Body Puzzle

"Body Puzzle" is a typical Italian thriller,not exactly a masterpiece,but it delivers some surprising twists.The death scenes are pretty vicious and graphic,especially when the woman has her hand chopped off.Director Lamberto Bava creates a reasonable amount of suspense and Luigi Kuvellier("Deep Red","Blood for Dracula")does the slick photography.Polish horror queen Joanna Pacula("Warlock 2","The Kiss" and awful "Haunted Sea")is pretty good as a widow in peril.It's also very nice to see Giovanni Lombardo Radice("House on the Edge of the Park","Gates of Hell","Cannibal Ferox")as the epicene Morangi.Overall this one is worth a look,if you like Italian giallos.

A cop is investigating a weird series of murders that don't add up. Parts are being removed like trophies but not the same part. He races against the clock to save the next possible victim and solve the body puzzle.

'Body Puzzle' isn't a great movie by any stretch of the imagination but I didn't find it as bad as many reviewers suggest. It's not all that flashy as a Giallo or as well thought out but the acting isn't too horrid and the direction kept me zoned in. The plot is a bit far fetched but hey it's a slasher! What can you do? I give it a 3 of 5 for keeping me entertained and an interesting character or two.

Body Puzzle is something of an atypical giallo in so far as that the face of the killer is seen from the outset. The rest, as they say, is business as usual, with director Lamberto Bava delivering a convoluted murder mystery with a beautiful woman in peril (Joanna Pacula), a tough cop trying to crack the case (Tomas Arana), and several elaborately staged, mean-spirited murders.

Pacula plays widow Tracy, who begins to receive gruesome gifts from a serial killer: body parts from his victims. As the murderer goes about his business, police detective Michele (Arana) tries to figure out the motive for the slayings, thereby leading him to uncover the killer's identity. It all gets a little tough to follow at times, but Bava's stylish direction and the grisly death scenes ensure a good time for giallo fans.

Gory highlights include the vicious murder of a pastry store owner (who loses his ear) and the chopping off of a woman's hand in a toilet cubicle, but the most ingenious killing has to be that of a teacher in a classroom full of blind children, the psycho committing his crime as the kids happily listen to a recording of 'Peter and the Wolf'. Fans of italian horror will also get a kick out of seeing genre favourite Giovanni Lombardo Radice as camp stable owner Morangi, who supplies Michele with a vital clue.

I actually enjoyed this more than i thought i would, this being 90's Lamberto Bava- whom i was never a huge fan of (Delirium aside). Despite an incoherent plot it manages to stay engaging, doubtless aided by the wonderful cinematography of Luigi Kuveiller (A Woman in a Lizard's Skin, Profondo Rosso). The ending is quite charming as well. All around fun , especially for a giallo made in the 90s. Better than most of Argento's output during that decade.

An absorbing giallo , with an above -average screenplay; sometimes one thinks of the golden hour of Dario Argento (roughly 1967-1980) Gore is kept to the minimum and this story of body parts is not a remake of "les mains d'Orlac" or the poor adaptation of Boileau -Narcejac 's "body parts" .

The story is labyrinthine and definitely off the beaten track ; it deals with split personality ,homosexuality and mistaken identities ; the trick of the photograph is so simple (and so effective) that one wonders why it had not been used before .Lamberto Bava never equalled his father Mario's best horror films such as " I tre volti della paura" ,but here,he delivers the goods .