Par l'épée

This movie fascinated me from the very beginning. It revolves around the sport of fencing, but the plot has little to do with fencing and more to do with crime & punishment, retribution and forgiveness, and the meaning of success. Eric Roberts plays a skilled but haughty owner of a fencing school, just like his dear old (deceased) dad. F. Murray Abraham is the mystery man, who is apparently making a new start in a new town and who applies to be a fencing teacher at the school. Although Roberts quickly discerns that Abraham is not "up to snuff" for a teacher and hires him as a janitor, Roberts fails to recognize the inevitable result of years away from a sport that requires daily attention. Over the course of the film, Roberts & Abraham flesh out their characters nicely as the viewer discovers who Abraham really is while watching Roberts' character discover himself and finally learn a lesson that was stunted by tragedy in his boyhood. Like any movie about a sport, I'm sure there were fencing "flaws," but it was believable enough to me to make watching it intriguing (and sometimes tiring!). There's quite a lot of action for this movie that only has 3 sets, too! Get a bag of popcorn and settle in for a good flick.

I thought this movie was very good for several reasons. The first was that the plot was woven very well around a sport that does not receive much attention, fencing. I know very little about fencing but this was a good introduction. It is almost an artform, and the aura of the training school added another dimension. Having novices being taught fencing allowed the viewer to pick up on the basics.

Secondly was the casting. Eric Roberts in my opinion is one of the best actors going around and pairing him up with F. Murray Abraham, you really can't go wrong acting wise. The supporting cast was merely there to add to the plot and to help develop some atmosphere.

Without giving too much away, this is a movie about revenge that chips away at the start through flashbacks but builds to an inevitable but pulsing showdown. Eric Roberts plays the part of an egotistical past fencing champion and present training supremo. F Murray Abraham is a man with a hidden past, linked to fencing that you feel must come out sooner or later.

The action scenes involving fencing were admirable and while people take acting for granted, for both the afore mentioned actors to handle foils as they did would indicate they had some previous understanding of the sport.

I don't think I am giving too much away by saying F. Murray Abrahams character Max, in addition to attempting to break in as a fencing instructor is also taking cautious steps in trying to establish relationship ties after being incarcerated for a very long period.

All in all a very pleasing time filler, that also exhibited the hustle and bustle of the city it was filmed in, despite most of the action taking place inside the training school for aspiring fencers.

By the Sword has depth to it that I seldom see in film. It also displays a morality play, skillfully embedded in the story that make this one of my all time favorites. I recognize that By the Sword will not be for everyone. It was not made with the cookie cutter approach.

Normally, I like Leonard Maltin and can sympathise with his reviews but he seems to have watched a different film here entirely. It is not really a revenge story, "by-the-numbers" or otherwise. There is a man with a mission here but cheap vengeance isn't his goal. The leads do an excellent job of portraying antagonistic personalities coming slowly to the boil in the claustrophobic world of the fencing salon as the characters evolve. And they do evolve.

As for Errol Flynn doing it better, that is a fatuous comment in the extreme. Apart from his swordfight on the beach with Basil Rathbone in "Captain Blood", his fencing always looked very stagy to me. The last fight in "By the Sword", by contrast, is the single most vicious fencing combat I've ever seen. It is the only time I have ever had the impression that the combatants actually intend to kill one another. A brilliantly choreographed sequence.

There is exactly one group of people who will watch this film more than once: fencers. And even we wince. So much of this story is anathema to *everything* fencers hold dear: honor, romance and SAFETY!

No maestro worth the name would encourage any kind of deliberate roughness such as is exhibited in BtS.

Neither would anyone imagine a choreographed dance routine with pirouettes. THE HORROR!

But beneath the ugly scum of detail, there *is* a story...who is Suba (excellently underplayed by F. Murray Abraham), and why does he come to the Maestro's studio? Why does he think he can teach fencing? Oh, and we get to see the lovely Mia Sara in a tight fencing uniform, a small bonus.

It's not the best film, no. It's far from the worst. Do not expect to see real Olympic style fencing; for that, go to the next competition nearest you!