so I decided to take a look again at those two Scorsese movies. What I remembered from first viewing of "Cape Fear", about 8 years ago, is that that was one scary movie. I was only a kid back then, but even after all these years I felt again that this movie gives great doze of fear. Mostly it is because of brilliant portrayal coming from Robert De Niro (Max Cady is definitely not kind of guy who you wanna meet) and great Martin Scorsese ability to 'manufacture' terrifying scenes (for example when Nolte is hiding behind trash cans and when De Niro says: 'Counselor, could you be there?' - that one reminded me of Walter Hill's "The Warriors" and Luther in the same movie). Scorsese + De Niro (his all time favorite) never fails to deliver when they have as good script as this. Here, there is relationship between lawyers and clients, parents and children; also law in America is comprehended, where are holes in system, what can or cannot man do to protect his family and so on. I also read some of the comments that compare this one with the original and spits on this movie. To those people I say that this is an Oscar winning picture for some remakes I have seen in my life. If Mitchum and Peck (stars from the original) gave their blessing why can't you? So, I advise you to take a look at this Scorsese picture because it's scary, with Hitchcock elements and great acting coming from all actors involved. This is a great horror/thriller!!!

Robert De Niro is one of those actors that just melts into a role. His performance as rapist, convict, and all-around not-a-very-nice fellow Max Cady is certainly one of his most memorable performances for its stamina, strength, and excessiveness. The film by Martin Scorsece is a remake of the classic film starring Robert Mitchum and Gregory Peck. Although Scorsece keeps the spirit of the film intact, he does make some very modern changes. He changes the role of Sam Bowden and family from one of harmony to dysfunction. No character is the epitome of a universal good, but rather flawed(very flawed) goodness. Nick Nolte does a fine job as Bowden and Jessica Lange and Juliette Lewis both give deep, emotional performances. The film is really a sea of emotion...most of that emotion being fear. Scorsece adds some arty touches with the camera, but it is his gritty style that really dominates the film's impact. Scorsece also is ever the protector of film as he gives cameos to Gregory Peck, Robert Mitchum, and Martin Balsam(all in the original film). The other acting standout goes to Joe Don Baker as a hired private investigator. But make no mistake....this is De Niro's film all the way. He has some of the best lines as he harasses the Bowden family, terrorizes the Bowden family, and strips the Bowden family of all civility, pretense, and dignity. This film is definitely a keeper!

A very intense, very disturbing film. DeNiro gives his usual great performance as a psycho. He's good at that (eg. Taxi Driver). The plot is tight, the action is gripping. Worth a second look.

Scorsese inherited this project from Steven Spielberg when the two swapped films. Spielberg got Schindler's List and Scorsese got Cape Fear. It would've been interesting to see how it would've turned out the other way around. As it turns out, Cape Fear is a film that follows Scorsese's usual themes, mainly guilt. Nick Nolte suffers from it, and Robert DeNiro helps to amplify the guilt. He attacks Nolte indirectly, letting Nolte inflict the most damaging on himself. In order to fight this loon, Nolte has to sink to his level, which is what DeNiro's Max Cady wanted. Scorsese's use of the camera is fluid and always moving. Those slow zooms on Cady, the whip cuts from one scene to another and the whole end sequence is a doozy. Bernard Herrman's great score is pumped through your speakers in Dolby sound and gives the film, a proper level of menace. Watch this instead of "The Fan." You won't be disappointed.