En liberté dans les champs du Seigneur

The length of this movie is possibly a detriment, however it is worth the time in most respects. One of the main issues explored is age-old in terms of how religion is brought to people that the civilized world sometimes arrogantly considers are "savages." Another issue is the finding of one's own identity. The main characters in the story, mostly missionaries from the United States, seem to each represent various perspectives and viewpoints that people can bring to living in another place and culture, in this story it is the Amazon and the Indians that live there. The acting was good -- not great great -- but good enough that you believed the character's various dilemnas. Adian Quinn did quite well in his role as he struggled with trying to understand the minds of the Indians and their concept of a god and blending this with his own Christian perspective. Tom Berenger's role was more complex and his acting was subdued. The other actors such as Darryl Hannah and John Lithgow had somewhat difficult parts that were handled competently. Kathy Bates, as always, added flavor as did Tom Waits.

In "At Play in the Fields of the Lord", the remarkable Hector Babenco (Pixote, Kiss of the Spider Woman) paints a portrait of disillusion and despair on a canvas of sun-dappled green.

This is no mere tract on the consequences of cultural imperialism, but an examination of the myriad ways in which human folly, ignorance and arrogance (with an assist from the heedless juggernaut of Nature) conspire to overcome idealism, innocence, and the fragile constructs of civilization. This is not a "feel-good" flick, but it is a powerful and affecting one.

The actors involved--including Tom Berenger, Aidann Quinn, John Lithgow and Daryl Hannah (!)--all give intelligent and well-modulated performances. And, once again, the astonishing Kathy Bates blows everyone else away with her wrenching turn as Quinn's reluctant (and ultimately devastated) wife.

The film is long, dark and stubbornly pessimistic-- but also visually lush and emotionally cathartic; ultimately, the viewer will find it unforgettable.

I purchased the video of this film after it passed through the theatres so fast I was unable to see it. I had read and reread Peter Matthiessen's award winning book and still gift it to friends and family. The film remained true to the novel. No film can truly portray in three or even in five hours all the complexities that a good writer can express. This film did however do an exceptional job for the time it had.

Some have said this film is anti Protestant, or just anti missionary. That is just too simplistic and misleading a label for this story. There is far more to digest than those labels could ever suggest. Here is the deliberate forced movement or destruction of a tribe to gain gold mining opportunities. This is happening with local government officials looking the other way ignoring current federal obligations to the native population. There is a built in irony that Moon (Tom Berenger) is part Cheyenne Indian. The current South Dakota reservations came about by our government reneging on deals in order to get access to gold in the Black Hills. The result was an ecological and cultural disaster for the Sioux nation.

This film was as about the symbiosis of culture and environment. Missionaries in Micronesia told the islanders in Yap that taboos on fishing were just superstition. An island bio-system that could once support 10,000 people can now not even support 1, 000. Missionaries tell South American tribes that their occasional drug inspired journeys are pure evil. There are ways these ancient cultural traditions can be kept without any threat to Christian doctrine. Instead, especially for western protestant missionaries, conversion is often more about cultural than religious conversion. This results in the ultimate economic and ecological destruction that follows.

Everyone should see this film, and better yet read the incredible book that inspired it.

Directed by Academy Award nominated Argentinian-Brazilian writer-director Hector Babenco and co-written by a longtime Luis Buñuel collaborator Jean Claude Carriere this is a breathtakingly beautiful, masterfully directed film, that features a story of two protestant missionary couples from a small town in U.S. that come to Amazonia with an intent to preach to the wild Indians of the area and an American pilot, wonderfully played by Tom Berenger, who feels atracted to the way of life of the Indians and joins and lives with them. Following the life of it´s protagonists in Amazonian forest, the film explores many subjects, such as: religious fanaticism and intolerance, ecology, destructive external influence on an unique Indian culture and, of cause, lust and greed. It´s slowly paced and has a duration of over 3 hours but it never became boring, at least for me. I was surprised to find that this film has an average rating of only 6.3 here on IMDB. It certainly deserves much more. 8/10

I don't really have a problem if a reviewer, that is, a Siskle or Ebert type wants to give this a bad rating. That's what they are paid for - to find fault in movies.

But everyone I know loved this film, well, maybe loved isn't the best word. It was at times painful, but it was very beautiful and very vivid and one of my favorite films.

I was surprised when I looked for this on Netflix and it wasn't available. With all the junk on DVD, this is a beautifly filled, intense movie with a real story. I don't know why it doesn't have more recognition.